Archive for the ‘Reviews’ Category

The Parisian Prodigal by Alan Gordon

Friday, March 12th, 2010

The Parisian Prodigal

by Alan Gordon

Minotaur Books, January 2010, $25.99

A husband and wife detective team isn’t that unusual—but put them in the early 13th century in Toulouse, France and make them court jesters, and you’ve got the makings of a strange murder mystery indeed.

Theo and Claudia are not only accomplished jesters, they also belong to the super-secret Fools’ Guild, an international group that strives to maintain order in a dangerous world. Count Raimon , the ruler of Toulouse, has named Theo his Chief Fool and relies on him not only for entertainment, but for wise counsel as well.

When a visitor arrives from Paris claiming to be the Count’s brother he is jailed as an imposter. Later, on Theo’s advice, the claimant, Baudoin, is freed pending further investigation into his claim. That night, he is taken to a brothel and spends the night in the arms of the most beautiful prostitute in the city. When the following morning her dead body is found next to him in the bed with his dagger in her chest, Baudoin is arrested for her murder.

Dissatisfied by the “rush to judgment” against Baudoin, Theo and Claudia decide to investigate. Both being competitive, however, they each go about it separately in their own way, Claudia being accompanied by Helga, a 12-year-old apprentice fool. Which one will solve the case first?

In alternating points of view, we follow the pair through a complex series of adventures leading to an unexpected conclusion. This latest in a series of Fools’ Guild Mysteries is enjoyable reading, not only for the mystery, but for the sharp and witty dialogue as well.

Reviewed by Joseph Scarpato, Jr.

Alan Gordon, photo by Paul Petronella

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A Thousand Cuts by Simon Lelic

Thursday, March 11th, 2010

A Thousand Cuts
by Simon Lelic
Viking Adult, March 2010, $24.95

What can you ever know about the motives of a quiet and unassuming teacher who opens fire in a school assembly and kills three students and a fellow teacher before turning the gun on himself? Though everyone seems mystified by the violent event, DI Lucia May tries to walk, literally, in the shooter’s footsteps. She wants to understand what led up to it, even though her boss wants the case wrapped up and out of the headlines.

As she peels back the layers, Lucia learns that students tormented the teacher mercilessly, that he had a failed relationship with another colleague, that he was not the only person who suffered from unchecked bullying. As she investigates, the treatment she receives from her male colleagues is similarly abusive. The psychological tension escalates as she doggedly keeps digging.

The book has an unusual structure, opening with a witness statement in the voice of a schoolboy recounting his experience with an uncannily realistic voice. Chapters alternate a close third-person view from the detective’s perspective with the statements she takes from students, teachers, parents, and school officials. It’s artfully done—almost too artfully; at times it seems like the virtuoso performance of a well-trained actor who can do voices cleverly. Yet the growing sense of injustice and the muggy, stifling atmosphere of the book work well to increase the sense of being trapped, drawing the reader into the state of mind of someone bullied so relentlessly there’s only one way out.

Reviewed by Barbara Fister

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Last Snow by Eric Van Lustbader

Saturday, March 6th, 2010

Last Snow
by Eric Van Lustbader
Forge Books, February 2010, $25.99

Troubleshooter Jack McClure returns in this follow up to last year’s First Daughter. In Last Snow, McClure is with the US President in Moscow on the eve of a historic treaty with Russia. But when an American senator is killed in Italy (when he was supposedly in the Ukraine), the President sends McClure to Kiev to investigate. McClure’s job is complicated by the presence of Annika Dementieva, a renegade Federal Security Service (FSB) agent and Alli Carson, the President’s daughter, whom he must keep safe.

Time and again, McClure’s three-dimensional approach to problem solving, which is also linked to his dyslexia, gets them out of trouble. At the same time, McClure uncovers a conspiracy to undermine Ukraine’s sovereignty and involving some in the President’s own inner circle.

