Archive for the ‘Dennis Lehane’ Category

Shutter Island earns 3 ½ stars

Friday, February 19th, 2010

Dennis Lehane’s track record remains intact. His three books that have become movies have made a smooth transition to film – keeping the plot, the characters and, most importantly, the spirit of his novels.

Leonardo DiCaprio, left, Mark Ruffalo In Shutter Island. Paramount Pictures photo

Leonardo DiCaprio, left, Mark Ruffalo In Shutter Island. Paramount Pictures photo

Director Martin Scorsese not only does justice to Lehane’s “Shutter Island,” but he imbues the movie with a noir quality that elevates the film, giving it a 1950s feel but with a modern spin. It also is a psychological thriller with elements of gothic horror. “Shutter Island” is not a typical action movie; nor was the novel “Shutter Island” a typical mystery.

I give the film “Shutter Island” three and a half stars.

“Shutter Island” is Lehane’s most controversial novel. Unlike his other works, “Shutter Island” does not follow a linear story. A huge twist changes the plot in ways that challenge readers and change perceptions. Readers either loved it or hated it, one of those rare novels where there seemed to be no middle ground on readers’ view. Personally, I loved it and named it the top mystery of 2003.

In my 2003 best of the year column, I said “Shutter Island” was “an unconventional psychological suspense tale with elements of an espionage thriller, a noir novel and even a locked-room mystery. It shares strong roots with the best of psychological cinema such as “The Manchurian Candidate,” “The Wicker Man,” “Gaslight” and “The Game.”

“Shutter Island” tests the reader’s acumen as much as the story’s boundaries. A few scenes will seem out of place and even infuriatingly odd, but trust the author to bring the story full circle,” I said in my best list.

This is exactly what Scorsese does with the film “Shutter Island,” which is set  in 1954.

 As U.S. Marshal Teddy Daniels, Leonardo DiCaprio captures the character’s paranoia, his sense of justice and his innate belief that only he can make things better. Daniels has seen the worst of humanity and even participated in unforgivable acts. He is, as one character says, “a man of violence.” Daniels and his new partner Chuck (played as a compassionate comrade by Mark Ruffalo) have been sent to a high-security mental hospital located on a remote island near Boston to investigate the disappearance of a woman inmate who had killed her three children.  

Ben Kingsley, Mark Ruffalo and Leonardo DiCaprio in Shutter Island. Paramount Pictures photo

Ben Kingsley, Mark Ruffalo and Leonardo DiCaprio in Shutter Island. Paramount Pictures photo

The hospital is run by an uncooperative doctor (the excellent Ben Kingsley) who seems to thwart the investigation at every turn and is assisted by psychiatrist played by the equally excellent Max Von Sydow. The patient population is mainly rapists and murderers whose viciousness seeps through the very walls. And, oh yeah, a hurricane is bearing down on the island.

DiCaprio is the perfect actor to delve into the complex personality of Daniels. His character’s short temper, his stint in World War II and the tragedies in Daniels’ past affect every moment of his life and DiCaprio pulls us in with his strong performance. He wears the emotional trauma on his face like the unexplained scars on his chin and near his eye that are small but unmistakable. DiCaprio has never looked more rugged, or more ragged.

The cinematography is breathtaking. “Shutter Island” captures the grit and creepiness of the mental hospital. No horror film nor gothic movie have ever been as scary as when Daniels ventures to speak with the inmates.

In ways, it probably was easier to bring to the screen Lehane’s “Mystic River,” directed by Clint Eastwood, and “Gone Baby Gone,” directed by Ben Affleck. Those two novels – which are two of my favorite Lehane works – have complex, multi-layered plots but they also more straightforward stories.

“Shutter Island” requires the viewers to invest in the story beyond passive viewing, to take a leap of faith that isn’t needed when watching the typical action films don’t. Still, the film could have used a 15-minute trim to make the story more compact.

The next Lehane novel to be adapted for the screen is his “The Given Day,” to be directed by Sam Raimi.

