Friday, 19 January 2018 20:06

Mystery Writers of America has its own way of celebrating the birth of Edgar Allan Poe—announcing the nominations for the Edgar Allan Poe Awards. January 19 is the 209th anniversary of Poe’s birthday and, true to form, here are the award nominees, honoring the best in mystery fiction, nonfiction, and television published or produced in 2017.

The Edgar® Awards will be presented to the winners at the 72nd Gala Banquet, April 26, 2018 at the Grand Hyatt Hotel, New York City.

Congratulations to all the nominees.

The Dime by Kathleen Kent (Hachette Book Group - Little, Brown & Co./Mulholland Books)
Prussian Blue by Philip Kerr (Penguin Random House – G.P. Putnam’s Sons)
Bluebird, Bluebird by Attica Locke (Hachette Book Group - Little, Brown & Co./Mulholland Books)
A Rising Man by Abir Mukherjee (Pegasus Books)
The Twelve Lives of Samuel Hawley by Hannah Tinti (Penguin Random House – The Dial Press)

She Rides Shotgun by Jordan Harper (HarperCollins – Ecco)
Dark Chapter by Winnie M. Li (Polis Books)
Lola by Melissa Scrivner Love (Penguin Random House – Crown)
Tornado Weather by Deborah E. Kennedy (Macmillan – Flatiron Books)
Idaho by Emily Ruskovich (Random House)

In Farleigh Field by Rhys Bowen (Amazon Publishing – Thomas & Mercer)
Ragged Lake by Ron Corbett (ECW Press)
Black Fall by Andrew Mayne (HarperCollins Publishers – Harper Paperbacks)
The Unseeing by Anna Mazzola (Sourcebooks – Sourcebooks Landmark)
Penance by Kanae Minato (Hachette Book Group – Little, Brown & Co./Mulholland Books)
The Rules of Backyard Cricket by Jock Serong (Text Publishing)

Killers of the Flower Moon: The Osage Murders and the Birth of the FBI by David Grann (Penguin Random House – Doubleday)
The Road to Jonestown: Jim Jones and Peoples Temple by Jeff Guinn (Simon & Schuster)
American Fire: Love, Arson, and Life in a Vanishing Land by Monica Hesse (W.W. Norton & Company – Liveright)
The Man From the Train: The Solving of a Century-Old Serial Killer Mystery by Bill and Rachel McCarthy James (Simon & Schuster – Scribner)
Mrs. Sherlock Holmes: The True Story of New York City's Greatest Female Detective and the 1917 Missing Girl Case that Captivated a Nation by Brad Ricca (St. Martin’s Press)

From Holmes to Sherlock: The Story of the Men and Women who Created an Icon by Mattias Bostrom (Grove/Atlantic – The Mysterious Press)
Manderley Forever: A Biography of Daphne du Maurier by Tatiana de Rosnay (St. Martin’s Press)
Murder in the Closet: Essays on Queer Clues in Crime Fiction Before Stonewall by Curtis Evans (McFarland Publishing)
Chester B. Himes: A Biography by Lawrence P. Jackson (W.W. Norton & Company)
Arthur and Sherlock: Conan Doyle and the Creation of Holmes by Michael Sims (Bloomsbury USA)

“Spring Break” – New Haven Noir by John Crowley (Akashic Books)
“Hard to Get” – Ellery Queen Mystery Magazine by Jeffery Deaver (Dell Magazines)
“Ace in the Hole” – Montana Noir by Eric Heidle (Akashic Books)
“A Moment of Clarity at the Waffle House” – Atlanta Noir by Kenji Jasper (Akashic Books)
“Chin Yong-Yun Stays at Home” – Alfred Hitchcock Mystery Magazine by S.J. Rozan (Dell Magazines)

Audacity Jones Steals the Show by Kirby Larson (Scholastic – Scholastic Press)
Vanished! by James Ponti (Simon & Schuster – Aladdin)
The Assassin’s Curse by Kevin Sands (Simon & Schuster – Aladdin)
First Class Murder by Robin Stevens (Simon & Schuster – Simon & Schuster BFYR)
NewsPrints by Ru Xu (Scholastic – Graphix)

