Wednesday, 24 August 2011

altThe 1950s were a heady time for the world, especially for America and Great Britain.

WWII was the past; the Cold War was the present. Spies lurked around every corner.

And journalism, especially that new product TV journalism, was changing.

BBC America's The Hour powerfully portrays this changing world with vivid storytelling and realistic characters.

The six-part series airs at 10 p.m. Wednesdays on BCC America with frequent encores; it also is On Demand. The DVD will be released in mid-September.

The Hour mixes Broadcast News with the era of Mad Men and a smidgeon of Lou Grant. Government conspiracies, espionage, a hit man and a couple of crusading journalists make this first-class drama, the kind we've come to expect from BBC America.

Set in 1956, The Hour concerns the launch of an investigative news show, a newfangled idea for a burgeoning medium. Intelligent journalist Freddie Lyon, played to perfection by Ben Whishaw, is frustrated by what he calls the "brisk banality" of TV news. He gripes that martial law has been declared in Poland but the lead news item is of Prince Rainier with "a showgirl." It's a good thing Freddie isn't seeing what passes for TV news coverage in the 21st century.

Freddie has little hope for The Hour , especially when the lead anchor is Hector Madden (Dominic West), whom Freddie is convinced is hired only for his good looks and his family connections. He's right, of course.

Still he is drawn into the new show to be called The Hour by his friend Bel Rowley (Romola Garai), a brilliant producer and one of the few women in management. Freddie and Bel have a close friendship with a strong undercurrent of sexual tension. They call each other Moneypenney and James, a nod to the Cold War and that new novel by Ian Fleming.

Following a meeting with a childhood friend, Freddie is drawn into a series of murders that may be connected to a government conspiracy.

The Hour intelligently hits all the key social and political situations of the time with a subtle hand. Bel is respected for her work but also runs into sexism at every turn. She and Mad Men's Peggy Olson would have much in common, including each's habit of getting involved with "unavailable men," as Freddie calls them. The view of early TV journalism is more than just nostalgia.

Each character is well developed and supported by strong actors. Garai and Whishaw are favorites of British and PBS viewers.

Dominic West is best known for playing Jimmy McNulty in HBO's brilliant The Wire. And West's accent in The Hour is closer to his own than the Baltimore accent he had in The Wire; he was born in Yorkshire. Lix Storm, a celebrated war correspondent, is played by Anna Chancellor, who American audiences may recognize from Four Weddings and a Funeral and MI5.

Photo: In front from left: Anna Chancellor, Ben Whishaw, Romola Garai, Dominic West, Oona Chaplin. BBC America photo

The Hour on Bbc America
Oline Cogdill
the-hour-on-bbc-america

altThe 1950s were a heady time for the world, especially for America and Great Britain.

WWII was the past; the Cold War was the present. Spies lurked around every corner.

And journalism, especially that new product TV journalism, was changing.

BBC America's The Hour powerfully portrays this changing world with vivid storytelling and realistic characters.

The six-part series airs at 10 p.m. Wednesdays on BCC America with frequent encores; it also is On Demand. The DVD will be released in mid-September.

The Hour mixes Broadcast News with the era of Mad Men and a smidgeon of Lou Grant. Government conspiracies, espionage, a hit man and a couple of crusading journalists make this first-class drama, the kind we've come to expect from BBC America.

Set in 1956, The Hour concerns the launch of an investigative news show, a newfangled idea for a burgeoning medium. Intelligent journalist Freddie Lyon, played to perfection by Ben Whishaw, is frustrated by what he calls the "brisk banality" of TV news. He gripes that martial law has been declared in Poland but the lead news item is of Prince Rainier with "a showgirl." It's a good thing Freddie isn't seeing what passes for TV news coverage in the 21st century.

Freddie has little hope for The Hour , especially when the lead anchor is Hector Madden (Dominic West), whom Freddie is convinced is hired only for his good looks and his family connections. He's right, of course.

Still he is drawn into the new show to be called The Hour by his friend Bel Rowley (Romola Garai), a brilliant producer and one of the few women in management. Freddie and Bel have a close friendship with a strong undercurrent of sexual tension. They call each other Moneypenney and James, a nod to the Cold War and that new novel by Ian Fleming.

Following a meeting with a childhood friend, Freddie is drawn into a series of murders that may be connected to a government conspiracy.

The Hour intelligently hits all the key social and political situations of the time with a subtle hand. Bel is respected for her work but also runs into sexism at every turn. She and Mad Men's Peggy Olson would have much in common, including each's habit of getting involved with "unavailable men," as Freddie calls them. The view of early TV journalism is more than just nostalgia.