 Shutter Island stars Leonardo DiCaprio, with Mark Ruffalo, Ben Kingsley, Michelle Williams, Max von Sydow, Patricia Clarkson, Emily Mortimer. Rated R for disturbing violent content, language and some nudity. Running time: 138 minutes.

Dennis Lehane, DiCaprio on Shutter Island

Wednesday, June 24th, 2009

Today’s part 2 of my film picks, such as they are. 

The other film I am looking forward to is Shutter Island, based on Dennis Lehane’s novel. It’s due in national theaters Oct. 2, just in time for lots of discussions at Bouchercon.

Again, the previews look wonderful. It stars Leonardo DiCaprio and the film is directed by Martin Scorsese. Need I say more?
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Set in the 1950s, Shutter Island is about two U.S. marshals who are called to investigate the disappearance of an inmate from a hospital for the criminally-insane on a remote island off the coast of Massachusetts.

Shutter Island was totally unlike any of Lehane’s previous fiction and, if I remember correctly, readers were very mixed on it – either loving it or hating it.

  I loved it and named it the top mystery of 2003 for the annual list I compile for the Sun-Sentinel.

Quoting myself, I stated that “Lehane takes still a different route in his seventh novel, Shutter Island, an unconventional psychological suspense tale with elements of an espionage thriller, a noir novel and even the locked-room mystery. It shares strong roots with the best of psychological cinema such as The Manchurian Candidate, The Wicker Man, Gaslight and The Game.”

Again, these previews look terrific. Take a look for yourself.

First book it, then see it

Sunday, March 29th, 2009

I started to ramble on to a question raised by one of our intelligent readers and authors, Deborah Shlian, about whether it’s better to see the filmed version before reading a book.

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The question came up in the blog about The No. 1 Ladies’ Detective Agency that starts March 29 on HBO, with numerous encores planned.

I think that the beautifully filmed and acted The No. 1 Ladies’ Detective Agency can be enjoyed by those who have not yet read the novels as well as those who helped make them bestsellers.

But the filmed version of Alexander McCall Smith’s novels are an exception.

Most of the time, it’s obvious to me – read the novel, savor the novel, enjoy the novel. Then, if there is a filmed version, see it but realize that no film version can match the intricacies of the novel.

First, there’s the reality of time. An averaged-sized novel would be too long to be filmed entirely for the movies; not even a miniseries could capture all the nuances of a novel.

And it’s that word nuances that really matters.

Authors feature wonderful large and small nuances about their characters, scenery, plot and dialogue.

The best novel to screen projects are those that capture the essence of the book.

They show you through talented actors and directing the essence of what the characters are thinking and respect the source material.

(For another perspective on this, be sure to read Kevin Burton Smith’s excellent article “The Casting Couch” on casting mystery characters in film and television in Mystery Scene’s upcoming Spring issue.)

Mystic River was an excellent filmed version of Dennis Lehane’s novel. The cast, including Sean Penn, Kevin Bacon, Tim Robbins, and Laura Linney, could not have been better.

Anyone could see that movie and be satisfied.

But they would have missed Lehane’s nuances. Like those lovely paragraphs talking about the fathers who worked in the candy factory and “carried the stench of warm chocolate back home with them.” Because of that, Sean Devine and Jimmy Marcus “developed a hatred of sweets so total” they never had dessert.

Or the line “Brendan Harris loved Katie Marcus like crazy, loved her like movie love…,” which Lehane once said was one of the first lines he wrote for Mystic River.

Imagine James Crumley’s 1978 The Last Good Kiss as a film. Sure it would make a great action film.

And the first scene would have to be of a man and a bulldog drinking in a falling down bar.

But could any film capture what is considered to be one of the best beginnings of any novel?

“When I finally caught up with Abraham Trahearne, he was drinking beer with an alcoholic bulldog named Fireball Roberts in a ramshackle joint just outside of Sonoma, California, drinking the heart right out of a fine spring afternoon.”