The Cruelty by Scott Bergstrom (Macmillan Children’s Publishing Group – Feiwel & Friends)
Grit by Gillian French (HarperCollins Publishers – HarperTeen)
The Impossible Fortress by Jason Rekulak (Simon & Schuster)
Long Way Down by Jason Reynolds (Simon & Schuster – Atheneum Books for Young Readers)
The Hate U Give by Angie Thomas (HarperCollins Publishers – Balzer + Bray)

“Episode 1” – The Loch, Teleplay by Stephen Brady (Acorn TV)
“Something Happened” – Law and Order: SVU, Teleplay by Michael Chernuchin (NBC Universal/Wolf Entertainment)
“Somebody to Love” – Fargo, Teleplay by Noah Hawley (FX Networks/MGM)
“Gently and the New Age” – George Gently, Teleplay by Robert Murphy (Acorn TV)
“The Blanket Mire” – Vera, Teleplay by Paul Matthew Thompson & Martha Hillier (Acorn TV)

"The Queen of Secrets" - New Haven Noir by Lisa D. Gray (Akashic Books)

Jane Langton
William Link
Peter Lovesey

Kristopher Zgorski, BOLO Books
The Raven Bookstore, Lawrence Kansas

Robert Pépin

The Vineyard Victims by Ellen Crosby (Minotaur)
You’ll Never Know Dear by Hallie Ephron (HarperCollins – William Morrow)
The Widow’s House by Carol Goodman (HarperCollins – William Morrow Paperbacks)
Uncorking a Lie by Nadine Nettmann (Llewellyn Worldwide – Midnight Ink)
The Day I Died by Lori Rader-Day (HarperCollins – William Morrow Paperbacks)

Photo: Edgar statue courtesy of Mystery Writers of America, Inc.

2018 Edgar Nominees
Oline H. Cogdill
Monday, 08 January 2018 18:40

When Major Crimes first aired on TNT, I was not a huge fan. I was very attached to The Closer, which starred Kyra Sedgwick as Brenda Leigh Johnson in the title role.

A Los Angeles Police Department Deputy Chief, Brenda was known as a closer who could solve crimes but also get confessions that stood up in court. Her interrogations lead to convictions.

I loved Brenda’s idiosyncrasies, her hidden stash of chocolate, and that ugly handbag she always carried. Her seemingly “sweet” nature and Southern accent was disarming to criminals who felt they could put one over on her. Silly criminals.

Sedgwick played Brenda as a fully realized person, with many flaws, so many flaws, making her all the more human. I also loved that Sedgwick, who is a beautiful woman, sometimes looked a little frumpy and plain, as do all women at some point during the day. (Yes, all women.)

Major Crimes debuted in 2012 immediately following The Closer’s finale. Designed to be a spin-off of The Closer with the same detective team in the same police department, Major Crimes brought us Captain Sharon Raydor, played by Mary McDonnell, as the new head of the Major Crimes Division.

Sharon faced myriad challenges, in addition to bringing criminals to justice. She had to earn the trust and respect of her officers after Brenda’s sudden departure. And she also had to earn the trust and respect of those loyal Closer viewers.

For this viewer, it didn’t take long for me to become a fan of Major Crimes.

While The Closer was about the confession, Major Crimes is about the art of the deal.

The ever-reliable McDonnell shows how a soft-spoken woman can also be a force of nature—strong, insightful, taking no nonsense from criminals, and, yes, closing those high-profile cases.

McDonnell played Sharon as a realistic person, who has her own flaws. Sharon is not Brenda; she is her own unique person. McDonnell showed how a person of deep faith—Sharon is a devout Catholic—also can use that faith in her job. Nor would that faith stop her from investigating a church if necessary.

So I am as sad as anybody that after six seasons, Major Crimes' finale airs at 9 p.m., January 9, 2017.

I think the network is making a huge error in taking Major Crimes off the air, as this wonderful show has more stories to tell.

This last season has been devastating in its twists—no spoiler here, I promise—and the series has risen to every challenge. The main reason for its success is how the squad members mesh. Each detective is a distinct person, with different views, yet united in their insight and quest for justice.

