Monday, 25 January 2021

Mystery Writers of America announces nominees for the 2021 Edgar Allan Poe Awards, honoring the best in mystery fiction, non-fiction and television published or produced in 2020. The 75th Annual Edgar® Awards will be celebrated on April 29, 2021.

Mystery Scene congratulates each of the nominees.

 
BEST NOVEL
Djinn Patrol on the Purple Line by Deepa Anappara (Penguin Random House – Random House)
Before She Was Helen by Caroline B. Cooney (Poisoned Pen Press)
Thursday Murder Club by Richard Osman (Penguin Random House - Pamela Dorman Books)
These Women by Ivy Pochoda (HarperCollins Publishers - Ecco)
The Missing American by Kwei Quartey (Soho Press – Soho Crime)
The Distant Dead by Heather Young (HarperCollins Publishers - William Morrow)
 
BEST FIRST NOVEL BY AN AMERICAN AUTHOR
Murder in Old Bombay by Nev March (Minotaur Books)
Please See Us by Caitlin Mullen (Simon & Schuster – Gallery Books)
Catherine House by Elisabeth Thomas (HarperCollins Publishers – William Morrow)
Winter Counts by David Heska Wanbli Weiden (HarperCollins Publishers - Ecco)
Darling Rose Gold by Stephanie Wrobel (Penguin Random House - Berkley)
 
BEST PAPERBACK ORIGINAL
When No One is Watching by Alyssa Cole (HarperCollins Publishers - William Morrow)
The Deep, Deep Snow by Brian Freeman (Blackstone Publishing)
Unspeakable Things by Jess Lourey (Amazon Publishing – Thomas & Mercer)
The Keeper by Jessica Moor (Penguin Random House - Penguin Books)
East of Hounslow by Khurrum Rahman (HarperCollins Publishers - Harper 360)
 
BEST FACT CRIME
Blood Runs Coal: The Yablonski Murders and the Battle for the United Mine Workers of America by Mark A. Bradley (W.W. Norton & Company)
The Third Rainbow Girl: The Long Life of a Double Murder in Appalachia by Emma Copley Eisenberg (Hachette Book Group – Hachette Books)
Death in Mud Lick: A Coal Country Fight Against the Drug Companies that Delivered the Opioid Epidemic by Eric Eyre (Simon & Schuster - Scribner)
Yellow Bird: Oil, Murder, and a Woman's Search for Justice in Indian Country by Sierra Crane Murdoch (Penguin Random House – Random House)
Veritas: A Harvard Professor, a Con Man, and the Gospel of Jesus's Wife by Ariel Sabar (Penguin Random House - Doubleday)


BEST CRITICAL/BIOGRAPHICAL
Howdunit: A Masterclass in Crime Writing by Members of the Detection Club edited by Martin Edwards (HarperCollins Publishers – Harper360/Collins Crime Club)
Phantom Lady: Hollywood Producer Joan Harrison, the Forgotten Woman Behind Hitchcock by Christina Lane (Chicago Review Press)
Ian Rankin: A Companion to the Mystery & Fiction by Erin E. MacDonald (McFarland)
Guilt Rules All:  Irish Mystery, Detective, and Crime Fiction by Elizabeth Mannion & Brian Cliff (Syracuse University Press)
This Time Next Year We'll be Laughing by Jacqueline Winspear (Soho Press)
 
BEST SHORT STORY
"The Summer Uncle Cat Came to Stay," Ellery Queen Mystery Magazine by Leslie Elman (Dell Magazines)
"Dust, Ash, Flight," Addis Ababa Noir by Maaza Mengiste (Akashic Books)
"Etta at the End of the World," Alfred Hitchcock Mystery Magazine by Joseph S. Walker  (Dell Magazines)
“The Twenty-Five Year Engagement,” In League with Sherlock Holmes by James W. Ziskin (Pegasus Books – Pegasus Crime)
 