Sometimes there isn’t even an attempt to capture that essences of a novel. Take Michael Connelly’s Blood Work, a good novel, a mediocre film.

Or Burglar, based on Lawrence Block’s funny Bernie the Burglar novels. I mean really….did anyone in their right mind imagine Whoopi Goldberg as Bernie?

But let’s end this on a positive note.
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Those that do work include Charlaine Harris’ Sookie Stackhouse novels reimagined as HBO’s True Blood and Ian Rankin’s John Rebus novels shown on BBC America as Rebus, now available on Acorn Media.

I also am looking forward to seeing Val McDermid’s A Place of Execution, which got nothing but rave reviews when it was shown on television last year in England.

Surely I have missed some. What do you think?

100 Eyes of the Mystery Scene Era

Wednesday, August 1st, 2007

Well, I did it. I sucked it up and pushed “SEND” and my article, “100 Eyes of the Mystery Scene Era” whisked it way to MS editor Kate Stine for inclusion in its 100th issue, which should be at fine newstands and bookstores even as I type. (It’s also available at the MS website, of course, where every back issue sold will result in a $5 donation to the New Orleans Public Library.)

When Kate first announced MS was approaching its landmark 100th issue, she asked us regular contributors to think of various ways to mark the occasion. Originally, I thought of just doing a column, listing 100 eyes who made their mark during the years MYSTERY SCENE, established in 1985, has been around.

But once I got started I realized that unless I simply presented a dry, meaningless list of names, some sort of commentary was required. And so my simple column grew and grew, until it was too big to be a column. “No prob,” Kate said. “It’s not a column… it’s an article.”

Which suited me. But that was the least of my problems. The real toughie, as Bob Seger put it once, was deciding what to leave in, and what to leave out. I wanted the list to be wide-ranging, including the expected, the unexpected and the inexplicable. Some are personal favorites and a few are guilty pleasures, some are no-brainers and there are even one or two I don’t even particularly like, but can’t in all honesty ignore. But one way or another, for better of worse, they have all bent, folded and mutilated the genre –or otherwise stuck in my craw.

Of course, in any sort of list like this, there’s constant second-guessing. And the uneasy feeling that you’ll somehow forget someone of significance, or change your mind after it’s too late. Plus there’s the fear of unintentionally snubbing the work you truly admire and respect.

It turns out I should have just skipped the second guessing part and proceeded right to the head in the oven stage. Within what must have been mere hours from when Issue #100 hit the streets, the e-mail started coming in. I forgot this guy. Why did I include that guy? How could I? How dare I?

Sigh….

Anyway, being a glutton for punishment — and genuinely interested in your responses — here is the original list.

Most of these characters are from novels, but there are also eyes drawn from film, television, short fiction and comics – and from all over the world.

They’re in alphabetical order, because any other sort of order would surely lead to madness, with their creators’ names in parentheses. And no, I don’t expect everyone – or even anyone – to agree with all my choices, but here they are.

1 Jinx Alameda (Brian Michael Bendis)
This foul-mouthed Cleveland bounty hunter is one of the fiercest gumshoes to ever hit the comic rack—or anywhere else. A night out with her and Max Collins’ Ms. Tree would be fearsome.

2 Fitzroy Maclean Angel (Mike Ripley)
A cat named Springsteen, a taxi called Armstrong, and a pub-ready sense of humor made the screwball capers of this trumpet-playing slacker London cabbie/PI a true joy to read.

3 Andy Barker (Conan O’Brien and Jonathan Groff) Accountant by day, private eye by accident This recent, already doomed sitcom starring Andy Richter had more wit—and genuine affection for the genre—than anything on the tube since Rockford.

4 Ezell “Easy” Barnes (Richard Hilary)
Unjustly forgotten, this African-American eye from Newark bridged the gap between Mr. Shaft and Mr. Rawlins. Hard as nails, but his best buddy was a ditsy transvestite named Angel.