Major Crimes also allowed viewers a peek at each detective’s personal life. We saw relationships, marriages, adoptions, family members, and people reinventing themselves. Sharon’s concern for Rusty Beck, a witness to a serial killer’s crime, led her to adopt him, which let this young man make something of himself.

So thank you, Mary McDonnell, G. W. Bailey, Tony Denison, Michael Paul Chan, Raymond Cruz, Phillip P. Keene, Robert Gossett, Jonathan Del Arco, Kearran Giovanni, Graham Patrick Martin, and Jon Tenney. Kathe Mazur as Deputy District Attorney Andrea Hobbs was often the smartest person in the room.

A special note to one of my favorites in Major Crimes —Jonathan Del Arco as Dr. Fernando Morales, Los Angeles County Deputy Medical Examiner. I always wanted Dr. Morales to have his own episode, or four.

I am curious what will replace Major Crimes. The Alienist, which premieres January 22 on TNT and is based on the novel by Caleb Carr, looks interesting, but incredibly dark. Period pieces are interesting but not always successful.

So, goodbye, Major Crimes. Thank you for the hours of entertainment, the involving stories, and the wonderful characters. I’ll be catching you on demand and with the series reruns that will be popping up.

Photo: Mary McDonnell, center, with Major Crimes cast. Photo courtesy TNT.

Don’t Go, “Major Crimes”
Oline Cogdill
Saturday, 30 December 2017 15:18

“The alphabet now ends at Y,” stated Sue Grafton’s daughter, Jamie Clark, on the author’s Facebook page regarding her mother’s passing.

Sue Grafton died December 28 in Santa Barbara, California, following a two-year battle with cancer. She was 77.

In announcing Grafton’s passing, her daughter posted this on the Sue Grafton Facebook page:

“Hello Dear Readers. This is Sue’s daughter, Jamie. I am sorry to tell you all that Sue passed away last night after a two-year battle with cancer. She was surrounded by family, including her devoted and adoring husband, Steve. Although we knew this was coming, it was unexpected and fast. She had been fine up until just a few days ago, and then things moved quickly. Sue always said that she would continue writing as long as she had the juice. Many of you also know that she was adamant that her books would never be turned into movies or TV shows, and in that same vein, she would never allow a ghost writer to write in her name. Because of all of those things, and out of the deep abiding love and respect for our dear sweet Sue, as far as we in the family are concerned, the alphabet now ends at Y.”

(Her final book, Y Is for Yesterday, was published in August.)

Mystery Scene offers our sincere condolences to her family, friends, and readers.

Grafton’s best-selling “alphabet series,” featuring Southern California private detective Kinsey Millhone, made her one of the most popular mystery novelists of her time.

And none of us wanted 2017 to end this way.

For many of us who began reading about Kinsey in her early days, Grafton’s character was more than just a private detective, and her novels were more than just another mystery series to be enjoyed.

The Kinsey Millhone novels were true touchstones, cultural icons, and, in some way, life changing.

It began with these opening lines:

“My name is Kinsey Millhone. I am a private investigator, licensed by the state of California. I am thirty-two years old, twice divorced, no kids. The day before yesterday I killed someone and the fact weighs heavily on my mind.”
—the opening lines of A Is for Alibi

And ended with:

“Respectfully submitted, Kinsey Millhone”

I clearly remember when a friend of mine mentioned that he had heard about this new author who had these kind of cute titles—each began with a letter of the alphabet—and they were about this female private detective. I had been a lifetime mystery reader since I was about nine years old. I started with Rex Stout, Agatha Christie, Raymond Chandler. To this day I have never read a Nancy Drew or Hardy Boys (though I liked the TV series.)

But at the time I had stopped reading mysteries because no new author was speaking to me. Until Sue Grafton (and, to be fair, Sara Paretsky and Marcia Muller).

Here was Kinsey, who could easily have been a friend I hung out with. Like me, she was independent, unmarried, no children, supporting herself. I may have had more clothes than she, and more than just that one black dress. But I had been known to, at times, trim my bangs with manicure scissors. The big differences were that I had a dog, owned my own home, had a few plants, and had a close relationship with my parents.

And I did not eat peanut butter and pickle sandwiches, a staple in Kinsey’s diet.