BEST JUVENILE
Premeditated Myrtle by Elizabeth C. Bunce (Workman Publishing - Algonquin Young Readers)
Me and Banksy by Tanya Lloyd Kyi (Penguin Random House Canada - Puffin Canada)
From the Desk of Zoe Washington by Janae Marks (HarperCollins Children's Books - Katherine Tegen Books)
Ikenga by Nnedi Okorafor (Penguin Young Readers – Viking BFYR)
Nessie Quest by Melissa Savage (Random House Children's Books - Crown BFYR)
Coop Knows the Scoop by Taryn Souders (Sourcebooks Young Readers)
 
BEST YOUNG ADULT
The Companion by Katie Alender (Penguin Young Readers – G.P. Putnam’s Sons BFYR)
The Inheritance Games by Jennifer Lynn Barnes (Hachette Book Group – Little, Brown BFYR)
They Went Left by Monica Hesse (Hachette Book Group – Little, Brown BFYR)
Silence of Bones by June Hur (Macmillan Children’s Books – Feiwel & Friends)
The Cousins by Karen M. McManus (Penguin Random House – Delacorte Press)
 
BEST TELEVISION EPISODE TELEPLAY
“Episode 1, The Stranger” – Harlan Coben’s The Stranger, Written by Danny Brocklehurst (Netflix)
“Episode 1, Open Water” – The Sounds, Written by Sarah-Kate Lynch (Acorn TV)
“Episode 1, Photochemistry” – Dead Still, Written by John Morton (Acorn TV)
“Episode 1” - Des, Written by Luke Neal (Sundance Now)
“What I Know” – The Boys, Written by Rebecca Sonnenshine, based on the comic by Garth Ennis and Darick Robertson (Amazon)
 
ROBERT L. FISH MEMORIAL AWARD
"The Bite,” Tampa Bay Noir by Colette Bancroft (Akashic Books)
 
THE SIMON & SCHUSTER MARY HIGGINS CLARK AWARD
Death of an American Beauty by Mariah Fredericks (Minotaur Books)
The Cabinets of Barnaby Mayne by Elsa Hart (Minotaur Books)
The Lucky One by Lori Rader-Day (HarperCollins Publishers – William Morrow)
The First to Lie by Hank Phillippi Ryan (Forge Books)
Cold Wind by Paige Shelton (Minotaur Books)


THE G.P. PUTNAM’S SONS SUE GRAFTON MEMORIAL AWARD
The Burn by Kathleen Kent (Hachette Book Group – Mulholland Books)
Riviera Gold by Laurie R. King (Penguin Random House – Ballantine Books)
Vera Kelly is Not a Mystery by Rosalie Knecht (Tin House Books)
Dead Land by Sara Paretsky (HarperCollins Publishers – William Morrow)
The Sleeping Nymph by Ilaria Tuti (Soho Press – Soho Crime)
Turn to Stone by James W. Ziskin (Start Publishing – Seventh Street Books)
 
GRAND MASTER
Jeffery Deaver
Charlaine Harris
 
RAVEN AWARD
Malice Domestic
 
ELLERY QUEEN AWARD
Reagan Arthur, Publisher – Alfred A. Knopf

2021 EDGAR AWARD NOMINEES
Oline H. Cogdill
2021-edgar-award-nominees
Thursday, 17 December 2020

Last summer, author Owen Laukkanen started Project Puppies. The plan was that he and a friend would drive across Canada, finding dogs that needed rescuing with the goal of finding them forever homes.

But summer turned into winter and now Project Puppies is a year-round mission.

To date, Project Puppies has rescued 71 dogs and one cat. That includes four or five litters of puppies and one pregnant dog who gave birth shortly after the rescue mission. They have all found homes or are in the process of being homed.

He also is chronicling the rescues in the blog Project Nomad.

“The germ of this first trip came when my friend Alexis Tanner and I learned that animal welfare agencies in our area were having a hard time accessing dogs in need of rescue,” Laukkanen wrote in an email.

“The agency from whom I adopted my dog Lucy, Raincoast Dog Rescue Society, typically brings animals from across Canada and the United States, as well as Mexico and as far away as Lebanon and Africa. But due to travel restrictions around the coronavirus situation they were unable to fly with dogs,” added Laukkanen.


