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The Paradise Affair

Benjamin Boulden

The Paradise Affair is the entertaining ninth entry in Bill Pronzini’s historical San Francisco private eye series featuring Sabina Carpenter and John Quincannon. John is on the trail of two men, Lonesome Jack Vereen and Nevada Ned, who conned a wealthy Oakland, California, businessman out of a small fortune with a fake silver mine. Quincannon berates himself when the men, one step ahead of him, abscond with their stolen loot to Hawaii, but Sabina sees it as an opportunity for a honeymoon to celebrate her and John’s recent wedding. 


Quincannon’s pursuit of the two grifters leads him to several related murders. In the meantime, Sabina becomes involved with a clever locked-room mystery where a wealthy banker is found dead in his study, a pistol next to his body, and no apparent entry or exit from the room.

The Paradise Affair has a nice sense of time and place. The San Francisco of the 1890s is painted as a city starting to reach beyond (with a few hiccups) its raw and lawless frontier beginnings to its cosmopolitan future. The plotting is concise; the characters, particularly the two leads, are likable and interesting; and the mysteries, while not earth-shattering, are pleasant diversions. 


The Paradise Affair will appeal to both fans of the series and readers with a propensity for the comfortable and traditional historical mystery.

Teri Duerr
2021-03-06 21:37:02
The Firekeeper’s Daughter
Eileen Brady

Although being marketed as a book for young adults, I can assure you that this older adult was moved, inspired, and intrigued by The Firekeeper’s Daughter, the debut novel of author Angeline Boulley. An enrolled member of the Sault Ste Marie Tribe of Chippewa Indians, Boulley immerses the reader in her culture through the eyes of six-foot-tall Daunis Fontaine, an 18-year-old girl of mixed race.

Daunis' mom is Grace Fontaine, the whitest and richest girl in town; her father was hockey god, Levi Firekeeper, a member of the Sugar Island Ojibwe Tribe. Daunis has inherited her father’s looks and prowess on the ice, but since his name isn’t on her birth certificate, she isn’t an enrolled Tribal member. Neither is her best friend, Lily, who doesn’t meet the minimum blood-quantum requirement. Both, however, feel closely connected to the Tribe.

Daunis had been ready to leave home for the University of Michigan, as a pre-med student, but changed her mind after her beloved grandmother had a stroke. Now the two friends are set to complete freshman year at the local college. But instead tragedy strikes, and Daunis discovers that drugs, in particular methamphetamine, are killing the people she loves. Evil has set up housekeeping in her community and the FBI asks for her help.

The author doesn’t shy away from the array of real problems that face this tribe, nor does her determined young heroine. What makes this book extraordinary is experiencing the lyrical quality of a life that honors Ojibwe traditions, and how Daunis is determined to live a modern and yet spiritual life. I’m predicting this book will be on many people’s lists of the best books of 2021.

Teri Duerr
2021-03-06 21:40:46
The Sanatorium
Ariell Cacciola

In Sarah Pearse’s exciting debut, Elin Warner, a detective on extended leave, travels from England with her boyfriend, Will, to a new and trendy hotel in the isolated Swiss Alps to visit her brother, Isaac, and his fiancée, Laure. The hotel, a former sanatorium with a dubious history, is set high in the mountains, up winding roads with sheer drop offs and reached by funicular. A storm is beginning to kick up, there are avalanche warnings, and by the time Elin and Will check-in, the sky is already bruised and windy.

With the four set for a wintery vacation to celebrate the engagement, emotions are off: celebration, but also some tension between the siblings, something unnerving harkening back to their childhood.

When Laure goes missing after the first night, and the only trace of her is a few droplets of blood found on the carpet in Isaac’s hotel room, Elin’s detective skills kick in. Seems many residents of the surrounding village protested the renovation and reopening of Le Sommet and Elin soon finds out that Laure's disappearance isn't the first-the lead architect mysteriously disappeared before the hotel was even finished.

As predicted, the impending storm arrives and traps guests and staff at the hotel, cutting them off from police and rescue services. Out of her jurisdiction and out of practice, Elin is on the case solo as bodies start to pile up. She is an organized and experienced detective, but her last UK case was bungled and she still feels the trauma haunt her as she investigates Laure's disappearance and the ongoing murders that continue at the hotel.

There is also a deeper reason that Elin traveled to see her brother; something from their childhood that she wants to confront him about and this family issue hangs thick between the two of them as her ad hoc investigation progresses. 

Pearse offers no bloat to any scene or character. Every ounce of story is filled with thrilling suspense and unpredictable shocks. The Sanatorium will whet the appetite for readers craving a sleek and twisty mystery with the locked-room appeal of an Agatha Christie whodunit.

Teri Duerr
2021-03-06 22:19:52
The Package
Ariell Cacciola

From one of Germany’s most successful novelists comes a brutal and paranoid thriller in the form of The Package. When psychiatrist Emma Stein gives an unsuccessful lecture at a conference at the Le Zen hotel in Berlin, her promising career turns instead into a nightmare overnight. Spending the night in the luxury hotel, she is tormented by the serial killer known as “the hairdresser.” She is drugged, raped, assaulted, and her hair is shaved clean off by the assailant before she is dragged out of the hotel.

When she reports the crime, both the police and her husband, who works in the Federal Criminal Police Office, don’t believe her. Her story doesn't seem to match the killer's MO. Emma does not match the profile of his other victims, all escorts. And not only was she left alive, but other parts of her story don't add up, like the room where Emma was attacked; supposedly, it doesn't exist. Bafflingly dismissed as a liar, Emma recedes to her home for the next six months only opening the front door to the cheery delivery man. Then, one day, she receives her neighbor’s package-and it turns her life topsy turvy all over again.

The Package has a strange tone because author Sebastian Fitzpek does not appear to be aware of any of the clichés or tired stereotypes he is deploying. The reader is told that Emma’s husband possesses all of the usual “male quirks,” including that he’s never hit her because she has never given him a reason to. Additionally, almost every character thinks she has made up her rape because she had an imaginary friend when she was six-years-old. Clearly,  she must be a fantasist now as an adult.

Emma, a psychiatrist, is left wrestling with what she knows versus what the world is telling her, and like so many real victims of sexual assault, begins to second guess herself. Fitzpek writes these scenes uncritically and with seemingly no sense of irony, neither using his book's strange reality to subvert or question.

The Package is a page-turner if nothing else. Readers of thrillers that can look past the strange narrative tone and flat stereotyping will enjoy the twist and turns of this unexpected plot while trying to guess who The Hairdresser truly is.