5 Phil Beaumont & Jane Tanner
(Walter Satterthwait) Dashing Pinkerton op and his rookie partner Tanner swapped Thin Man-style banter and conjured up echoes of Hammett. The Dirty Thirties never seemed so much fun.

6 Tom Bethany (Jerome Doolittle)
Vietnam vet, and former Olympic-class amateur wrestler, CIA op and bush pilot turned quirky PI hanging out at a Harvard Square coffee shop. The missing link between Henry David Thoreau and Mike Hammer.

7 “Bogie” (John Wagner and Alan Grant)
A cheekily subversive UK comic book re-imagined Don Quixote in fedora and trench coat, with all the world as his windmill.

8 Burke (Andrew Vachss)
The avenging saint of NYC’s abused children. As relentless, deadly, and humorless as a shark. The Big Apple never seemed so rotten.

9 Vincent Calvino (Christopher G. Moore)
A transplanted New York shamus is our man in Bangkok, doing the ex-pat shuffle. This is the world calling.

10 Lydia Chin & Bill Smith (S.J. Rozan)
She’s young and Asian-American. He’s not. But, together or separately, what a team!

11 Frank Clemons (Thomas H. Cook)
A bleak trilogy featuring an Atlanta cop turned NYC eye captured perfectly all the crushed romanticism and world-weariness of Chandler—and upped it. Sad and beautiful.

12 Elvis Cole (Robert Crais)
When nobody was looking, this goofball baby boomer unexpectedly morphed into one of the finest PIs of the rock’n’roll generation. No more jazz—this was the real deal, and his first name was the tell.

13 Timothy Cone (Lawrence Sanders)
This rumpled dick worked for a Wall Street firm specializing in corporate hanky-panky. And nobody ever did hanky-panky better than Sanders.

14 John Francis Cuddy (Jeremiah Healy)
Sure, he speaks to his dead wife, but an awful lot of readers listened in. Compelling and compassionate, tough without being a cartoon—and the short stories may be even better than the books.

15 David Cunane (Frank Lean)
Quirky, idealistic and screwed up as hell, this haunted finder of lost children is Jack Liffey’s UK counterpart.

16 Matthew Dain (Christopher Mills)
In just two short stories, Mills created an eye as memorably dark and brooding as the Maine woods he calls home.

17 Vic Daniel (David M. Pierce)
A big goofy Hollywood dick—the Shell Scott for a new generation—with Sara, an adolescent punkette, playing the role of Gal Friday.

18 David DiAngelo (Tim Broderick)
A web comic whose intentionally rough artwork belied the sophistication and compassion of his writing. A shamus takes on those “odd jobs” nobody else wants. “Someday they’ll all be odd jobs.” Take heed.

19 Harry Dobbs & Stella Wynkowski
(Alan Rudolph) Two PIs (Tom Berenger and Elizabeth Perkins) on each other’s case in Love at Large, a savvy, saucy, head-spinning romantic-comedy.

20 Jackson Donne (David White)
Tragedy seems to follow this brooding young PI from Rutgers, but his great battered heart beats on. A series to watch.

21 Sean & Matt Ellis (Benjamin M. Schutz)
The Hardy Boys grow up to become process servers.

22 Lionel Essrog (Jonathan Lethem)
Lethem’s National Book Award-winning Motherless Brooklyn was a bold, noirish literary tour-de-force farce fierce narrated by a detective defective selective with Tourette’s Syndrome. Skimdrome. Skin drum.

23 Buddy Faro (Mark Frost)
This TV romp boasted a Rat Pack-era dick trying to wise up a modern-day LaLaLand that lost its sense of cool long ago.

24 Wesley Farrel (Robert Skinner)
He can pass for white, which comes in handy for this slick nightclub owner and sometimes-private eye in Depression-era New Orleans.

25 Kevin Fitzpatrick (Bill Dodds)
It took contest-winner Dodds a weekend to write O Father, but this zippy novella featuring a Seattle gumshoe with a three-year-old daughter and a thing for Rockford reruns takes a lot longer to forget.