“Sensing an opportunity for adventure, and to do something good in the midst of the pandemic, we half-jokingly offered our services as drivers,” Laukkanen said.
Raincoast Dog Rescue Society “to our surprise and delight agreed.”

Laukkanen is proud to note that the rescue agency said this has been the most successful year in Raincoast's history.

“There has been just incredible interest in all of our dogs,” he said.

Project Puppies began at the end of May as the two friends planned a rescue mission to remote northern Saskatchewan, 1,150 miles from their home.  

Their destination was the Little Red River Reserve near Prince Albert, Saskatchewan, where they met with a team of local animal rescuers. There, they rescued their first seven dogs. Subsequent dogs have come from native communities across northern Saskatchewan and also Bella Bella, British Columbia.

They partnered with First Nations communities and with frontline rescue workers to find at risk dogs and get them homed. They also arranged for spay/neuter and return programs where they will take family pets from those northern communities and get them fixed at no cost to the owner and brought back to prevent more unwanted puppies being born. They also distributed multiple bags of dog food to families in need.

“It goes without saying that we couldn’t have done any of this without the partnership of the Little Red River Cree Nation, whose members welcomed us onto their land and helped us look for animals in crisis,” Laukkanen said.

Working on the reserve for about six hours, they packed their truck with seven dogs and one cat and immediately set out to drive back to Vancouver. “We drove nonstop through the night, and after about 24 hours on the road and a few chaotic potty/meal breaks, we’d arrived back on the coast and were delivering the dogs to Raincoast,” Laukkanen said.

Each of the animals they transported were dealing with a number of health issues from fleas and (many, many) ticks to upset tummies to broken bones and signs of abuse. “But, they were all heartbreakingly lovely, tender and trusting dogs who warmed to us very quickly, despite the hardships they’d obviously suffered.

“It is truly, truly overwhelming to watch dogs you’ve seen crippled by fear and pain start to flourish and come into their own as happy, carefree animals, and I’m so grateful to have the opportunity to take part in this mission,” said Laukkanen, adding that those animals quickly received medical attention and were places in foster homes. The dogs are either now with permanent families, or awaiting adoption.

Lone Jack Trail

Laukkanen’s pet project coincided with the publication of his newest novel Lone Jack Trail, the second in his excellent series about former Marine Jess Winslow, ex-convict Mason Burke and Lucy, Jess’ rescued service dog who is the glue that holds together the couple.

Set in Washington State, the series delves deep into these fragile characters with action-packed plots about redemption, survival, fresh starts and sacrifice.

In my review, I also said “Lone Jack Trail is rich storytelling at its best—and with a really great dog. This is a series that will only get better.”

The Jess/Mason/Lucy novels will be continuing and the rescue project has given Laukkanen fodder for the series’ third installment. “I do plan to set the next Deception Cove/Lucy book around a rescue mission like the ones I've been going on!” he said.

“The dog stuff has taken up a lot of my writing time, as has just general 2020 distraction, but I have a young adult novel coming out in January and after that I'm planning to set my course on another Lucy book,” he said.


Special dogs
Some of the rescues are memorable, such as Toby, who had an injured leg that had to be amputated. “But Toby has been adopted into a wonderful home and seems to like being a tri-paw just fine,” Laukkanen said. And then there was Rosie, who was days from death with severe mange. “I had to feed and water from my hand and who is now recovered, happy and energetic and currently up for adoption,” he added.

And a couple of dogs ended up in homes Laukkanen personally knew. His best friend, Alexis, adopted a dog named Bentley from their first rescue mission. Bentley had health issues but is now thriving and has become best friends with Laukkanen’s Lucy who is also a Raincoast alum.

So far, Laukkanen has resisted adopting a second rescue. “I don't know how I haven't adopted a bunch of our other rescues myself; every batch there is at least one where I seem to fall in love,” he said.

Of course, there’s still time for him to add another dog to his home.  

Project Puppies will get started on more missions in January. “We already are planning our next rescue mission; we’re addicted now,” Laukkanen added.