Last Snow is one of several recent novels featuring the grandiose theme of a renewed Cold War with Russia. However, the presence of Alli Carson, the titular First Daughter of the previous novel, humanizes the story. Alli is still reeling from the kidnapping and torture she endured in the first installment. Her rather bizarre presence on McClure’s mission gives her an opportunity to face her fears and claim her own identity. That alone raises Last Snow above the current le Carré knockoffs.

Reviewed by Jim Winter

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Death by the Book by Lenny Bartulin

Thursday, March 4th, 2010

Death by the Book
by Lenny Bartulin
Minotaur Books, January 2010, $24.99

Some guys have all the luck. Like Jack Susko, the bookselling protagonist and amateur sleuth in Australian writer Lenny Bartulin’s 2008 entertaining and nicely paced debut (recently published Stateside with a new title). I sell books for a living too, but I can assure you that no rich sexpots like Annabelle Kaspowricz ever seem to throw their voluptuous bodies (“on the curvy side of womanhood”) or any of their other spectacular assets at me the way they do with Jack. Then again, the complications that ensue when Annabelle’s wealthy, but singularly unpleasant, businessman father hires Jack, the proud proprietor of Susko’s Books, a struggling basement shop in Sydney, to track down every copy he can of an obscure poet’s books, might not be worth it. Even at $50 a pop.

Those complications include sleazy business rivals, a disgraced gynecologist, possibly corrupt or at least inept cops, a vengeful crime lord, hired muscle, plenty of dubious poetry and enough dirty family secrets, obsessions and greed to fill a soap opera. In fact, Annabelle’s family is so chronically dysfunctional that they make The Big Sleep’s Sternwoods look like television’s Waltons. And unfortunately, by the time Jack realizes what he’s involved in, it’s far too late to crawl out gracefully. Still, he draws upon just enough unexpected resources of strength and courage (not to mention a bit of wild luck) and a definite way with wisecracks (for example a thug is dismissed as having the “muscle-to-brain ratio of a brontosaurus”) to keep the reader flipping pages. A sly parody of ’30s-era hardboiled fiction or the contemporary real deal? Either way, this stuff is just way too good (and too fun) to be a one-off. Down these mean streets a used book dealer must go, anyone?

Reviewed by Kevin Burton Smith

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Virtually Dead by Peter May

Saturday, February 27th, 2010

May_VirtuallyDead

Virtually Dead
by Peter May
Poisoned Pen Press, January 2010, $14.95

When our lives become too complicated, overrun with confrontations, debts and emotional turmoil, the desire to escape can be overwhelming. In Peter May’s entertaining Virtually Dead, a virtual world becomes preferable to reality for crime scene photographer Michael Kapinsky.

Michael’s life is in chaos. The death of his wealthy wife has left him grief-stricken, depressed and in debt. While his wife, Mora, had inherited millions, her lavish lifestyle and a legal battle with the family of her first husband has left Michael an inheritance of overdue bills and a staggering mortgage. He begins to find solace in the virtual world called Second Life, which his therapist suggests as a kind of group therapy.

There, his avatar is moviestar handsome Chas Chesnokov, a fearless agent of the Twist of Fate Detective Agency. But the virtual and real

Peter May, photo by Domi Photographe

Peter May, photo by Domi Photographe

worlds collide when both the the avatars and their real life counterparts start being murdered. Chas and an exotic dancer avatar begin an investigation that centers on greed and control.

May (The Enzo Files) keeps a firm hand as Virtually Dead alternates between Michael’s real-life struggles and his avatar’s fantasy life. The plot moves briskly with surprise twists and a believable conclusion. May not only makes Michael a sympathetic, likable character, but also imbues Chas with a solid personality and a fearlessness that makes him a true hero. Online you can be whoever or whatever you want to be as May believably shows.