But beginning in 1982, with A Is for Alibi, and through the 25th letter of the alphabet with her final adventure, Y Is for Yesterday, published in August 2017, Kinsey was there for me.

Like all of us, Kinsey changed through the years, though Grafton almost imperceptibly allowed her to grow. Kinsey was still the single, cranky-minded private detective as she was in the beginning. She had a close relationship to her landlord, Henry, who became her surrogate father. But she also began to open herself up, just a bit. She got involved with the relatives she didn’t know she had. Y Is for Yesterday actually found Kinsey embracing, almost, a cat and a dog. That was a huge start for her.

Not every plot worked. But around M Is for Malice, the novels underwent a sea change and became a bit deeper and even richer.

But I always maintained that most of us didn’t read the Grafton novels for their deep plots or look at social issues. We just wanted to see what Kinsey was up to. What scrapes she got herself into. Would she ever date again? Would she ever splurge on clothing or a good handbag?

I was as shocked as anyone when in V Is for Vengeance Kinsey is looking through the lingerie department at Nordstrom’s. But she was about to turn 38 years old and we all know that Kinsey can’t resist the lure of the good sale.

So there she was, in Nordstrom’s lingerie department, “sorting through ladies’ underpants on sale—three pair for ten bucks, a bonanza for someone of my cheap bent.” She even thought about buying silk pajamas, marked down to $49.95 from $199.95. “Most nights I sleep in a ratty oversize T-shirt. At $49.95, I could afford to indulge. Then again, I’m single and sleep alone, so what would be the point?”

Used to “low-end chain stores, where aisles are jammed with racks of identical garments, suggesting cheap manufacture in a country unfettered by child labor laws,” Kinsey is seduced by Nordstrom’s, “a palace by comparison, the interior cool and elegant.”

But as usual, Kinsey is always working, so while she stocks up on underwear, she also witnesses two shoplifters who jump-start the plot of V Is for Vengeance.


I think Grafton’s novels didn’t just speak to readers but also influenced other authors. Her success, as well as that of Paretsky and Muller, opened the door for other strong female private detectives, cops, and amateur sleuths. These authors also showed publishers that mystery readers would follow characters anywhere and opened the way for detectives of color as well as gay and lesbian detectives.

Grafton received many awards during her career. She and James Lee Burke shared the Grand Master award in 2009 from the Mystery Writers of America. She also was nominated for the Edgar Award in 1991 for best short story, “A Poison That Leaves No Trace” in the Berkley anthology Sisters in Crime 2, and in 1986 was nominated for best TV feature or miniseries for “Love on the Run” with her husband, Steve Humphrey, for NBC-TV.

She also was honored with the Lifetime Achievement Award from the Private Eye Writers of America, the Ross Macdonald Literary Award, the Cartier Diamond Dagger Award from Britain’s Crime Writers’ Association, the Lifetime Achievement Award from Malice Domestic, the Anthony Award, and three Shamus Awards.


The Kinsey novels were generally released two years apart. In an interview with the Louisville Courier-Journal, Humphrey said his late wife had not yet started writing her last book in the series.

“She was trying to come up with an idea, but she never got one she liked,” he said. “With chemo, she didn't have much energy or interest in that anyway. There will just be a 25-letter alphabet, I'm sorry to say,” he told the newspaper.

But apparently she did know the title. “She always said that last book would be Z Is for Zero,” Humphrey told The New York Times. “She’d been saying that for 30 years.”

The Kinsey novels began in the 1980s and now, with Y Is for Yesterday, end just a few months into the 1990s. “Z” would have been set firmly in 1990 and Kinsey’s 40th birthday would be nearing.

Now we can only speculate on what changes might have occurred in Kinsey’s life. Would she have remarried—third time the charm? Would she have become the guardian of a relative, as she was when her Aunt Ginny took her in when she was four years old? That would bring her life full circle.

I hope the family keeps its promise and allows the alphabet to end at Y, forcing us all to use our imagination.

Rest in peace, Sue Grafton. You and Kinsey will be missed.

Respectfully submitted,

Oline Cogdill

On Sue Grafton’s Passing: The Alphabet Ends With ‘Y’
Oline H. Cogdill