“There are no shortages of dogs who are still needing rescuing, especially in the cold winter months,” he added.

For more information on Raincoast, visit the web site, Facebook, Twitter and Instagram

Photos: Top, Owen Laukkanen with Lucy, puppies rescued. Photos courtesy Owen Laukkanen

Owen Laukkanen's Pet Project
Oline H. Cogdill
owen-laukkanen-s-pet-project
Thursday, 17 December 2020

Susan Cox is the author of the Theo Bogart mysteries, and winner of the Minotaur/Mystery Writers of America First Novel Prize for The Man on the Washing Machine.

Theo Bogart, the lead in Susan Cox's series, is a British expat hiding out from a family tragedy in San Francisco, making a new life for herself. Cox is a vivid, engaging writer, and seemingly fearless. I love the way she tells a story, throwing everything into it, and coming out with a great narrative in the process. Her new book is The Man in the Microwave Oven.

Robin Agnew for Mystery Scene: What was it like to win the St Martin's/MWA First Novel Prize? Was this your first approach to publication? What was the process like?

Susan Cox: It was validating, exciting, and yes, life-changing.

No one who knows me well will be surprised by this, but I need a solid eight or nine hours of sleep a night. I’m not an early riser and I’m definitely not a night owl, but as a friend once told me, I can rock 11 am like nobody’s business! All of which meant that, unlike some writers who can somehow add four hours at the beginning or end of their day in order to write, I took a leap of faith instead.

I left my job as a nonprofit fundraiser and gave myself 18 months to be a full-time writer. I never even considered writing anything except a mystery and when I read about the MWA/Minotaur Books contest for an unpublished first crime novel, I was all in. I submitted the manuscript in December knowing I’d have until the end of March, when the results were decided, to dream about being a published author. (In the same way, buying a lottery ticket lets you enjoy your world cruise and new home on a Bali lagoon until someone else’s numbers are chosen.) I almost forgot about the contest in the months that followed, until I received a telephone call from Minotaur Press at three o’clock in the afternoon on the last day of March.

I can’t say enough about the effort that goes into choosing the winner of this award. Hundreds of submitted manuscripts are given to a committee of Mystery Writer of America authors. They read and rate the novels and submit their top candidates to the editorial staff at Minotaur Press. Once there, the manuscripts are read again and the winner picked from the short list. The prize is substantial—a $10,000 contract with one of the New York publishing industry’s top names. A winner isn’t chosen every year, which, if anything, adds extra prestige to the thrill of having your novel chosen.

It has been quite a bit of time between the publication of our first book and this one. Can you talk about that a little bit?

It’s quite a harrowing story. I wrote my second Theo Bogart mystery and was about to send it to my editor when I had a burglary at my home. I wasn’t saving my documents to the cloud at the time, and the burglar came into my home while I was asleep and stole all of my small electronics, including my phone and e-reader, my two laptops, and the external hard drive back-up, too. He even got the memory stick I was using as a backup to the backup; I kept it in my purse, with the idea that I could grab it and run in the event of a fire, but the burglar stole my purse, too. I lost everything I had been working on for years—not only the completed manuscript for The Man in the Microwave Oven, but several other half-finished novels, too.

I know there are people who can bounce back right away from something like this, but I learned I’m not one of them. It took me a long time to regroup before I could rewrite the novel from scratch using some handwritten notes and my memory. In a way, it was lucky that I had so recently finished the novel because it was fairly fresh in my mind. By the time I had rewritten it, I found it almost impossible to recreate my other novels. My laptops have never been recovered, although the burglar was eventually caught. Perhaps I’ll use the story in a novel some day.

I love your heroine, Theo Bogart, with her nod to both the British and the American detective traditions. You've made her an expat—a stranger in a strange land, perfect for a detective. How did you come up with and develop her character?

I wanted to write a mystery with a San Francisco setting, partly because I lived there for so long and love it. It’s a young city, and its founding families weren’t aristocrats or religious leaders or anything really, except blue-collar working people. They were grocers or tailors or they made shovels and pickaxes. They were all from somewhere else and a lot of them fled some disaster back home or wanted to build something new out of nothing. Maybe because of that history, San Francisco is still welcoming to everyone and doesn’t ask too many questions. It seemed like the perfect place for someone with secrets to hide, so in a way, San Francisco formed Theo, even though she was born 5,000 miles away.