Reviewed by Oline H. Cogdill

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Eye of the Raven: A Mystery of Colonial America by Eliot Pattison

Thursday, February 25th, 2010

Pattison_EyeofRavenEye of the Raven: A Mystery of Colonial America
by Eliot Pattison
Counterpoint, December 2009, $26.00

In Eye of the Raven Eliot Pattison reprises the characters and French and Indian War from his previous Edgar-winning historical mystery Bone Rattler. This time Duncan McCallum and his Native American mentor and Shaman, Conawago are investigating a series of murders. It seems several land surveyors charged with preparing the way for a huge land grant held by a consortium of well-connected Virginians have been killed. The legality of the grants that encompass much of the land in the Ohio valley are suspect, having been obtained by questionable methods. There are others interested in the lands beyond Penn’s colony too, and, of course, the local Native American inhabitants are concerned and confused about the seizure of their ancestral hunting grounds.

All of this takes place amidst the North American phase of a European war raging around the world. The French and Indian War was particularly bloody as it involved the European powers employing Native American allies, many of them traditional enemies. Both Duncan and Conawago are the last survivors of their clans and find themselves caught in the middle of conflicts beyond their control and facing constant danger from all sides. Pattison’s novels are part history, part Native American primer, part complex whodunit, part James Fennimore Cooper. These novels are exciting as the central characters are swept up into colonial politics and a savage guerilla war.

Reviewed by Charles L. P. Silet

PattisonPhoto

Eliot Pattison, photo by Jerry Bauer

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Bellfield Hall by Anna Dean

Tuesday, February 23rd, 2010

Picture 1

Bellfield Hall
by Anna Dean
Minotaur Books, February 2010, $23.99

Capitalizing on the perennial popularity of Jane Austen-inspired books, Anna Dean has written a subtle mystery certain to appeal to the Austen in all of us. As one might suspect, marriage, misperception, and perfidy are major themes in Bellfield Hall, a historical with currency for present-day readers. Dean employs first-person narration, which creates for readers a sense of immediacy and a vested interest in the novel’s clever narrative threads.

Narrator Dido Kent, a woman well past the first blush of youth, travels to Bellfield Hall to assist her niece, Catherine, who is engaged to Richard Montague, heir apparent to the estate. For Dido the match seems suspicious since her niece is neither propertied nor titled. Even more suspicious, though, is Richard’s renunciation of the engagement after the silent appearance of a visitor and his hasty, inexplicable departure from the engagement party. Catherine remains convinced that Richard still loves her, even after the corpse of a young woman surfaces outside the mansion, leading some to attribute the murder to Richard. It remains for Dido to discover where Richard is hiding, why he fled, and who murdered the young woman—a tall order for anyone. As is universally true, Dido’s perceptions are necessarily limited, so despite her astute sleuthing, she doesn’t see the truth immediately. Fortunately, though, she doesn’t remain clueless for long. One hopes to see Dido soon in a welcome reprise to this masterful mystery. Austen fans, rejoice!

Reviewed by Lynne Maxwell

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Review The Lock Artist by Steve Hamilton

Tuesday, February 9th, 2010

hamilton_lockartist

The Lock Artist
by Steve Hamilton
Minotaur Books, January 2010, $24.99

Whether you know him as “The Miracle Boy,” “The Milford Mute,” “The Young Ghost,” or “The Boxman,” the fact remains that Michael, the narrator of Steve Hamilton’s latest novel, is a memorable character with a flair for storytelling, carefully doling out bits of his colorful life a piece at a time. From the youthful tragedy that rendered him mute to his early experiences as a budding artist and juvenile delinquent, and his dangerous and sometimes lethal exploits as a safecracker, Michael has led a truly storied existence. The fact that the myriad memorable moments he relates add up to a cohesive and wildly entertaining whole is merely an added bonus.

Taking a break from his Edgar Award-winning Alex McKnight series, Hamilton delivers what can only be described as a masterpiece, a book guaranteed to engage thriller lovers from its first sentence (“You may remember me.”) to its last (which I won’t cite, because it would take too long to explain.) It’s hard to describe, except that you might find yourself thinking of Charles Dickens channeling Donald E. Westlake’s hardboiled alter ego Richard Stark. Even more improbably, the novel is also a romance of sorts and possibly even an entry in the popular “child-in-jeopardy” micro genre. No matter how you ultimately characterize this tale in your own mind, it’s well worth your time and attention.

