Saturday, 25 September 2021

Those of us who love the mystery genre know that these stories can touch our hearts.

The ideas of whodunit, nonstop action and puzzle solving take a back seat to those emotional stories that show us who we are and how we deal with issues such as grief, marriage, friendship, corruption, abuse, and the past.

The legacies the authors leave last forever, and the passing of one of our beloved authors affects each reader.

The passing of Caroline Todd, at age 86 on Aug. 28, 2021, is one of those deaths that hit readers hard.

Under the name Charles Todd, Caroline and her son Charles have written two series set either during World War I or immediately after—the Ian Rutledge series about the Scotland Yard detective who suffers from shell shock and the novels about British Army nurse Bess Crawford, who spent much time on the battlefield caring for soldiers.

The Todds’ novels are remarkable for their intelligent look at history—their research so meticulous that they gave presentations at the National World War I Museum and Memorial in Kansas City, Mo.—and their three-dimensional characters.

In the aftermath of The Great War that claimed so many lives, the Todds’ novels show why each death—whether many or one—was so important.

It’s not uncommon for mystery characters to have integrity, compassion, a thirst for justice. These characteristics are the bedrock of both Ian and Bess.

Through these characters, the Todds delve into the societal changes brought on by WWI. A recurring theme in the Ian Rutledge novels is how the war still affects him. Ian must keep hidden that the war left him shell shocked—what we call PTSD today—which, during that era, was viewed as lacking “moral fiber” or cowardice.

We also learned about the often-forgotten details of the war.

In A Fatal Lie, readers learn about the Bantam Battalions, which were squads of soldiers who had not been allowed to enlist because they didn’t meet the height restrictions. Short in stature, but long in the desire to serve their country, a special battalion was established, resulting in hundreds of young men who showed their bravery and fighting acumen in myriad WWI battles, as I stated in my review.
 
The first novel in the Ian Rutledge series, A Test of Wills, was published in 1996 and won the Barry Award and was nominated for the John Creasey Award in the U.K., the Edgar Award, and the Anthony Award. The Independent Mystery Booksellers Association named A Test of Wills one of the 100 favorite mysteries of the 20th Century, and it was a New York Times Notable Book of the Year.

Bess Crawford was introduced in 2009 with A Duty to the Dead, that begins in 1916 with a harrowing scene aboard a hospital ship. The 2012 Bess novel An Unmarked Grave received an Agatha Award nomination for Best Historical Novel; followed in 2013 with A Question of Honor winning the Agatha Award for Best Historical Novel.

Together, they have published nearly 40 titles, including two stand-alone novels, an anthology of short stories and more than 20 short stories.

“I gained personal satisfaction for seeing Caroline attain a life-long dream of becoming an author,” said Charles in an email.

“I also developed a professional relationship with Caroline gaining a lot of new found respect for her. That was mutual. To have the opportunity to share both the mother/son relationship along with the professional relationship was one I will always cherish,” added Charles.


When A Test of Wills was first published, few knew that the author was really a mother and son. It wasn’t so much a secret as just something they didn’t divulge.

They registered at hotels using their real names because “because it is hard to use a credit card that has a pen name on it. On arrival at the hotel, we would add the Charles and Caroline names to the rooms so people could reach us,” said Charles in an email.

They did not make Caroline’s participation as co-author public until the fourth Rutledge novel, Legacy of the Dead, in 2000.

One reason that they delayed public notification of the co-authorship was because Caroline was diagnosed with Arrythmia with PAT. This was brought into control by 1999 and Caroline was able to join Charles in the rigorous travel promoting their books.

“Frankly, we had no idea A Test of Wills would be published much less receive the nominations and accolades it got. There was a learning curve [about being co-authors] more than a secret,” said Charles.

Once she was able, they would do events both jointly and separately. Sometimes, each would be on a different panel. “We found that we could cover more places attending simultaneous events. As much as possible, we did joint events,” he said.