26 Lew Fonesca (Stuart Kaminsky)
Tired, beat-down and downbeat, this gumshoe’s peaceful Florida retirement hasn’t worked out well so far. Lucky for us.

27 Brendan Frye (Rian Johnson)
Teenager Brendan’s mean streets are a high school in the endless Southern California suburban sprawl in Brick. Not to gum it, but this 2005 cult flick managed to channel the spirit of every RKO noir ever made.

28 Pat Gallegher (Richard Helms)
This Big Easy eye and horn player proved self-published didn’t have to suck. Evidently solid storytelling, fresh characters and a razor-sharp sense of place and time help.

29 Chet Gecko (Bruce Hale)
And now, something for the kiddies: a lizard detective, plus some of the ripest puns to ever be left out too long in the sun make these books ideal for hip kids—or their parents.

30 Dirk Gently (Douglas Adams)
The reality check stops here, and the giddy interconnectedness of all things soon becomes apparent. If a salmon answers the phone, hang up.

31 Meg Gillis (C.J. Songer)
A refreshing change from most of the female eyes to pop up in the eighties, moody, morose, paranoid Meg was nobody’s Little Miss Sunshine.

32 Gordianus the Finder (Steven Saylor)
Rome, 80 BC. Gordianus is a professional finder, a “consorter with assassins and a professional ferret.” And the glory that was ancient Rome never seemed less glorious… or more familiar.

33 Lew Griffin (James Sallis)
Don’t let all the lofty literary ambitions scare you. This acclaimed series, featuring a New Orleans professor/poet/private eye, kicks ass. It’s just smarter than most about it.

34 René Griffon (Didier Daeninckx)
War is hell. But profitable. A Parisian eye caught in a post-WWI France still reeling from the “war to end all wars” takes note. Bleak, bitter, angry.

35 Aaron Gunner (Gar Anthony Haywood)
He ain’t no Shaft—he’s just a working dick trying to make sense of an L.A. rocked by riots, crack and that old crowd-pleaser: racism. Defiant and unapologetic.

36 Bernie Gunther (Philip Kerr)
Ex-cop Bernie wants to be a good German, but WWII-era Berlin isn’t the best place for it. Still, there’s good money to be made looking for missing Jews. Potent.

37 Leo Haggerty (Benjamin J. Schutz)
Imagine if Spenser was darker, more cynical…and not Superman. This Washington, D.C. eye’s feet of clay may have been his best feature.

38 Maiku Hama (Kaizo Hayashi & Daisuke Tengan)
This Japanese take-off on B-films and crime fiction tosses in martial arts, the Yakuza and a bespectacled, bumbling loser PI who thinks he’s—who else?—Mike Hammer. It’s Hama Time!

39 Max Hamm (Frank Cammuso)
Sure, he’s a pig, but this subversive spin on nursery rhymes and fairy tales is great fun for smart aleck kids of all ages. So those rumors about Snow White are true….

40 Helena Handbasket (Donna Moore)
Crime and PUNishment, writ large. This post-post-everything goofaroo is arguably the best (or at least most unhinged) mystery parody ever.

41 Joe Hannibal (Wayne D. Dundee)
Neo-Spillane, transferred to the Midwest, boasting a wild, rough energy and two-fisted swagger that hits the spot. Ya got a problem with that, bub?

42 Wil Hardesty (Richard Barre)
The surfer dude as angst-ridden PI. Personal tragedy? Catch the wave.

43 Art Hardin (Robert E. Bailey)
Presenting the family man as detective, marked by an earth-bound domesticity and the author’s quirky, distinctive voice, but the PI stuff is never skimped on.

44 Harding (John Wessel)
A disgraced former PI from Chicago (those convictions for manslaughter are a real turn-off for clients) tries to scrape by, working under the table. Nasty, nasty, nasty.

45 Stanley Hastings (Parnell Hall)
“Private investigator” Hastings works for an ambulance-chasing NYC lawyer, but he hasn’t got a clue. Fortunately, he has a smart wife.