Teri Duerr
2021-03-06 22:24:18
Blood Grove
Kevin Burton Smith

Only Walter Mosley could get away with having his rough-and-tumble private eye rolling through the mean streets and back alleys of Los Angeles in a gleaming, yellow Rolls-Royce; or living in a giant white tower on a mountain top in a heavily guarded compound, without reading like a bad comic book. And yet, somehow, as always, Mosley pulls it off.

It’s 1969, and Easy Rawlins should be sitting pretty. He’s got a swell ride (courtesy of a cash-short client), swank digs in which he can safely raise his adopted teenage daughter Feather, and his WRENS-L detective agency is rolling along nicely, with all his fellow detectives out of town, busy working cases. But uneasy lies the crown—a Black man’s life in America, as Easy is fond of reminding us, is never easy.

And then trouble walks in, in the form of Craig Killian, a shell-shocked, young, white Vietnam vet with a wild story to tell. It seems he may—or may not—have killed a Black man in a citrus grove out in the San Fernando Valley one night. Did he imagine it all? He’s just not sure, and really wants to know. The detective’s ready to pass on the case— it sounds like nothing but trouble. But Easy, a veteran of World War II with his own undiagnosed PTSD to deal with, sees something in the kid, and reluctantly agrees to poke around. Just a little.

Meanwhile, Feather’s long-lost biological uncle has shown up, longing to reconnect, but Easy, always wary about the motives of white people, isn’t exactly overjoyed at any potential reunion. Nor does it help that Uncle Milo is a pot-smoking hippie—a species Easy has little sympathy for.

Before he knows it, Easy finds himself once again up to his neck in it, dealing with strippers, hippies, hookers, racist cops, several dead bodies, a high-end sex club, and a ruthless gang of professional thieves, and counting on the kindness of strangers and the aid of his long-abiding family of friends, including Fearless Jones, Jackson Blue, and, of course, his stone-cold-killer best mate Mouse, “one of the five most dangerous men in Southern California.” Even Frank Sinatra makes a cameo.

Despite its setting, Blood Grove is somehow very much a 2020 book; a solid and entertaining mystery built on a disturbing mountain of overlapping agendas and grave injustices that don’t seem a half-century old, all soaked in Easy’s ever-present distrust. “If you were innocent enough, or ignorant enough,” he muses at one point, “you might have believed… all Americans could expect a fair shake.”

But that’s the pivot on which this landmark series has always balanced. Because, even as the book staggers to a conclusion and despite his cynicism, Easy refuses to surrender and stands ready to fight another day to hold on to what he has, protect his children, and become a better person than he was. Sounds like a plan.

Teri Duerr
2021-03-06 22:29:32
Finlay Donovan Is Killing It
Eileen Brady

Writer Finlay Donovan is a seriously overwhelmed single mom, who gets mistaken for a contract killer in this irresistible comedic mystery from Elle Cosimano. Battered financially and emotionally by her ex-husband, and desperately in need of money, Finlay briefly entertains the idea. After all, she’d like to murder her ex, so she sympathizes with her would-be client.

On a whim she “borrows” a little black dress from her old hubby’s new wife, Teresa, and decides to scout out the potential victim for herself. Disguised in long blond tresses, she drives to The Lush bar where Harris Mickler is supposedly having a business meeting. When she sees him slip a knockout drug in the drink of an unsuspecting woman, Finlay decides to step in, and switches the drinks.

Soon Harris is feeling the effects and now Finlay has to get him the heck out of there. I found myself laughing out loud at the slapstick shenanigans that followed. Through no fault of her own, at the end of the night she ends up with Harris dead on her garage floor. The plot deepens when her former babysitter Vero shows up unexpectedly. Instead of being appalled, she suggests splitting the commission and enthusiastically volunteers to help get rid of the body.

Finlay Donavan Is Killing It reads heavy on the silly and light on the heavy stuff, which was a welcome surprise. Vero and Finlay’s escapades together reminded me of a Lucy and Ethel skit, in a good way. If you need a laugh (And who doesn’t?), you can’t go wrong with this one.

Teri Duerr
2021-03-06 22:33:43
Win
Margaret Agnew

Harlan Coben’s Win brings exactly what any longtime reader might hope—as much Windsor Horne Lockwood III as they could ask for. Usually appearing as longtime protagonist Myron Bolitar’s best friend and darker half, this book marks Win’s first solo outing. Myron himself never appears in person, though he is mentioned and Win often comes very close to contacting him; his presence lingers around the characters’ lives like a ghost.

So, for those uninitiated, who exactly is Win? Imagine Batman with little to no moral compass, a comparison our hero himself makes. Though as wealthy and skilled in hand-to-hand combat as the Caped Crusader, Win is snarkier, much more pleased with himself, and absolutely unopposed to killing. Though his tendency for violence is often self-serving, it’s also, more or less, usually for a good purpose. In this particular tale, that purpose is in service to his family.

When a stolen painting that had been missing for decades reemerges in a murdered man’s apartment, Win is called to the scene. It is, as it turns out, his family’s painting. Not only that, in the dead man’s closet is a distinctive suitcase with Win’s initials on it. How is the Lockwood family connected to this mysterious stranger, a man so cut off from the world no one ever saw him come or go? As Win dives in to investigate, he uncovers mystery after mystery—both in the case and in his family’s scattered past. He has a father who is aging and forgetful, but intent on protecting the family name; a mother long gone; and a cousin even more connected to the suitcase and the painting than Win. Years ago, cousin Patricia was kidnapped on the night of her father’s murder. She took only one bag with her—the very same bag, it turns out, that was found in the victim’s apartment.

The more he uncovers, the more the murders seem somehow connected and the less, perhaps, Win might really wish to know.

Win is a twisty, well-told tale with the sort of plot only Coben can deliver with such ease. The reader will be left guessing until the very last reveal and utterly charmed by the amoral rake of a main character they get to take that twisty joyride with. This looks like the start of a fun spin-off series with a fascinating character—a win, indeed.

Teri Duerr
2021-03-06 22:37:22
The Jigsaw Man
Eileen Brady

In this engrossing thriller by British newcomer Nadine Matheson, we are introduced to serial killer Peter Olivier and intrepid Detective Inspector Anjelica Henley. This interesting pairing is reminiscent of Thomas Harris’ Hannibal Lecter and FBI agent Clarice Starling, but is a complex mixture all its own.

The Jigsaw Man skillfully maneuvers us through London, a city of CCTV cameras that sometimes catches a killer in the act. Laced into the plot are layers of subtle and not-sosubtle racism. The book begins with a copycat killer, who, like Olivier, enjoys cutting his victims up and displaying the body parts like a puzzle that needs to be put together. It sounds more gruesome than it reads.