Caroline signed the books as Charles Todd (correctly as one half of Charles Todd) above the printed Charles Todd and Charles signs below the printed Charles Todd.

(For those readers who wonder why I am using only the names Charles and Caroline Todd: Yes, we know that Charles Todd is a pseudonym for the mother and son. I will not diverge their real names as that is not my story to tell.)

A Todd novel tells readers more about WWI than they will ever learn in a history book because the authors put a face on history, showing the emotion, motives and intensity of the characters.

And if they mention a fact, count on that fact being true. Hands-on research was a team effort. For example, as part of their research, they took a flying lesson in an open cockpit biplane similar to planes flown during the war. Their website charlestodd.com contains photos of both of them flying the plane.

During a Zoom event in July for The Irish Hostage, Caroline talked at length about Irish politics and history. Once again, making history as fresh and relevant as if it happened today.

“We learned early on that we both had to know the research equally,” Charles said.

The exception was on trips when they might go different ways on a given day to cover more ground. They traveled often to Great Britain, separately talking to area residents, soaking up the atmosphere of both the landscape and the people. They visited small villages, battlefields and viewed military weapons.

The writing was a true partnership. “There was no ‘Caroline writes this part and Charles that.’ We always would get two copies of all books we purchased for research and shared all of our notes. When Caroline or Charles say THEY were there or THEY learned that…. It is factual and based on our shared experience,” he added.

Caroline began visiting the U.K. when Charles was a small child so she had a 10-year head start. Caroline was able to explore 107 countries until COVID interrupted her yearly ritual. Charles said he learned his love of history and the U.K. from his mother. Later, Charles branched out into the U.S. Civil War and WWII on his own as Caroline did with the United Kingdom civil war and the Elizabethan period.

“But we shared even that research when it pertained to the writing as well as general conversation,” Charles added.

In addition to their well-respected work, Caroline—and Charles—are among the nicest people, standouts in the mystery community that is known for its plethora of generous writers.

She always made of point of saying hello to my brother-in-law, Peter, a major fan.

On a personal level, I was thrilled that from the end of 2020 through 2021, I did three Zoom interviews with the Todds. Each for a different book or a different venue and each discussion was different from the last. Each discussion was a joy.

I was especially honored when they asked me to do their interview at the Bouchercon 2021 scheduled for New Orleans where they were to be the history guests of honor. When that Bouchercon was cancelled, we made plans to do the interview in Minneapolis. Alas, the week the New Orleans Bouchercon was scheduled became the week Caroline passed.

A lovely tribute to Caroline kicked off the 2021 Anthony Awards. It can be viewed here https://www.youtube.com/watch?v=qM6_p6T_JMA

Tributes to Caroline have come from myriad sources. Facebook and Twitter were filled with readers, authors, bookstore staffs, friends, and family members saying where and how they met the Caroline and how knowing her, even briefly, made an impact.

Classy, lovely, gracious, kind, compassionate are just a few of the adjectives people used in these posts. 

Wendy Corsi Staub is among those giving tribute to Ca roline. The photograph of Straub with Caroline and Charles Todd, at left, was taken during the 2017 Edgar Awards when the three of them were nominees for the Mary Higgins Clark Award. (The Todds won for The Shattered Tree.)

“It marked my third nomination and third loss, but I swear I cried happy tears when they won,” remembered Staub. “They were so, so kind to me—we all held hands waiting for the announcement—and so jubilant when they won. As always, the ultimate class act. Love them, and still grieving Caroline.

“She was always so lovely--the utmost professional and a true lady,” added Staub. The last time they saw each other in person was when Caroline was the guest of honor and Santa at the 2019 MWA New York City holiday party. “It marked the last time many of us were able to get together,” she said.

Her publisher, Wm. Morrow, published an In Memoriam notice in the New York Times. (Fourth photo above)

On a personal level, Caroline was an avid gardener and was interested in painting in oils, photography, and, of course, travel. She also had a deep love of animals and supported pet adoptions and dogs for veterans.