Each character is well developed and supported by strong actors. Garai and Whishaw are favorites of British and PBS viewers.

Dominic West is best known for playing Jimmy McNulty in HBO's brilliant The Wire. And West's accent in The Hour is closer to his own than the Baltimore accent he had in The Wire; he was born in Yorkshire. Lix Storm, a celebrated war correspondent, is played by Anna Chancellor, who American audiences may recognize from Four Weddings and a Funeral and MI5.

Photo: In front from left: Anna Chancellor, Ben Whishaw, Romola Garai, Dominic West, Oona Chaplin. BBC America photo

Sunday, 21 August 2011

altI miss Law & Order.

That must seem strange since Law & Order, both the original and its spinoffs, seem to be aired at least 23 1/2 hours a day, seven days a week.

But I miss the new stories that sometimes against my will would pull me in week after week.

OK, truth be told, I am easily riveted even by episodes I have seen 4,322 times.

altMy latest Law & Order fascination is Law & Order: UK, which just launched its third season at 9 p.m. Wednesdays on BBC America. It's also available On Demand. And, of course, the first season of Law & Order: UK is now on DVD.

The set up is the same with the U.K. version: detectives and prosecutors work to solve crimes and bring the criminals to justice in London. Not that much different from the American versions; even Dick Wolf is the creator and executive producer.

But British detectives operate under different rules than their American counterparts as do the prosecutors. This brings Law & Order: UK a different texture that goes beyond the wigs worn in court.

Two friends who also are avid Law & Order: UK fans have told me the episodes are ripped not from the headlines as much as from the original Law & Order. I have no doubt that may be true but to me the British setting makes the episodes seem fresh and new.

altThe new season of Law & Order: UK features Ronnie Brooks (Bradley Walsh), a cop from the East End whose partner is the younger Matt Devlin (Jamie Bamber). They report to Natalie Chandler (Harriet Walter).

Courtside is crown prosecutor Alesha Phillips (Freema Agyeman, left), whose new partner is Jacob Thorne (Dominic Rowan), a gifted and uncompromising criminal prosecutor. Peter Davison (Doctor Who, Unforgiven) plays their new boss Henry Sharpe.

And just like the American version, that two-note music is part of Law & Order: UK.

Photos: Top, Bradley Walsh, center front, Jamie Bamber, left, and Harriet Walter. Bottom: Freema Agyeman BBC America photos

Law & Order: Uk Returns
Oline Cogdill
law-a-order-uk-returns

altI miss Law & Order.

That must seem strange since Law & Order, both the original and its spinoffs, seem to be aired at least 23 1/2 hours a day, seven days a week.

But I miss the new stories that sometimes against my will would pull me in week after week.

OK, truth be told, I am easily riveted even by episodes I have seen 4,322 times.

altMy latest Law & Order fascination is Law & Order: UK, which just launched its third season at 9 p.m. Wednesdays on BBC America. It's also available On Demand. And, of course, the first season of Law & Order: UK is now on DVD.

The set up is the same with the U.K. version: detectives and prosecutors work to solve crimes and bring the criminals to justice in London. Not that much different from the American versions; even Dick Wolf is the creator and executive producer.

But British detectives operate under different rules than their American counterparts as do the prosecutors. This brings Law & Order: UK a different texture that goes beyond the wigs worn in court.

Two friends who also are avid Law & Order: UK fans have told me the episodes are ripped not from the headlines as much as from the original Law & Order. I have no doubt that may be true but to me the British setting makes the episodes seem fresh and new.

altThe new season of Law & Order: UK features Ronnie Brooks (Bradley Walsh), a cop from the East End whose partner is the younger Matt Devlin (Jamie Bamber). They report to Natalie Chandler (Harriet Walter).

Courtside is crown prosecutor Alesha Phillips (Freema Agyeman, left), whose new partner is Jacob Thorne (Dominic Rowan), a gifted and uncompromising criminal prosecutor. Peter Davison (Doctor Who, Unforgiven) plays their new boss Henry Sharpe.

And just like the American version, that two-note music is part of Law & Order: UK.

Photos: Top, Bradley Walsh, center front, Jamie Bamber, left, and Harriet Walter. Bottom: Freema Agyeman BBC America photos

Friday, 19 August 2011

Bouchercon isn't just a great event for fans.