46 Tamara Hayle (Valerie Wilson Wesley)
A black single mom works as a PI and takes no guff, while raising a son. Breezy, sassy and smart.

47 Jack Herriman (Ed Brubaker)
One-eyed Jack’s a San Francisco shamus in an intriguing 1999 comic mini-series from DC/Vertigo that parlays just the right Chandleresque mix of cynicism and vulnerability into a tough-minded tale of loss and redemption, revenge and forgiveness.

48 Tom Hickey (Ken Kuhlken)
The Loud Adios, which introduced Hickey, is a modern classic, a vivid slice of border town malaise set in a WWII-era San Diego primed for Nazi invasion.

49 Nate Hollis (Gary Phillips)
Slick as spit, big-shouldered Hollis walks the walk and talks the talk in the Angeltown comics, taking on a star-studded scandal that could rip the roof off post-Rodney King L.A.

50 Jeri Howard (Janet Dawson)
Rising out of the glut of post-Grafton/Paretsky private janes, this Bay Area gumshoe soon proved herself a determined, shrewd—and popular—sleuth.

51 Morgan Hunt (Geoffrey Norman)
A backwoods version of Travis McGee. There were many pretenders to JDM’s throne, but Norman came closer than most.

52 Cal Innes (Ray Banks)
The PI as screw-up seems to be a developing trend, with the UK grabbing more than its share. Manchester’s Innes is self-destructive, cynical and doesn’t give much of a damn anymore. Bleak, but also oddly uplifting.

53 Matt Jacob (Zachary Klein)
Another screw-up. This former social worker/slacker’s low rent, smoke-filled escapades made for some most excellent adventures. He lost his ambitions, but not his ideals. Inhale.

54 Milan Jacovich (Les Roberts)
Cleveland rocks in this unapologetically working class series. Say it loud, he’s Slovenian and he’s proud.

55 Kemal Kayankaya (Jakob Arjourni)
Seedy, modern day Frankfurt, and it’s not easy for a Turkish detective raised by German foster parents and forever caught between two solitudes. The perpetual outsider looks in.

56 Mike Kellerman
(“Kellerman, PI: Part One,” story by Julie Martin, Tom Fontana; teleplay by Joy Lusco, and “Kellerman, PI: Part Two,” story by Eric Overmyer, Tom Fontana; teleplay by Sean Whitesell. Homicide.) The best TV eye of the last 20 years. After a long, slow, career crash-and-burn on the classic cop drama Homicide, Detective Mike Kellerman (Reed Diamond) returned as a PI doing dodgy domestics on two bleak, heart-breaking episodes.

57 Patrick Kenzie & Angela Gennaro
(Dennis Lehane) Ambitious and angry, these books lashed out, as fierce and unapologetic in their own way as an abusive husband after a few beers. Oh, the irony.

58 Kidd (John Camp aka John Sandford)
Finally, a PI who knows how to turn on a computer. This hacker’s no geek, either—he’s actually kinda cool, a sort of Paladin of the cyber age. Have mouse will travel.

59 Louis Kincaid (P.J. Parrish)
A beat-down former Detroit cop of mixed race heads home to the South, and finds trouble everywhere he goes.

60 Dan Kruger (Michael Cormany)
A Gen X sex, drugs, and a rock’n’roll eye from Chicago trying not to die before he got old. Imagine if Paul Westerberg wrote mysteries.

61 Joe Kurtz (Dan Simmons)
This Buffalo ex-con private eye is the star of several stark, ballsy thrillers that never—ever—let up.

62 Meg Lacey (Elisabeth Bowers)
A Vancouver PI raising two kids alone takes on child pornography and sexual abuse in Ladies’ Night, an unflinching feminist PI classic.

63 Lauren Laurano (Sandra Scoppettone)
Supposedly the first mainstream hardcover lesbian private eye, but it’s Laurano’s sense of her Greenwich Village neighborhood (and humor) that make this series really stand out.