I haven't read the first book, but in this book you do flesh out her backstory a bit, and the reason she's fled England. Do you plan to circle back to that part of her story at any point?

Definitely. Parts of her past will come back to haunt her and cause even more trouble for her in Theo #3.

Is the neighborhood in San Francisco a real one, or an amalgam of a real neighborhood? The details feel real.

Thank you! It’s completely imaginary, although in a way, Theo lives in the building my husband and I lived in for nearly 15 years, in a different neighborhood. Like Theo, we used to live on a hill (It’s hard to find somewhere completely flat there!) and I'd look out of our top-floor back window onto the backyards of the other buildings on our block and imagine how it would look if all the yards were combined into a single, large garden space. Fabian Gardens is definitely the result of that fantasy! I chose to place it on a block of Polk Street because it’s an interesting neighborhood of small shops and restaurants, near the California Street cable car line, close to a bus route, within easy reach of the Tenderloin, Chinatown, the Civic Center, and even the Financial District. It’s a neighborhood, in other words, where anything can happen.

I loved that you weren't afraid to change up what was happening in different parts of the novel. By turns it's an espionage novel, a girl finding herself novel, and a (sort of) traditional cozy novel. What was the through line for you when you were plotting your book—what was most important?

I wanted to develop a story line for Theo’s grandfather, one of my favorite characters from the first novel, The Man on the Washing Machine. He isn’t a warm and fuzzy kind of grandad, quite the opposite in many ways, and I thought if he was somehow suspected of murder, he and Theo’s relationship would develop further, perhaps in surprising ways. We know from a few hints in the first novel that he had a background in espionage and I thought it would make an interesting secondary plot alongside the murder investigation. I was able to use some of the (very few) stories my father told me about his own undercover activities, too.

I love the people who surround Theo—Nat, her grandfather, her employees and friends. This is traditional for a cozy mystery, but in your case it's so grounded and really feels organic. How did you develop what I call a character matrix for her?

Perhaps it feels organic because that’s how it grew. She starts in The Man on the Washing Machine as a stranger to the city and all the people she knows are introduced to us almost as she meets them. As the story develops the characters acquire greater or less importance to Theo and the plot more or less at the same time.

Who are your influences, mystery wise?

The Golden Age of detective fiction is a great favorite. It may be strange considering that I love a good murder and I create characters who do the very worst things, often for the worst of motives, but I enjoy reading about, and writing, characters who behave honorably. Agatha Christie—each of her books is a master class in plotting--Dorothy Sayers, Dick Francis, Peter Lovesey.

Can you name a book that was transformational for you?

Oddly enough, I can’t remember the title, but it was an Agatha Christie mystery. I was about 15 I think, and I had been reading science fiction a lot—probably because my dad was a great reader of science fiction—when I found myself on a station platform in London with nothing to read. In our family, the thought of a three-hour journey without a book was the stuff of nightmares. I had three minutes to catch my train and enough money in my pocket to buy one book, so I grabbed an Agatha Christie novel at random. By the end of the trip—I have no recollection where I was headed—I was a fan. I switched from science fiction to mysteries in the space of that journey and never went back.

Finally, what's next for Theo? I hope we can look forward to another book!

Her third adventure is already underway. I’m trying to think of a working title for it and I need a sinister appliance!

Susan Cox's first mystery novel, The Man on the Washing Machine, won the Mystery Writers of America/Minotaur Books First Crime Novel Award. Before that, Cox was a newspaper reporter, designed marketing and public relations for a safari park, raised funds for nonprofit organizations, and was president of the Palm Beach County (Fla.) Attractions Association. She previously served on the board of the Florida chapter, Women’s National Book Association. When not writing, you can often find her gardening or enjoying time with her family and their standard poodle Picasso and cat Midnight.

Susan Cox and the Theo Bogart Series
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