Very soon, Henley and her new trainee detective, Salim Ramouter, head for the High Security Unit of Belmarsh prison to question the notorious Olivier about the copycat case. Charming as always, he tries to dominate the conversation, but Henley, who put him in prison, isn’t playing his manipulative game. She’s got plenty of problems of her own from a grieving withdrawn father to a husband who threatens to walk if she doesn’t quit the police Serial Killer Unit. The frustration of DI Henley grows when Olivier escapes, and now two killers are gruesomely competing for her attention.

The Jigsaw Man is a skillful and suspenseful debut novel, part police procedural, part psychological suspense, and filled with memorable characters. I’m looking forward to more from author, and criminal defense attorney, Nadine Matheson.

Teri Duerr
2021-03-06 22:41:21
The Postscript Murders
Robin Agnew

I’m an unabashed Elly Griffiths fan, but even with high expectations, The Postscript Murders is a standout. So much fun, so delicious, so cleverly assembled, it’s the followup to last year’s Edgar winner, The Stranger Diaries, and it shares the same lead character, DS Harbinder Kaur—though the tone is quite different. Whereas the previous was a little ominous, a little gothic, and a bit creepy, this book is more of a caper, with the added benefit of emotional resonance.

As the book opens, the very elderly Peggy is discovered dead in her favorite chair at the window by her caregiver, Natalka. From the book clutched in Peggy’s hands, falls a card: it says Mrs M Smith, Murder Consultant. What’s more, Natalka notices that most of Peggy’s books are crime novels, and that all of them are dedicated to Peggy or thank her in the acknowledgements. It’s odd enough to prompt Natalka to consult DS Harbinder. And thus begins a thoroughly wonderful mystery based on the thinnest of premises, really. But somehow the charm and magical qualities of Griffith’s storytelling make it sing.

Natalka’s search leads her to Benedict, a former monk who is now the owner of the nearby coffee shop, as well as Peggy’s neighbor, the elderly and charming Edwin, who used to work for the BBC. Edwin and Peggy had spent many happy hours talking books. But when Natalka and Peggy’s son are held up at gunpoint in Peggy’s apartmentover a book—she really develops what Griffiths refers to in her novel as “detective fever.” (It’s a quote from The Moonstone.)

While Harbinder is officially on the case, the action really involves Natalka, Ben, and Edwin, who become increasingly fond of one another over the course of the story. When a famous local author is shot dead after having a drink with the trio one night (he had also thanked Peggy in his acknowledgments), the three tear up to Aberdeen and a crime writing festival to follow a lead. Then a third death occurs at the crime festival and Harbinder is summoned to Aberdeen, finally bringing all four together. Harbinder finds herself both amused and annoyed by her three amateur “partners.”

The cleverly laid clues are spaced throughout The Postscript Murders and the deaths ultimately appear to be linked. The pace of the narrative is relentless, but perfect. The tone is neither too light nor too heavy. The language and the storytelling are intelligent and witty.

There’s also a poignancy to this novel that never veers into cheesy sweetness. Some writers have “the touch”—while the stories they tell might technically be unbelievable, the way they tell them make them absolutely right. In her 18th novel and second standalone outside of her Ruth Galloway and Stephens and Mephisto series, Griffiths’ sure hand and confidence as a writer—as well as the sheer joy she obviously has in writing her books—makes reading her work a pure pleasure.

Teri Duerr
2021-03-07 01:03:39
Later
Hank Wagner
Teri Duerr
2021-03-07 01:07:31
Extractions: In Books, TV Scripts, and Real Life
L.J. Sellers

Putting myself into a character’s mind and heart and experiencing what they see and feel is my favorite thing about writing novels. But I once took that process a step further and ended up in real danger while stuck in a foreign country. But first, here’s a little background.

In 2016, I started writing the Extractor series, which features an ex-CIA agent who rescues young people from dangerous situations. The series now has three books, but even more exciting—the TV pilot I wrote, based on the characters, is a finalist in an international script contest and has been optioned for production. Next year sometime, Guilt Game (book one) could be streaming content. Most of my research for the series was conducted through extensive reading and interviews, including one with an undercover FBI agent. But the scenarios—isolated cults, abusive wilderness camps, and a mental institution—required a lot a imagination. Until it got real.

Between books two and three, I found myself in a real-life extraction experience. My new husband, Dave, and I traveled to Costa Rica on a honeymoon. We also wanted to check on our three grandkids, all under the age of seven, because we were worried a out them. And rightfully so. We found them living in a squalid tree house filled with mosquitoes and spiders and zombie-like cult-member roommates. No toys, no books, no toothbrushes. They also seemed to be starving, and their little bodies were covered with staph infections. Their mother’s mental illness had clearly escalated, and she refused to take the children to get antibiotics, a life-threatening scenario.

We had no choice but to act. We also had no car and no ability to speak Spanish, but we set out in a cab with a translator and headed for Children’s Service (PANI) in a nearby town to get help. When we showed the administrator the horrible pictures of their infections, she recognized the children. Their mother, Zoey (her alias), had been reported months earlier for the same untreated-staph issue, and the PANI office was already looking for her. We agreed to take physical custody, and they called in the federal police to assist in picking up the children. This was where we worried it could get dicey.

We had been to Zoey’s home only once and with her as the driver. The house was near the top of a long, winding mountain road that required many turns, and we’d come back down in the dark. But we were determined to find it again. Our cab driver stopped at the base of the hill and wouldn’t go any further, so Dave and I climbed into the back of a police truck and headed up, doing our best to communicate with officers who didn’t speak English.

We finally found the house again, and relief washed over us. But we quickly realized Zoey and the kids weren’t there. A devastating moment! But a roommate was home and immediately started texting. I yelled at an officer to stop him because I knew he was alerting the mother. But it was too late. Dave’s daughter started sending hateful, threatening messages, then went into hiding and never returned to that location.

We couldn’t give up though. The police had put out alerts for Zoey, but we knew she had gone deeper into the jungle and that her frutarian-cult friends would help her. More determined than ever to rescue the children—before they disappeared from us forever—Dave and I went into detective mode. We biked all over Puerto Viejo and the small neighboring towns, asking everyone if they had seen the mother or knew anything about where she might go. I searched the group’s website, looking for details about who they were and what property they owned.

We eventually discovered two pieces of information that made us able to map out an area of the jungle called Carbon 2, where we thought we could find them. Dave spent an hour at a local police station, trying to communicate our findings. Finally, he and four officers loaded into two trucks and set off into the jungle again.

I would have gone with them, but I had to find a place to stay that evening. We had to move from our B&B rental because the owner knew the kids had staph infections and wouldn’t allow them there. But nearly everything, including car rentals, was booked. So on Christmas Eve, I was biking around in the rain, talking to hotel clerks and local people, desperate to find a place for all of us to sleep—and hoping against the odds that Dave would get lucky and locate the kids.