Reviewed by Hank Wagner

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Review: City of Silver by Annamaria Alfieri

Thursday, January 7th, 2010

alfieri_cityofsilver.jpgCity of Silver
by Annamaria Alfieri
Minotaur Books, August 2009, $24.99

For true torture and torment, you can’t beat the Spanish Inquisition. In this historical mystery set in 1650, its tentacles have reached the Spanish Viceroyalty of Peru and the city of Potosi (now Bolivia), one of the 17th century’s great metropolises thanks to the riches of its vast silver mines. The spunky Mother Maria Santa Hilda, abbess of the Convent of Santa Isabella de los Santos Milagros, is the heroine of this story of corruption at the highest levels of government.

When it is found that the silver being coined in Potosi is not pure, the King of Spain sends prosecutor Dr. Francisco de Nestares to ferret out the culprits. Meanwhile, at the convent, Inez de la Morada, the daughter of one of the richest politicians in the city, dies while in the care of the abbess. Although some of the clues suggest suicide, Mother Maria Santa Hilda and the sisters believe otherwise and endeavor to prove the true cause of the girl’s death.

The author has certainly done her research in this debut mystery rich in atmosphere and full of intriguing characters, including the ultra-rich mine owner Antonio De Bermeo y de Novarra Tovar, and the always-squabbling churchmen and politicians. Once the reader gets past the daunting names of the Spanish characters and places, there are lots of twists and treachery in this mystery with a touch of romance.

Transcend this!

Monday, January 4th, 2010

As we start this new year, full of brightness, promise and lots of books, there is one phrase I would like to see banned from every review, every discussion, every thought about mysteries.

Transcends the genre.

I hate that phrase. It sets my teeth on edge. More importantly, it shows a total lack of knowledge about mysteries and a lack of respect for the wonderful authors who bring us these multi-layered stories.

Transcend this.

This phrase reared its head recently in a New York Times review. While the reviewer waxed poetically about the novel, it seems this reviewer couldn’t resist that last little dig. The novel’s characters “transcend their genre.”

Would someone please explain to me what that is a compliment?

Mysteries don’t have to transcend anything.

Laura Lippman

Laura Lippman

On their own, mysteries are multilayered novels with complex plots, complicated characters and intricate motives. Mysteries have become the social novel of the day – showing us who we are at this point in time and showcasing the ills, morals and achievements of society.

   Shakespeare wrote mysteries. Doubt that? What is Hamlet? Dickens wrote mysteries. Doubt that? What is The Mystery of Edwin Drood? The greatest operas of the world are, at their core, mysteries. Doubt that? Have you seen the one about the clown who murders his wife?

  I think being a mystery writer is high praise in itself because it involves so many different aspect of writing. It takes much skill and intelligence to keep readers guessing for more than 300 pages not just about who did it but why it was done. When so called literary writers try to write mysteries, the result is, frankly, often less than desirable.

  A few years ago, Laura Lippman spoke at the Mystery Writers of America, Florida chapter, about how she was just fine with being a mystery writer and how that transcend term irks her. (Sorry, Laura, if I don’t remember all this correctly).

    Last year, Lippman returned to South Florida to participate in the Broward County Literary Feast. Naturally, I moderated the panel. Lippman said something to me that meant the world – “Oline, you have never used the term transcend the genre.”

    No, I haven’t. And hope I never do. If you ever see that phrase in one of my reviews, I did not put it there.

    The best mystery fiction give us novels that show us who we are and how we deal with our lives. That would include authors such as Dennis Lehane, Michael Connelly, George Pelecanos, Lippman, Val McDermid, Robert Crais, Meg Abbott, Kelli Stanley, John Hart, David Ellis, Michael Koryta, James W. Hall and I have to stop before I mention too many, which of course means I will also leave out too many.

 So elevate the genre, showcase the genre and let us see how rich and deep the genre is.

Just don’t transcend it.