64 Tru Lewis (Robert Randisi)
“Mature Male in Sixties Available for House-sitting, Non-Smoker, No Pets, Widower.” A PI-by-chance makes house calls in a series of charming short stories. When’s the novel, Bob?

65 Jack Liffey (John Shannon)
Pound for pound, Shannon’s the best current Los Angeles PI writer around, and Liffey the true successor to Dan Fortune. He’s looking for lost children in an L.A. presented warts and all, neighborhood by neighborhood. Now is the time for your tears.

66 Lomax (Paula Milne)
Die Kinder—not a Bruce Willis flick—was the best PI series PBS ever imported. An American ex-pat (Frederic Forrest) in Hamburg finds himself up against a gang of terrorists suspected of a 20-year old department store bombing.

67 Xavier Lombard (Eric Leclere)
The Lost Son re-imagined Andrew Vachss’ Burke as a disgraced Parisian cop living in London, on the trail of an international gang of child molesters. The film, starring Daniel Auteuil, wasn’t bad either.

68 Ed Loy (Declan Hughes)
Ross Macdonald and Ken Bruen walk into a bar in Dublin, and Ed Loy staggers out with a box full of family secrets. Heartache spoken here.

69 Bubba Mabry (Steve Brewer)
Down the mean streets of Albuquerque a Bubba must go…. Light, but satisfying.

70 Declan “Mac” MacManus (D. Daniel Judson)
Mac’s brooding, depressed and self-destructive, and possibly the most likable character in this bleak series. A beautifully rendered wallow.

71 John March (Peter Spiegelman)
This tightly wound scion of a Wall Street dynasty doesn’t have to work—but he must. Angst? He’s got more issues than a newsstand.

72 Philip E. Marlow (Dennis Potter)
The Singing Detective was an all-singing, all-dancing fever dream meditation on art and creativity, pulp fiction and Cole Porter, love and death, and the heartbreak of psoriasis. Smart, savage and heartbreaking. And great television.

73 Veronica Mars (Rob Thomas)
Nancy Drew re-imagined for the iPod generation, with hormones and Oh! What a mouth on her! Sassy!

74 Sam McCain (Ed Gorman)
Small town, Iowa. The 1950s. What could be wrong? Lawyer, private eye, and decent-enough guy McCain knows the black heart that belies the rosy glow of Happy Days nostalgia.

75 Adrian Monk (Andy Breckmann)
Like it or not, this cross between Columbo and Rain Man is the current face of small screen private eyes. Now if only if wasn’t so, so…uh, Monkish?

76 Ivan Monk (Gary Phillips)
The revolution might not be televised, but you can catch a glimpse in this politically charged series about a South Central shamus who runs a one-man agency…and a donut shop. Right on.

77 Tess Monaghan (Laura Lippman)
A former Baltimore reporter finds a new life as a PI. She wanted to be hardboiled but, to paraphrase Jessica Rabbit, she just wasn’t drawn that way.

78 “Ford” Morgan & Roy Shepherd
(Michael Collins) Collins’ last crime novel, The Cadillac Cowboy, was a literary tour-de-force, an unflinching look at two “eyes”—more alike than either would ever admit—on a collision course.

79 Charlie “Bird” Parker (John Connolly)
He sees dead people. Sometimes they talk to him. Imagine if Chandler and Stephen King had a love child.

80 Gay Perry & Harry Lockhart
(Shane Black) Kiss Kiss Bang Bang was the big dumb buddy action flick for people too smart for big dumb buddy action flicks—and that definitely includes writer/director Black, who had way more fun skewering himself than anyone expected.

81 Stephanie Plum (Janet Evanovich)
Screwball characters, raging hormones and more carnal naughtiness than Shell Scott could ever imagine.

82 “Le poulpe”
(Jean-Bernard Pouy, Patrick Raynal, and Serge Quadruppani, plus a cast of hundreds) It shouldn’t have worked, but this collective pulp experiment about a hardboiled French gumshoe now numbers over 200 volumes—and almost as many writers. And yes, the pun in the hero’s name is intentional.