And he did! After hours of driving up the mountain on gravel roads, only to have to turn around and try a different route, he finally spotted his daughter’s vehicle in some bushes. The police raided the primitive shack and called for an ambulance to take the children to the clinic.

By that time I’d secured a two-night rental, so I biked out to the clinic to join Dave as he waited outside. Meanwhile, the mother was inside screaming at the doctor with threats. After hours of negotiation, the sick children were released into our custody. And we received our first taste of what was in store for us. Two male cult members had parked nearby in a silver van, watching and waiting. The police had to block them so we could leave without being followed.

That evening, Zoey posted a Biblical verse on her Facebook page about a child killing her father, and her friends announced that they intended to find us and hurt us and take the kids back. For the next eighteen days, we moved from one cramped rental to the next, constantly looking over our shoulders.

At one point, we were staying with a French couple deep in the jungle. On a walk one morning, I spotted a silver van parked at the end of the gated road. I turned and ran, heart pounding, then hid in the jungle until they were gone, terrified that I would lead the men back to the kids. We soon learned that they had been searching for us at the nearby vacation rentals, and that one of the men had a gun. The next three weeks were the most stressful of my life. But it was also incredibly rewarding to watch the children blossom as we fed them real food, gave them love and attention, and treated them with antibiotics. Eventually, we were allowed to travel to San Jose—for our safety—and we enlisted the help of the American Embassy.

Finally, we got word that the custody paperwork was ready. We picked up the kids’ passports and bought tickets for Oregon for the next morning. After one last nerve-racking moment at the airport immigration office, we boarded a plane for home.

Three years later, the custody battle is finally over, and the children are thriving in their new home with their biological grandmother. Between testifying in various courtrooms, I wrote two more Extractor novels and a variety of scripts, one of which could soon be in production.

I haven’t decided the plot for my next Extractor story, but I can reassure readers that the heart-pounding fear and adrenaline will be real.

 

L.J. Sellers is the author of the bestselling Detective Jackson mystery/thriller series, Agent Dallas series, The Extractor books, and  several standalone thrillers. She resides in Eugene, Oregon, where many of her novels are set, and when not plotting murders, she enjoys standup comedy, cycling, and zip-lining. She’s also been known to jump out of airplanes.

Teri Duerr
2021-03-08 15:28:42
Extractions: In Books, TV Scripts, and Real Life
L.J. Sellers

Putting myself into a character’s mind and heart and experiencing what they see and feel is my favorite thing about writing novels. But I once took that process a step further and ended up in real danger while stuck in a foreign country. But first, here’s a little background.

In 2016, I started writing the Extractor series, which features an ex-CIA agent who rescues young people from dangerous situations. The series now has three books, but even more exciting—the TV pilot I wrote, based on the characters, is a finalist in an international script contest and has been optioned for production. Next year sometime, Guilt Game (book one) could be streaming content. Most of my research for the series was conducted through extensive reading and interviews, including one with an undercover FBI agent. But the scenarios—isolated cults, abusive wilderness camps, and a mental institution—required a lot a imagination. Until it got real.

Between books two and three, I found myself in a real-life extraction experience. My new husband, Dave, and I traveled to Costa Rica on a honeymoon. We also wanted to check on our three grandkids, all under the age of seven, because we were worried a out them. And rightfully so. We found them living in a squalid tree house filled with mosquitoes and spiders and zombie-like cult-member roommates. No toys, no books, no toothbrushes. They also seemed to be starving, and their little bodies were covered with staph infections. Their mother’s mental illness had clearly escalated, and she refused to take the children to get antibiotics, a life-threatening scenario.

We had no choice but to act. We also had no car and no ability to speak Spanish, but we set out in a cab with a translator and headed for Children’s Service (PANI) in a nearby town to get help. When we showed the administrator the horrible pictures of their infections, she recognized the children. Their mother, Zoey (her alias), had been reported months earlier for the same untreated-staph issue, and the PANI office was already looking for her. We agreed to take physical custody, and they called in the federal police to assist in picking up the children. This was where we worried it could get dicey.

We had been to Zoey’s home only once and with her as the driver. The house was near the top of a long, winding mountain road that required many turns, and we’d come back down in the dark. But we were determined to find it again. Our cab driver stopped at the base of the hill and wouldn’t go any further, so Dave and I climbed into the back of a police truck and headed up, doing our best to communicate with officers who didn’t speak English.

We finally found the house again, and relief washed over us. But we quickly realized Zoey and the kids weren’t there. A devastating moment! But a roommate was home and immediately started texting. I yelled at an officer to stop him because I knew he was alerting the mother. But it was too late. Dave’s daughter started sending hateful, threatening messages, then went into hiding and never returned to that location.

We couldn’t give up though. The police had put out alerts for Zoey, but we knew she had gone deeper into the jungle and that her frutarian-cult friends would help her. More determined than ever to rescue the children—before they disappeared from us forever—Dave and I went into detective mode. We biked all over Puerto Viejo and the small neighboring towns, asking everyone if they had seen the mother or knew anything about where she might go. I searched the group’s website, looking for details about who they were and what property they owned.

We eventually discovered two pieces of information that made us able to map out an area of the jungle called Carbon 2, where we thought we could find them. Dave spent an hour at a local police station, trying to communicate our findings. Finally, he and four officers loaded into two trucks and set off into the jungle again.

I would have gone with them, but I had to find a place to stay that evening. We had to move from our B&B rental because the owner knew the kids had staph infections and wouldn’t allow them there. But nearly everything, including car rentals, was booked. So on Christmas Eve, I was biking around in the rain, talking to hotel clerks and local people, desperate to find a place for all of us to sleep—and hoping against the odds that Dave would get lucky and locate the kids.

And he did! After hours of driving up the mountain on gravel roads, only to have to turn around and try a different route, he finally spotted his daughter’s vehicle in some bushes. The police raided the primitive shack and called for an ambulance to take the children to the clinic.

By that time I’d secured a two-night rental, so I biked out to the clinic to join Dave as he waited outside. Meanwhile, the mother was inside screaming at the doctor with threats. After hours of negotiation, the sick children were released into our custody. And we received our first taste of what was in store for us. Two male cult members had parked nearby in a silver van, watching and waiting. The police had to block them so we could leave without being followed.

That evening, Zoey posted a Biblical verse on her Facebook page about a child killing her father, and her friends announced that they intended to find us and hurt us and take the kids back. For the next eighteen days, we moved from one cramped rental to the next, constantly looking over our shoulders.

