While Gillian Flynn remains best known for Gone Girl, many of us were fans long before that novel—and movie—about a marriage gone very wrong set against the background of economic turndown.
Flynn’s 2006 novel Sharp Objects is a terrifically terrifying story about a serial killer in Wind Gap, Missouri, and the reporter who returns to her hometown to cover it.
The reporter, Camille Preaker, has been living in Chicago and the trip home brings back far too many memories.
Camille had a breakdown following the death of her sister, Marian, who died young. Eventually, she was sent to a psychiatric hospital after years of self-harm.
You might guess that her family is quite dysfunctional.
That family includes Camille’s half sister, Amma, who acts like the perfect daughter at home while being as nasty as she can to others.
Mother Adora, is cold and distant to Camille, while doting on Amma. Adora comes from a wealthy family that owns many businesses. Wealth has brought her power but also misery.
(On a personal note, I love that Flynn, who grew up in Kansas City, Missouri, set two of her novels in the Show Me State, which is where I am from. Gone Girl was set in the southeast Missouri town of Cape Girardeau, about 30 miles from my hometown, and also parts of southwest Missouri.)
Sharp Objects won the Crime Writers’ Association’s New Blood and Ian Fleming Steel Daggers awards and was nominated for the Mystery Writers of America Edgar for Best First Novel by an American Writer and the Crime Writers' Association's Duncan Lawrie award.
Sharp Objects now makes its way to television as a limited eight-episode series on HBO, adapted by Flynn and Marti Noxon. IndieWire described the series as "about as close to a summer blockbuster as 2018 TV will get."
Sharp Objects premieres July 8 on HBO.
The cast is top drawer, including Amy Adams, Patricia Clarkson, Chris Messina, Elizabeth Perkins, Eliza Scanlen, Madison Davenport, Matt Craven, and Taylor John Smith.
Here is a newly released trailer:
This isn’t the first time that Sharp Objects was considered for a television project. According to sources, British director Andrea Arnold was reported to be directing an adaptation of the novel in 2008 for French production company Pathé. But the project never materialized.
I often joke that everything I know, I learned from mysteries.
Well, that’s partly true.
A lot of things I learn start in a mystery book, thanks to detailed research that really good authors conduct.
Yes, it’s fiction and that means the author made it up. But that’s the plot, character, dialogue. Most authors are meticulous about making sure certain elements of a novel are based in reality.
I was always good in history and it was one of my favorite subjects. But history—at least the way most students learn it—is just a bunch of numbers. What brings history to life are the people behind those numbers.
Take Brad Meltzer. When you read about something in a Meltzer novel, you can pretty much take it to the bank that he is writing about something that is real. With no embellishments. He saves those embellishments for his plots and characters.
We should expect no less than the truth from the author who is the host of Brad Meltzer’s Lost History, on H2, and Brad Meltzer’s Decoded, on the History Channel.
Meltzer also is also responsible for helping find the missing 9/11 flag that the firefighters raised at Ground Zero, making national news on the 15th anniversary of 9/11.
And through the years, Meltzer has had unbelievable access to archives and several US presidents. I think that’s because Meltzer writes from the heart and respects history.
Meltzer’s latest novel, The Escape Artist, is chock with historical facts, and, yes, some seem hard to believe, but they are true. Such as:
In 1898, John Elbert Wilkie, appointed to be head of the US Secret Service, was a friend of magician Harry Houdini. Wilkie borrowed some of Houdini’s techniques to enhance the department’s surveillance techniques.
Dover Air Force Base in Delaware is where bodies of fallen soldiers, covert CIA operatives, and others who give their lives overseas on behalf of the United States are prepared for burial. The morticians here go to great lengths to prepare these heroes for burial and so families can, if ever possible, have an open casket.
But for me, the most astonishing fact—and most interesting—was the position of the Army’s artist-in-residence. Since World War I, the US Army has had an actual painter on staff who documents disasters. This person often sees, through the prism of being an artist, what others cannot. Even photographers haven’t captured aspects that the artist-in-residence has.
In the press materials for The Escape Artist, Meltzer states that these “war artists are one of our military’s greatest traditions and they have catalogued everything from the dead on D-Day, the injured at Mogadishu, and the sandbag pilers after Hurricane Katrina.”
He added, “After 9/11, they were the only artist allowed inside the security perimeter.”
During the recent Literary Feast panel of which I was the moderator, Meltzer was again telling this story, still amazed that while everyone else runs into battle, this artist only has paintbrushes.
“I said, ‘That’s the craziest person I’ve ever heard. I wanna meet him.’ And my male bias got the best of me because they quickly said to me, “You mean her. You want to meet her.” And I was like, “Yes, I want to meet her’,” Meltzer said during our panel, which was sponsored by the Broward Public Library Foundation.
And in The Escape Artist, readers do indeed meet her.
Photo of Brad Meltzer by Michelle Watson.