Caroline has often been described as “industrious,” and that certainly seems to fit. She completed her undergrad degree at the University of North Carolina in three years, which allowed her to get her master’s at the University of Pennsylvania in nine months. Her majors were history and international relations.

While at UPenn she met her husband, John Watjen. They married in 1958, then moved to Virginia where John completed his Ph.D.

After she received her master's degree and while dating her future husband, she worked at the Associated Press in the morgue (it's a newspaper term, look it up if you are unfamiliar with the phrase) and for the Editor in Chief. "In those days of the late 1950s, even with a master's degree, she was relegated to clerical work," said Charles.

After their two children were grown and on their own, Caroline picked up her career, this time as a writer.

Caroline was preceded in death by her parents, Martha Pearle and James Clifton Teachey, Jr., and John Watjen, her husband of 56 years. In addition to her son and his partner Diana, she is survived by her daughter, Linda, and her sister, Martha Teachey.     

Caroline’s legacy continues in her books. The next two novels were completed before Caroline’s death. The next Ian Rutledge novel, A Game of Fear will be released in February 2022; with preorders now set up. The next Bess Crawford novel is scheduled to be released during July of 2022. Both will be published, as usual, by HarperCollins/Morrow.)

Several bookstores also are planning special events to coincide with the releases of the next novels. Charles is planning to attend as many as he can.

A memorial service is planned for late October. She will be laid to rest next to her husband and among her family in North Carolina.

The family requests any donations go to the Faithful Friends Animal Society, the Delaware Humane Society, Wilmington, Delaware, or the Needy Family Fund of Delaware. Each of these were near and dear to Caroline’s heart, added Charles.

An author’s legacy continues long after he or she has passed. As Charles Todd. Caroline has left a legacy that will be savored for generations.

 Photos courtesy of Charles Todd: Fourth photo with Wendy Straub

REMEMBERING THE LATE CAROLINE TODD
Oline H. Cogdill
remembering-the-late-caroline-todd
Sunday, 29 August 2021

If we have learned anything this past year and a half, it’s that the show must go on. And that includes honoring authors who make this genre so wonderful.

This is the week we all would have gathered in New Orleans for the 2021 Bouchercon.

But with Covid numbers rising in Louisiana and other states, and many die-hard Bouchercon attendees canceling, the organizers made the painful, and correct, decision to cancel our 2021 Bouchercon.

And the woes of canceling one conference pales next to Covid, Hurricane Ida and myriad other world problems.

The 2025 Bouchercon will be in New Orleans at the same Marriott that was to host the 2021 conference. The hotel was wise to allow this to happen and Marriott no doubt earned a lot of goodwill among its customers.

I know many who had registered for New Orleans immediately signed up for the 2022 Bouchercon, which will be in Minneapolis. “Next year in Minneapolis” became a rallying cry on Facebook and Twitter.

The organizers still found a way to give readers a taste of the 2021 conference.

It was lovely to watch Alafair Burke in conversation with her father James Lee Burke. The Zoom interview was hosted by Heather Graham with an introduction from Rachel Howzell Hall.

And the 52nd 2021 Anthony Awards were still presented—virtually, of course. The categories were presented by Michael Connelly, Tess Gerritsen, Dennis Lehane, Megan Abbott, Jonathan Maberry and a special welcome from Craig Johnson.

Of course, not everything went smoothly—just as if we were there in person. Due to technical difficulties, the opening video by Craig Johnson didn’t show up in the live feed but was shown at the end of the ceremony. And it was a very clever video, worth hanging around for.

Emceed by Hank Phillippi Ryan, the Anthony Awards kicked off with a short presentation by three of the authors whose short stories appear in the Anthony anthology This Time for Sure. 100% of net revenues received from anthology sales are to benefit the New Orleans Public Library. And with Hurricane Ida bearing down, that money will be needed more than ever.

The anthology includes works by 22 authors. The brief talks about their short stories from Karen Dionne, Alexia Gordon, and Kristen Lepionka should inspire readers to buy this terrific collection.