At one point, we were staying with a French couple deep in the jungle. On a walk one morning, I spotted a silver van parked at the end of the gated road. I turned and ran, heart pounding, then hid in the jungle until they were gone, terrified that I would lead the men back to the kids. We soon learned that they had been searching for us at the nearby vacation rentals, and that one of the men had a gun. The next three weeks were the most stressful of my life. But it was also incredibly rewarding to watch the children blossom as we fed them real food, gave them love and attention, and treated them with antibiotics. Eventually, we were allowed to travel to San Jose—for our safety—and we enlisted the help of the American Embassy.

Finally, we got word that the custody paperwork was ready. We picked up the kids’ passports and bought tickets for Oregon for the next morning. After one last nerve-racking moment at the airport immigration office, we boarded a plane for home.

Three years later, the custody battle is finally over, and the children are thriving in their new home with their biological grandmother. Between testifying in various courtrooms, I wrote two more Extractor novels and a variety of scripts, one of which could soon be in production.

I haven’t decided the plot for my next Extractor story, but I can reassure readers that the heart-pounding fear and adrenaline will be real.

L.J. Sellers is the author of the bestselling Detective Jackson mystery/thriller series, Agent Dallas series, The Extractor books, and  several standalone thrillers. She resides in Eugene, Oregon, where many of her novels are set, and when not plotting murders, she enjoys standup comedy, cycling, and zip-lining. She’s also been known to jump out of airplanes.

Teri Duerr
2021-03-10 18:15:40
Art Heist Mixes Mystery and Theater
Oline H Cogdill

There’s an art heist going around the country—and insightful sleuths are needed to solve the crime.

The Art Heist Experience is an interactive true-crime show inspired by the theft of 13 works of art worth $500 million from Boston’s Isabella Stewart Gardner Museum in 1990. During the play, masked audience groups walk around the crime scene, interviewing “suspects,” then come the solution. Plenty of evidence and clues are scattered about, and, of course, a number of red herrings.

Art Heist Experience combines two of my favorite things—mysteries and live theater. And for those of us who desperately miss live theater, this is a start to getting back to it. As well as the theatrical experiences, the productions also are planned with safety in mind. Masks are required, the productions are, for the most part, outside and the new "detectives" are arranged in small groups of 10 or less.

The real crime behind Art Heist Experience occurred during the early morning of March 18, 1990, when two men posing as police officers entered Boston’s Isabella Gardner Museum. They tied up the guards and during the next 81 minutes pulled off one of the most daring thefts in history. The stolen 13 pieces of art valued at $500 million have never been recovered, nor have arrests ever have been made.

Police, FBI, Interpol, art investigators and crime enthusiasts from all over the world have researched for decades and failed to solve this brazen and unusual puzzle, according to news reports.

While interactive productions often look like a free-for-all, these generally are well calibrated. During the 90-minute event, “sleuths” take a journey through the streets of the various cities to meet the characters, hear their stories and ask questions—also known as interrogating—to “zero in on the criminal mastermind,” according to a press release.

Each group will come up with the best theory of who did the crime, and what really happened. The productions are staggered to begin every half hour so throngs of detectives are not tripping over each other.

During Art Heist Experience, each production has a coordinator who will keep the action going smoothly as well as taking notes on those actors who receive the most “guilty” votes.

As a bonus for theater goers, each production is cast locally. This is not a national tour. At the Broward Center in Fort Lauderdale, the cast includes Hester Kamin, Amy Lee Gonzalez, Randall Swinton, Jesse Castellanos, Daniel Llaca, Stephanie Manner, Jeremy Quinn and Ernesto Gonzalez.

Art Heist Experience is being produced around the country, ending a run in Toronto during May. It has had a successful run in each city it has played, including a sold-out run during the Vancouver Fringe Festival.

The production was created by Justin Sudds of Right Angle Entertainment, and co-written and co-directed by TJ Dawe and Ming Hudson. Dawe also is developing another interactive show based on the board game Clue.

Art Heist Experience will play the Arsht Center, 1300 Biscayne Blvd., Miami, from March 16 through April 1-4; another production will play at the Broward Center, 201 SW Fifth Ave., Fort Lauderdale, from March 16 through April 4; performances begin every half-hour on a varying schedule, so check websites for exact times; tickets start at $43 at the Arsht Center, $39.50 to $44.50 at the Broward Center; visit arshtcenter.org or call 305-949-6722 for Miami tickets; visit browardcenter.org or call 954-462-0222 for Fort Lauderdale tickets.

Art Heist Experience also will play Houston beginning March 19; Dallas March 20; West Palm Beach April 27; Boston May 4; Fayetteville May 4 and Toronto May 18. Future dates are in the works.https://www.artheistexperience.com/


Photos were taken at various locations on Granville Island during the Vancouver production. Photographs by Diane Smithers


Oline Cogdill
2021-03-11 00:01:45
Fired Up
Helen Francini

If you want a change of pace from the usual murder mystery, Fired Up may be just what you' re looking for. This romantic suspense novel is the first in the planned Dreamlight Trilogy that deals with the paranormal. Jack Winters is a psychic venture capitalist with a problem: he may have inherited a curse from his ancestor, legendary alchemist Nicholas Winters. Believing the only thing that might save him is a lost artifact called the Burning Lamp, he asks PI Chloe Harper with her ability to see dreamlight (a kind of psychic print) to find it.

Chloe locates the powerful lamp easily enough, but Jack and Chloe s problems only begin when it puts them in direct conflict with Nightshade, an unscrupulous arcane society that promises to boost its members psychic powers. Action, psychic warfare, and steamy sexual tension ensue.

This story is ensconced firmly in the realm of the theoretical, and readers of a classical scientific bent may balk at all the talk of psi energy waves and the ability to harm someone just by thinking at them. But others will enjoy Krentz's rich atmosphere, heady romance, and the concept that someone' s thoughts may be just as deadly as a loaded gun.

Teri Duerr
2010-04-14 18:13:43

If you want a change of pace from the usual murder mystery, Fired Up may be just what you' re looking for. This romantic suspense novel is the first in the planned Dreamlight Trilogy that deals with the paranormal. Jack Winters is a psychic venture capitalist with a problem: he may have inherited a curse from his ancestor, legendary alchemist Nicholas Winters. Believing the only thing that might save him is a lost artifact called the Burning Lamp, he asks PI Chloe Harper with her ability to see dreamlight (a kind of psychic print) to find it.

Chloe locates the powerful lamp easily enough, but Jack and Chloe s problems only begin when it puts them in direct conflict with Nightshade, an unscrupulous arcane society that promises to boost its members psychic powers. Action, psychic warfare, and steamy sexual tension ensue.

This story is ensconced firmly in the realm of the theoretical, and readers of a classical scientific bent may balk at all the talk of psi energy waves and the ability to harm someone just by thinking at them. But others will enjoy Krentz's rich atmosphere, heady romance, and the concept that someone' s thoughts may be just as deadly as a loaded gun.