It's also the time when several notable mystery awards are announced. Some of these honors have nothing to do with Bouchercon, but the groups sponsoring the awards wisely use this large gathering of writers to make their announcements. This year, Bouchercon is Sept. 15-18 in St. Louis.

The Private Eye Writers of America has announced the nominees for the 2011 Shamus Awards. Winners will be announced in St. Louis during a private Private Eye Writers of America banquet.

Congratulations to all the nominees!

BEST HARDCOVER PI NOVEL
No Mercy
, by Lori Armstrong (Touchstone)
The First Rule, by Robert Crais (Putnam)
Voyeur, by Daniel Judson (Minotaur)If the Dead Rise Not, by Philip Kerr (Putnam)
Naked Moon, by Domenic Stansberry (Minotaur)

BEST FIRST PI NOVEL
In Search of Mercy, by Michael Ayoob (Minotaur)
One Man’s Paradise, by Douglas Corleone (Minotaur)
Rogue Island, by Bruce DeSilva (Forge)
Random Violence, by Jassy MacKenzie (Soho)
City of Dragons, by Kelli Stanley (Minotaur)

BEST PAPERBACK ORIGINAL PI NOVEL
Hostage Zero
, by John Gilstrap (Kensington)
Nightshade, by Tom Henighan (Dundurn Press)
Mister X, by John Lutz (Pinnacle)
The Panic Zone, by Rick Mofina (Mira)
Asia Hand, by Christopher G. Moore (Grove/Atlantic)
The Little Death, by P.J. Parrish (Pocket Star)

BEST PI SHORT STORY
“The God of Right and Wrong,” by Steven Gore
(Alfred Hitchcock Mystery Magazine, January/February 2010)

“The Lamb Was Sure to Go,” by Gar Anthony Haywood
(Alfred Hitchcock Mystery Magazine, November 2010)

“The Girl in the Golden Gown,” by Robert S. Levinson
(Ellery Queen Mystery Magazine, March/April 2010)

“Phelan’s First Case.” by Lisa Sandlin
(Lone Star Noir, edited by Bobby Byrd and Johnny Byrd; Akashic Books)

“A Long Time Dead,” by Mickey Spillane and Max Allan Collins
(The Strand Magazine, June-Sept. 2010)

Shamus Nominations
Oline Cogdill
shamus-nominations

Bouchercon isn't just a great event for fans.

It's also the time when several notable mystery awards are announced. Some of these honors have nothing to do with Bouchercon, but the groups sponsoring the awards wisely use this large gathering of writers to make their announcements. This year, Bouchercon is Sept. 15-18 in St. Louis.

The Private Eye Writers of America has announced the nominees for the 2011 Shamus Awards. Winners will be announced in St. Louis during a private Private Eye Writers of America banquet.

Congratulations to all the nominees!

BEST HARDCOVER PI NOVEL
No Mercy
, by Lori Armstrong (Touchstone)
The First Rule, by Robert Crais (Putnam)
Voyeur, by Daniel Judson (Minotaur)If the Dead Rise Not, by Philip Kerr (Putnam)
Naked Moon, by Domenic Stansberry (Minotaur)

BEST FIRST PI NOVEL
In Search of Mercy, by Michael Ayoob (Minotaur)
One Man’s Paradise, by Douglas Corleone (Minotaur)
Rogue Island, by Bruce DeSilva (Forge)
Random Violence, by Jassy MacKenzie (Soho)
City of Dragons, by Kelli Stanley (Minotaur)

BEST PAPERBACK ORIGINAL PI NOVEL
Hostage Zero
, by John Gilstrap (Kensington)
Nightshade, by Tom Henighan (Dundurn Press)
Mister X, by John Lutz (Pinnacle)
The Panic Zone, by Rick Mofina (Mira)
Asia Hand, by Christopher G. Moore (Grove/Atlantic)
The Little Death, by P.J. Parrish (Pocket Star)

BEST PI SHORT STORY
“The God of Right and Wrong,” by Steven Gore
(Alfred Hitchcock Mystery Magazine, January/February 2010)

“The Lamb Was Sure to Go,” by Gar Anthony Haywood
(Alfred Hitchcock Mystery Magazine, November 2010)

“The Girl in the Golden Gown,” by Robert S. Levinson
(Ellery Queen Mystery Magazine, March/April 2010)

“Phelan’s First Case.” by Lisa Sandlin
(Lone Star Noir, edited by Bobby Byrd and Johnny Byrd; Akashic Books)

“A Long Time Dead,” by Mickey Spillane and Max Allan Collins
(The Strand Magazine, June-Sept. 2010)