The speeches from the Anthony winners also were inspiring, especially David Heska Wanbli Weiden whose Winter Counts (Ecco Press) won best debut and S.A. Cosby whose Blacktop Wasteland (Flatiron Books) was named best novel.

Heska Wanbli Weiden talked about how honored he was to be the first Native American writer to win the Anthony.

Cosby gave a heartfelt speech about growing up poor, living in a house without running water until he was 16 but also surrounded by a loving family of readers who inspired him, a grandmother who read romances, an uncle who introduced him to classic mysteries. But most of all, he thanked his mother, who has passed away. His mother bought him his first mystery novel and his first typewriter, and her inspiration and love continue in his career as a novelist.

If you missed the Anthony presentation, you can view it here.


Here are the Anthony winners, listed first in bold with ** in front of their names, along with all the nominees.

Mystery Scene offers its congratulations to all the winners and nominees.




Best Hardcover Novel
**Blacktop Wasteland, by S.A. Cosby (Flatiron Books)
What You Don't See
, by Tracy Clark (Kensington)
Little Secrets, by Jennifer Hillier (Minotaur Books)
And Now She's Gone, by Rachel Howzell Hall (Forge Books)
The First to Lie, by Hank Phillippi Ryan (Forge Books)


Best First Novel
**Winter Counts, by David Heska Wanbli Weiden (Ecco Press)

Derailed, by Mary Keliikoa (Camel Press)
Murder in Old Bombay, by Nev March (Minotaur Books)
Murder at the Mena House, by Erica Ruth Neubauer (Kensington)
The Thursday Murder Club, by Richard Osman (Pamela Dorman Books)


Best Paperback Original/EbyBook/Audiobook Original Novel
**Unspeakable Things, by Jess Lourey (Thomas & Mercer)
The Fate of a Flapper
, by Susanna Calkins (Griffin)
When No One is Watching, by Alyssa Cole (William Morrow)
The Lucky One, by Lori RaderbyDay (William Morrow)
Dirty Old Town, by Gabriel Valjan (Level Best Books)

Best Short Story
**"90 Miles" by Alex Segura, Both Sides: Stories From the Border (Agora Books)
"Dear Emily Etiquette" by Barb Goffman EQMM (Dell Magazines)
"The Boy Detective & The Summer of '74" by Art Taylor, AHMM (Jan/Feb) (Dell Magazines)
"Elysian Fields" by Gabriel Valjan, California Schemin' (Wildside Press)
"The Twenty-Five Year Engagement" by James W. Ziskin, In League with Sherlock Holmes (Pegasus Crime)

Best Juvenile/Young Adult
**Holly Hernandez and the Death of Disco, by Richie Narvaez (Piñata Books)
Midnight at the Barclay Hotel
, by Fleur Bradley (Viking Books for Young Readers)
Premeditated Myrtle, by Elizabeth C. Bunce (Algonquin Young Readers)
From the Desk of Zoe Washington, by Janae Marks (Katherine Tegen Books)
Star Wars Poe Dameron: Free Fall, by Alex Segura (Disney Lucasfilm Press)

Best Critical or Nonfiction Work
**Unspeakable Acts: True Tales of Crime, Murder, Deceit, and Obsession, by Sarah Wei
nman, ed. (Ecco Press)
Sometimes You Have to Lie: The Life and Times of Louise Fitzhugh, Renegade Author of Harriet the Spy, by Leslie Brody (Seal Press)
American Sherlock: Murder, Forensics and the Birth of American CSI, by Kate Winkler Dawson (G.P. Putnam's Sons)
Howdunit: A Masterclass in Crime Writing by Members of the Detection Club, by Martin Edwards, ed. (Collins Crime Club)
The Third Rainbow Girl: The Long Life of a Double Murder in Appalachia, by Emma Copley Eisenberg (Hachette Books)
Phantom Lady: Hollywood Producer Joan Harrison, the Forgotten Woman behind Hitchcock, by Christina Lane (Chicago Review Press)