Left Coast Crime Lefty Award Winners
Oline Cogdill

For years, I wanted to attend Left Coast Crime (LCC) having heard such good feedback about the conference. The various western locations also interested me.

But the timing was never right as it always seemed I had previous commitments in the March/April time frame.

But 2020 was different.

Oh, so different as we were about to find out.

For the first time, the timing worked for me and, as an extra bonus, one of my dearest and closet friends lived in San Diego.

Tony and I had big plans—we would spend the day before the conference and, after LCC ended, we would either stay in San Diego, a city I love, or spend time in Los Angeles.

None of that was to be.

Tony and I spent the day before the conference together.

But then the pandemonium of the pandemic began to take hold.

The first day of LCC was terrific. Good panels, good authors, good discussion.

I moderated one panel, went up to my room to grab something and 10 minutes later came down to find out the city had shut down LCC because of the health risk.

Of course, the in-person 2021 LCC also had to be canceled. But LCC had a terrific virtual conference last month that featured the finalists in the Lefty Award categories.

And attention must be paid to those authors who have worked so hard on their novels to become Lefty Award finalists.

Last Saturday, LCC had its small but very good awards ceremony honoring those winners and finalists.

Each winner was given a chance to make an acceptance speech.

Between categories, LCC honored its past by showing the program cover and the guests of honor through the years.

Congratulations to all the Left Award winners, and to the nominees. Each author is a winner.

Best Mystery Novel
WINNER: All the Devils Are Here, by Louise Penny (Minotaur Books)
What You Don’t See, by Tracy Clark (Kensington Books)
Blacktop Wasteland, by S.A. Cosby (Flatiron Books)
Blind Vigil, by Matt Coyle (Oceanview Publishing)
And Now She’s Gone, by Rachel Howzell Hall (Forge)

Best Humorous Mystery Novel
WINNER: Murder in the Bayou Boneyard, by Ellen Byron (Crooked Lane Books)
Mimi Lee Gets a Clue ,by Jennifer J. Chow (Berkley Prime Crime)
Squeeze Me ,by Carl Hiaasen (Alfred A. Knopf)
The Study of Secrets, by Cynthia Kuhn (Henery Press)
The Pot Thief Who Studied the Woman at Otowi Crossing ,by J. Michael Orenduff (Aakenbaaken & Kent)
Skin Deep, by Sung J. Woo (Agora Books)


Best Historical Mystery Novel
WINNER:The Turning Tide, by Catriona McPherson (Quercus)
he Fate of a Flapper, by Susanna Calkins, (Minotaur Books)
A Lady’s Guide to Mischief and Murder, by Dianne Freeman (Kensington Books)
Riviera Gold, by Laurie R. King (Bantam Books)
Mortal Music, by Ann Parker (Poisoned Pen Press)
Turn to Stone, by James W. Ziskin (Seventh Street Books)


Best Debut Mystery Novel
WINNER: Winter Counts, by David Heska Wanbli Weiden (Ecco)
Murder Goes to Market, by Daisy Bateman (Seventh Street Books)
Derailed, by Mary Keliikoa (Camel Press)
Murder at the Mena House, by Erica Ruth Neubauer (Kensington Books)
The Thursday Murder Club, by Richard Osman (Viking)
The Lady Upstairs, by Halley Sutton (Putnam)


More good news, LCC 2022 is scheduled for April 7–10, 2022, in Albuquerque, New Mexico. I plan to go, along with my other dear and close friend, Toni. (Yes, one is Tony, one is Toni). She and I plan to come in early, go to Santa Fe for a couple of days and then tour Albuquerque—something we did years ago.

2022 Left Coast Crime Honorees
Guest of Honor: Mick Herron
Guest of Honor: Catriona McPherson
Fan Guest of Honor: Kristopher Zgorski
Toastmaster: Kellye Garrett
Ghost of Honor: Tony Hillerman

I am hoping that by the time LCC 2022 rolls around, in-person conferences will be the norm.

And more good news, LCC 2023 also is in the works for Tucson, Arizona.

Planning is good!

Oline Cogdill
2021-04-11 18:41:38
2021 Edgar Winners
Oline Cogdill

Nothing can beat the thrill of being in person at the annual Edgar Awards.

I have enjoyed everything about it—the cocktail party, the chance to talk to editors and writers and the heartfelt speeches.

Certain moments have always stood out through the years—moments that can’t be recreated on Zoom.

And I also love getting all dressed up.

So, maybe next year we can all gather together.

But the organizers of the 75th Edgar Awards, sponsored by Mystery Writers of America, did a wonderful job of presenting a first-class awards ceremony that began at 1 p.m. April 29.

First, MWA kept up the attention by having a series of interviews with the nominees and Grand Master and Ellery Queen honorees.

In addition, authors have been reading from their nominated books on Mystery Writers of America’s Facebook page.

It was almost like being there.

As was done last year, the winners gave acceptance speeches immediately after their names were announced. These speeches were live adding a sense of spontaneity and charm. Loved the cameos by pets.

Colette Bancroft, winner of the Robert L. Fish award, thanked each of the 14 authors whose stories appeared in the short story collection Tampa Bay Noir, as well as her friends and family, including her late husband, John.

In accepting the Raven Award for Malice Domestic, Verena Rose, the editor and co-publisher at Level Best Books, thanked the MWA Board, fans, and writers. She recalled getting the call about the Raven on a Friday the 13th as well as reminisced a bit on the early days of Malice Domestic when Barbara Mertz helped get the conference going.

The happiness of children's author Elizabeth C. Bunce, who won for Best Juvenile Book, was contagious and we were all charmed by her cat's cameo.

Christina Lane's emotional acceptance of Best Critical/Biographical work for Phantom Lady had most also in tears. Alyssa Cole mentioned racism and prejudice and social justice, all themes in When No One Is Watching, winner of the Best Paperback Original.

Deepa Anappara was clearly shocked to win for Best Novel for her Djinn Patrol on the Purple Line and used her time to mention the pandemic situation in India.

Thank you Grand Master Jeffery Deaver for wearing a tuxor at least the part of the tux we could see. Grand Master Charlaine Harris was her usual charming self, thanking all the professionals who helped her with her career as well as her friends, family, and readers. "I feel I have been elected prom queen and won the Noble Peace Prize," Harris said.

Here is the complete list of the nominees with the winners listed first in bold with *** in front of their names.

Congratulations to each of the nominees and those who took home an Edgar.


BEST NOVEL
***Djinn Patrol on the Purple Line, by Deepa Anappara (Random House)
Before She Was Helen, by Caroline B. Cooney (Poisoned Pen Press)
Thursday Murder Club, by Richard Osman (Pamela Dorman Books)
These Women ,by Ivy Pochoda (Ecco)
The Missing American, by Kwei Quartey (Soho Crime)
The Distant Dead, by Heather Young (William Morrow)
 
BEST FIRST NOVEL BY AN AMERICAN AUTHOR
***Please See Us ,by Caitlin Mullen (Gallery Books)
Murder in Old Bombay,
by Nev March (Minotaur Books)
Catherine House, by Elisabeth Thomas (William Morrow)
Winter Counts, by David Heska Wanbli Weiden (Ecco)
Darling Rose Gold, by Stephanie Wrobel (Berkley)
 
BEST PAPERBACK ORIGINAL
***When No One is Watching, by Alyssa Cole (William Morrow)
The Deep, Deep Snow, by Brian Freeman (Blackstone Publishing)
Unspeakable Things, by Jess Lourey (Thomas & Mercer)
The Keeper, by Jessica Moor (Penguin Books)
East of Hounslow ,by Khurrum Rahman (Harper 360)
 
BEST FACT CRIME
***Death in Mud Lick: A Coal Country Fight Against the Drug Companies that Delivered the Opioid Epidemic, by Eric Eyre (Scribner)
Blood Runs Coal: The Yablonski Murders and the Battle for the United Mine Workers of America,
by Mark A. Bradley (W.W. Norton & Company)
The Third Rainbow Girl: The Long Life of a Double Murder in Appalachia, by Emma Copley Eisenberg (Hachette Books)
Yellow Bird: Oil, Murder, and a Woman's Search for Justice in Indian Country, by Sierra Crane Murdoch (Random House)
Veritas: A Harvard Professor, a Con Man, and the Gospel of Jesus's Wife ,by Ariel Sabar (Doubleday)


BEST CRITICAL/BIOGRAPHICAL
***Phantom Lady: Hollywood Producer Joan Harrison, the Forgotten Woman Behind Hitchcock, by Christina Lane (Chicago Review Press)
Howdunit: A Masterclass in Crime Writing by Members of the Detection Club,
edited by Martin Edwards (Collins Crime Club)
Ian Rankin: A Companion to the Mystery & Fiction, by Erin E. MacDonald (McFarland)
Guilt Rules All: Irish Mystery, Detective, and Crime Fiction, by Elizabeth Mannion & Brian Cliff (Syracuse University Press)
This Time Next Year We'll be Laughing, by Jacqueline Winspear (Soho Press)
 
BEST SHORT STORY
***"Dust, Ash, Flight," Addis Ababa Noir, by Maaza Mengiste (Akashic Books)
"The Summer Uncle Cat Came to Stay," Ellery Queen Mystery Magazine, by Leslie Elman (Dell Magazines)
"Etta at the End of the World," Alfred Hitchcock Mystery Magazine, by Joseph S. Walker (Dell Magazines)
“The Twenty-Five Year Engagement,” In League with Sherlock Holmes, by James W. Ziskin (Pegasus Crime)
 
BEST JUVENILE
***Premeditated Myrtle, by Elizabeth C. Bunce (Algonquin Young Readers)
Me and Banksy, by Tanya Lloyd Kyi (Puffin Canada)
From the Desk of Zoe Washington, by Janae Marks (Katherine Tegen Books)
Ikenga, by Nnedi Okorafor (Viking BFYR)
Nessie Quest, by Melissa Savage (Crown BFYR)
Coop Knows the Scoop, by Taryn Souders (Sourcebooks Young Readers)
 
BEST YOUNG ADULT
***The Companion, by Katie Alender (G.P. Putnam’s Sons BFYR)
The Inheritance Games, by Jennifer Lynn Barnes (Little, Brown BFYR)
They Went Left, by Monica Hesse (Little, Brown BFYR)
Silence of Bones, by June Hur (Feiwel & Friends)
The Cousins, by Karen M. McManus (Delacorte Press)
 
BEST TELEVISION EPISODE TELEPLAY
***“Episode 1, Photochemistry” – Dead Still, Written by John Morton (Acorn TV)
“Episode 1, The Stranger” – Harlan Coben’s The Stranger, written by Danny Brocklehurst (Netflix)
“Episode 1, Open Water” – The Sounds, written by Sarah-Kate Lynch (Acorn TV)
“Episode 1” – Des, written by Luke Neal (Sundance Now)
“What I Know” – The Boys, written by Rebecca Sonnenshine, based on the comic by Garth Ennis and Darick Robertson (Amazon)
 
ROBERT L. FISH MEMORIAL AWARD
"The Bite,” Tampa Bay Noir, by Colette Bancroft (Akashic Books)
 
THE SIMON & SCHUSTER MARY HIGGINS CLARK AWARD
***The Cabinets of Barnaby Mayne, by Elsa Hart (Minotaur Books)
Death of an American Beauty ,by Mariah Fredericks (Minotaur Books)
The Lucky One, by Lori Rader-Day (HarperCollins Publishers – William Morrow)
The First to Lie, by Hank Phillippi Ryan (Forge Books)
Cold Wind, by Paige Shelton (Minotaur Books)


THE G.P. PUTNAM’S SONS SUE GRAFTON MEMORIAL AWARD
***Vera Kelly is Not a Mystery ,by Rosalie Knecht (Tin House Books)
The Burn, by Kathleen Kent (Mulholland Books)
Riviera Gold, by Laurie R. King (Ballantine Books)
Dead Land, by Sara Paretsky (William Morrow)
The Sleeping Nymph, by Ilaria Tuti (Soho Crime)
Turn to Stone, by James W. Ziskin (Seventh Street Books)
 
GRAND MASTER
Jeffery Deaver
Charlaine Harris
 
RAVEN AWARD
Malice Domestic
 
ELLERY QUEEN AWARD
Reagan Arthur, Publisher, Alfred A. Knopf

Oline Cogdill
2021-04-29 16:41:10
A Certain Hunger
Katrina Niidas Holm

Chelsea G. Summers’ unabashedly feminist, gleefully transgressive debut, A Certain Hunger, is written in the guise of a memoir—specifically, that of 51-year-old James Beard Award-winning food writer Dorothy Daniels, who is now serving life plus 20 years for killing Casimir Bezrukov with an ice pick. Dorothy doesn’t deny her guilt; to the contrary, she brags about it, providing a comprehensive account of her crime. But that’s far from the only subject she tackles here. In fact, it’s not even the only murder to which she admits. With sumptuous prose and a narrative style that’s discursive, darkly funny, and pathologically self-assured, Dorothy examines the history of the Corpse Reviver cocktail, waxes rhapsodic on the topic of duck fat, and reminisces fondly about her childhood, her career, her sex life—and her genesis as a cannibal. Summers cleverly employs a serpentine structure to ramp up suspense and inject mystery. Readers are kept guessing at the depths of Dorothy’s depravity, how and when she got caught, and by whom. What’s more, they’re nagged by the sense that Dorothy is working up to something—some final confession regarding an act she truly regrets. Make no mistake, this isn’t a book for the squeamish or easily offended; Dorothy is a true psychopath with a penchant for elaborate detail and a knack for making one feel less a spectator than a co-conspirator. But those who dare to indulge will be richly rewarded with a mesmerizing tale that shocks and shatters in equal measure.