Best Anthology or Collection
**Shattering Glass: A Nasty Woman Press Anthology, by Heather Graham, ed. (Nasty Woman Press)
Both Sides: Stories from the Border, by Gabino Iglesias, ed. (Agora Books)
Noiryorican, by Richie Narvaez (Down & Out Books)
The Beat of Black Wings: Crime Fiction Inspired by the Songs of Joni Mitchell, by Josh Pachter, ed. (Untreed Reads Publishing)
California Schemin' by Art Taylor. ed. (Wildside Press)
Lockdown: Stories of Crime, Terror, and Hope During a Pandemic, by Nick Kolakowski and Steve Weddle, eds. (Polis Books)

David Thompson Award was presented to Janet Rudolph.

 

2021 Anthony Awards and Bouchercon
Oline H Cogdill
2021-anthony-awards-and-bouchercon
Saturday, 07 August 2021

My first Bouchercon was in 1997 in Monterrey, California. It was one of those life-changing moments. At least 2,200 people showed up to listen and relish all things mysteries—great panels, discussions among authors, the ever-important bar.

I vowed to attend as many Bouchercons as possible, and have pretty much kept that promise, having missed only two through the years. I skipped the Alaska Bouchercon because the year before we’d taken a family cruise to Alaska and the 2012 in Toronto because it was more important to celebrate my friend’s birthday.

So after 2020 Bouchercon that was scheduled for Sacramento had to be canceled because of the pandemic, many of us were so looking forward to gathering in New Orleans for the 2021 Bouchercon.


Alas, it was not meant to be, and it’s the right thing to happen.

With Covid numbers rising in Louisiana, and other states, and many die-hard Bouchercon attendees canceling, the organizers last week made the painful, and correct, decision to cancel our 2021 Bouchercon.

But, instead saying canceling, let’s just say the 2021 Bouchercon as been postponed.

The 2025 Bouchercon will be in New Orleans at the same Marriott that was to host the 2021 conference. The hotel was wise to allow this to happen and Marriott no doubt earned a lot of goodwill among its customers.

And the organizers have found a way to still give readers a taste of the conference.

Two online/virtual events have been scheduled and are free and open to everyone, whether registered for Bouchercon or not.

Friday, August 27: Alafair Burke will be in conversation with James Lee Burke, top left, hosted by Heather Graham with introductions from Rachel Howzell Hall. The conversation begins at 7 p.m. ET; 6 p.m. CT; 5 p.m. MT; 4 p.m. PT; midnight GMT.

Saturday, August 28: The 52nd 2021 Anthony Awards ceremony begins. Black tie optional…or watch in your PJs, say the organizers. The ceremony features the Anthony nominees and award presenters Michael Connelly, left, Tess Gerritsen, Dennis Lehane, Caroline and Charles Todd, Jonathan Maberry and a special welcome from Craig Johnson.

Only previously registered attendees will receive an Anthony ballot.

The ceremony is scheduled for 7 p.m. ET; 6 p.m. CT; 5 p.m. MT; 4 p.m. PT; midnight GMT.

A joint statement from Bouchercon co-chairs Mike Bursaw, Heather Graham and Connie Perry states:

“Having to cancel the in-person New Orleans Bouchercon was one of the hardest decisions we have ever had to make, but, as the saying goes, the show must go on! These events will be free and open to everyone (so please tell your friends!). Please watch for details on how to watch online in upcoming emails from This email address is being protected from spambots. You need JavaScript enabled to view it..

“From our hearts to yours, turn on your computer (or whichever device you prefer) and enjoy two nights of Blood on the Bayou: Postmortem New Orleans Bouchercon 2021. We hope to see you there!”
 
Although it is too late to tape a full array of panels, these two events give us a taste of being there, and make us miss Bouchercon.

I know many who had registered for New Orleans immediately signed up for the 2022 Bouchercon, which will be in Minneapolis.

“Next year in Minneapolis” became a rallying cry on Facebook and Twitter.

Until next year, keep reading and stay safe.