Teri Duerr
2021-05-03 18:39:26
The Better of the Bad
Katrina Niidas Holm

J.J. Hensley’s fourth Trevor Galloway novel, The Better of the Bad, finds the former Pittsburgh narcotics detective and his girlfriend, PI Bethany Nolan, running Coastal Casework Investigations in Savannah, Georgia. Bethany is the firm’s frontwoman; not only is Trevor unlicensed, he also suffers from PTSD (which is now unmedicated), is a recovering addict, spent two years in a mental institution for going on a revenge-fueled killing spree, and is hiding from a drug cartel who wants him dead. Business is slow, and Trevor fears he’ll have to find a second job when Sebastian Waterford of the Chatham County Board of Commissioners comes knocking. Someone is brutally murdering relatives of Savannah-Chatham 911 dispatchers and then calling them at 9:11 pm to report the crimes. The authorities have no leads, and the emergency response system is in crisis, as communication officers keep quitting for fear that their loved ones will be next. Waterford claims he wants off-the-books help solving the case because he believes the killer has a source inside the police department. Trevor and Bethany suspect that Waterford isn’t being completely forthcoming, but they sign on, anyway—to their inevitable peril. Hensley’s fantastic follow-up to 2019’s Forgiveness Dies is a tightly plotted, action-packed thrill ride, replete with shootouts, car crashes, authentically flawed characters, and a melodious hallucination that knows Whitesnake’s Slip of the Tongue from front to back. Lean, intelligent prose liberally peppered with dry wit further distinguishes this gripping tale, which thoughtfully examines the psychological stressors of public service.

Teri Duerr
2021-05-03 18:49:22
A Will to Kill
Katrina Niidas Holm

First in a new series, R.V. Raman’s A Will to Kill opens with renowned detective Harith Athreya accepting Bhaskar Fernandez’s invitation to spend a few days at Graybrooke Manor in India’s Nilgiri Mountains. Bhaskar—a wealthy, wheelchair-bound widower who made his fortune dealing art and antiques—spent years embroiled in litigation with his siblings over the colonial-era mansion, which he inherited from their father. Now that said siblings are deceased, he’s throwing a house party—in part to repair family relations, but also to reveal the plans he’s drawn up concerning his own estate. Originally, Bhaskar drafted a document bequeathing assets to his son, his two nieces, his nephew, and a handful of neighbors. Within a month of signing, however, it became clear that someone was trying to hasten his demise. Consequently, Bhaskar now has two wills: one for if he dies of natural causes, and another for if he meets with foul play. Details regarding the second testament shall remain a secret unless and until it goes into effect, at which point Bhaskar wants Harith to investigate. Bhaskar hopes this arrangement will be sufficient to deter future violence, but the next morning, Harith seeks out the cause of a strange noise in the chapel and finds a freshly murdered corpse occupying his host’s wheelchair. This intricately plotted whodunit from thriller writer Raman updates the classic country house mystery while paying loving homage to its origins. Evocative writing conjures a strong sense of place and brings the colorful cast to life on the page. Viable suspects abound, and Raman uses the family’s fraught history to create a veritable sea of convincing red herring.

Teri Duerr
2021-05-03 18:53:08
Black Lotus 2: The Vow
Katrina Niidas Holm

When K’wan’s Black Lotus 2: The Vow begins, the titular assassin (née Kahllah El-Amin) has severed all ties with the Brotherhood of Blood and is partnering with her best friend, Audrey, to publish a magazine called Real Talk. Kahllah knows that someone wants to lure her out of retirement; she’s seen the ciphered messages that keep appearing in the Village Voice’s personal ads. She’s done dealing in death, though, and assumes her would-be client will eventually give up and find another killer-for-hire. Then a notoriously crooked cop, Frank Cobb, is found dead in an alleyway alongside Kahllah’s old calling card—a genetically engineered black lotus. The NYPD orders tenacious detective James Wolf to bring her in, as he used to be an ally to Black Lotus. But when he turns up at Kahllah’s office, she runs, determined to restore her alter ego’s honor by finding the true culprit and bringing him or her to justice. Meanwhile, a crew of headline-making criminals wearing animal masks and wielding impossibly high-tech weapons causes Kahllah to wonder whether some of her old enemies are less dead than she was led to believe. K’wan follows up 2014’s Black Lotus with another furiously paced work of urban pulp that fuses 1970s camp with violence, vengeance, and gore. Series newcomers may need a beat to familiarize themselves with the battle-scarred characters and their blood-soaked backstories, but come the closing cliff-hanger, they’ll be every bit as invested in Kahllah’s future as K’wan’s longtime fans.

Teri Duerr
2021-05-03 19:09:45
The Case of the Twisted Truths
Katrina Niidas Holm

Over the course of the last few months, Kester Lanner—the 22-year-old protagonist of Lucy Banks’ The Case of the Twisted Truths—lost his mom, met his dad (Dr. Julio Ribero, who runs the ragtag Exeter-based supernatural agency at which he’s now employed), got betrayed by his girlfriend, and was captured by (and then escaped from) Thelemite cultists seeking to exploit his ability to open doors to the spirit world. Kester is hoping for a quiet winter so that he can focus on obtaining his BA in spirit intervention and business studies. Then someone starts slipping strange riddles under his door. Analysis suggests they were penned by the daemon Hrschni, Grand Master of the Thelemites. But if Hrschni is so desperate to communicate with Kester, why not simply kidnap him a second time? The entity tops England’s most-wanted-spirit list, and the government would pay handsomely for his capture, so Kester and his coworkers reluctantly partner with two rival firms—one run by Dr. Ribero’s nemesis, Larry Higgins—to lay a trap. The closer they come to achieving their objective, however, the less sure Kester becomes that he’s on the side of right. He’s also forced to reckon with the fact that his enigmatic mother knew far more about the spectral realm than she ever let on. Banks’ winsome fourth Dr. Ribero’s Agency of the Supernatural novel (after 2018’s The Case of the Hidden Daemon) boasts carefully considered world-building; a vividly sketched, endearingly goofy cast; and an absorbing plot that both develops character and forwards the series arc. The mystery is largely self-contained, but completists may want to circle back to book one, as the first three titles cover a lot of ground. Victoria Laurie fans, this one’s for you.

Teri Duerr
2021-05-03 19:13:55