Anthony Award Nominations
Best Hardcover Novel
What You Don't See, by Tracy Clark (Kensington)
Blacktop Wasteland, by S.A. Cosby (Flatiron Books)
Little Secrets, by Jennifer Hillier (Minotaur Books)
And Now She's Gone, by Rachel Howzell Hall (Forge Books)
The First to Lie, by Hank Phillippi Ryan (Forge Books)

Best First Novel
Derailed, by Mary Keliikoa (Camel Press)
Murder in Old Bombay, by Nev March (Minotaur Books)
Murder at the Mena House, by Erica Ruth Neubauer (Kensington)
The Thursday Murder Club, by Richard Osman (Pamela Dorman Books)
Winter Counts, by David Heska Wanbli Weiden (Ecco Press)

Best Paperback Original/EbyBook/Audiobook Original Novel
The Fate of a Flapper, by Susanna Calkins (Griffin)
When No One is Watching, by Alyssa Cole (William Morrow)
Unspeakable Things, by Jess Lourey (Thomas & Mercer)
The Lucky One, by Lori RaderbyDay (William Morrow)
Dirty Old Town, by Gabriel Valjan (Level Best Books)

Best Short Story
"Dear Emily Etiquette" by Barb Goffman EQMM (Dell Magazines)
"90 Miles" by Alex Segura, Both Sides: Stories From the Border (Agora Books)
"The Boy Detective & The Summer of '74" by Art Taylor, AHMM (Jan/Feb) (Dell Magazines)
"Elysian Fields" by Gabriel Valjan, California Schemin' (Wildside Press)
"The Twenty-Five Year Engagement" by James W. Ziskin, In League with Sherlock Holmes (Pegasus Crime)

Best Juvenile/Young Adult
Midnight at the Barclay Hotel, by Fleur Bradley (Viking Books for Young Readers)
Premeditated Myrtle, by Elizabeth C. Bunce (Algonquin Young Readers)
From the Desk of Zoe Washington, by Janae Marks (Katherine Tegen Books)
Holly Hernandez and the Death of Disco, by Richie Narvaez (Piñata Books)
Star Wars Poe Dameron: Free Fall, by Alex Segura (Disney Lucasfilm Press)

Best Critical or Nonfiction Work
Sometimes You Have to Lie: The Life and Times of Louise Fitzhugh, Renegade Author of Harriet the Spy, by Leslie Brody (Seal Press)
American Sherlock: Murder, Forensics and the Birth of American CSI, by Kate Winkler Dawson (G.P. Putnam's Sons)
Howdunit: A Masterclass in Crime Writing by Members of the Detection Club, by Martin Edwards, ed. (Collins Crime Club)
The Third Rainbow Girl: The Long Life of a Double Murder in Appalachia, by Emma Copley Eisenberg (Hachette Books)
Phantom Lady: Hollywood Producer Joan Harrison, the Forgotten Woman behind Hitchcock, by Christina Lane (Chicago Review Press)
Unspeakable Acts: True Tales of Crime, Murder, Deceit, and Obsession, by Sarah Weinman, ed. (Ecco Press)

Best Anthology or Collection
Shattering Glass: A Nasty Woman Press Anthology, by Heather Graham, ed. (Nasty Woman Press)
Both Sides: Stories from the Border, by Gabino Iglesias, ed. (Agora Books)
Noiryorican, by Richie Narvaez (Down & Out Books)
The Beat of Black Wings: Crime Fiction Inspired by the Songs of Joni Mitchell, by Josh Pachter, ed. (Untreed Reads Publishing)
California Schemin' by Art Taylor. ed. (Wildside Press)
Lockdown: Stories of Crime, Terror, and Hope During a Pandemic, by Nick Kolakowski and Steve Weddle, eds. (Polis Books)














Photos: James and Alafair Burke, top; Michael Connelly

Missing Bouchercon, but Canceling the Correct Action
Oline H. Cogdill
missing-bouchercon-but-canceling-the-correct-action