83 Rafferty (W. Glenn Duncan)
There were enough varmints and rascals to keep this freewheeling, Spenseresque cowboy spinning his tall tales and kicking butt for six PBOs, all of them worth tracking down.

84 Precious Ramotswe
(Alexander McCall Smith) A “traditionally built” cheerful young entrepreneur from Botswana sets up The No. 1 Ladies’ Detective Agency and become her country’s first female detective. Even a crank like me can find no other word for this series: charming.

85 Easy Rawlins (Walter Mosley)
Easy, a black man, defiant but pragmatic, struggles to survive in an ever-changing Los Angeles that spans WWII to the present, and zeroes in on not just issues of race but of politics, culture, morality and honor. A sort of alternative social history.

86 Jack Reacher (Lee Child)
This ex-military wanderer is always willing to help a friend—or take out an enemy. Lack of confidence is not an issue.

87 Mitch Roberts (Gaylord Dold)
Wichita, Kansas, the late fifties and all this small-time peeper (and haunted WWII vet) wants to do is watch baseball, play chess, fish, read and forget. But the simple life ain’t so simple….

88 Dave Robicheaux (James Lee Burke)
Not a PI, at least officially, but this Louisiana cop apparently doesn’t know it. Poetic as hell and spooky as the dawn mist hovering over the bayou. Is it the booze or does he really see dead people?

89 Dan Roman (Edward Mathis)
Lew Archer in a cowboy hat, sure, but there’s more, much more to this brooding, philosophical eye—a sense of loss as big as all of Texas.

90 Harry Ross (Robert Benton and Richard Russo)
Twilight (1998) was the unofficial—but logical—sequel to Harper and The Drowning Pool, with Paul Newman playing essentially the same character, older but not necessarily wiser. Imagine if Ross Macdonald had written The Long Goodbye.

91 Jack Ross (Bernard Schopen)
Disillusioned, brooding Reno, Nevada private eye and bail bondsman tries to lose himself in the big silence of the desert, but fails. Powerful, literate and disturbing.

92 Vincent Rubio (Eric M. Garcia)
Private eye and undercover dinosaur, as hardboiled as foam rubber gets. What has Eric been smoking?

93 Hector Belascoarán Shayne
(Paco Ignacio Taibo II) A one-eyed Mexico City gumshoe in a surreal dish of politics, sociology, history and mythology. Well worth a trip south of the border.

94 Nick Stefanos, Derek Strange & Terry Quinn (George Pelecanos)
Nick is Greek, Strange is black, and Quinn’s a Mick. Together and separately, they try to set the world (or at least Washington, D.C.) right in an ambitious series of sprawling interconnected novels. Powerful and political and never less than personal.

95 Sally Sullivan & Bernie Fox
(Chris Haddock) A Vancouver waitress turned gung ho novice gumshoe had two kids to feed and a rascal of a boss (Stuart Margolin to please in this witty Canadian sitcom from the creator of DaVinci’s Inquest.

96 John Swan (John Swan)
This dark horse of a gumshoe never met an angle he didn’t try to play. Or a friend that he could trust. Canuck noir as hard and cold as it gets.

97 Jack Taylor (Ken Bruen)
The screw-up PI, Irish division. With his finely rendered depiction of a world of dark hurt and a soul in torment, Bruen may just be the genre’s next poet laureate. The darkness isn’t on the edge of town anymore.

98 George Webb (Graham Swift)
Remember when Spade told Brigid he’d wait for her? A Booker Prize-winning author did, and ran with it, conjuring up this long, dark look at the works.

99 Scott Weiss & Jim Bishop
(Andrew Klavan) This full-throttled series about mismatched San Francisco eyes is like a pulp fiction buffet, except that Klavan’s also got a fierce eye for the secret hurts we all carry.

100 Daryl Zero (Jake Kasdan)
In the 1998 flick Zero Effect, Sherlock Holmes (Bill Pullman) gets updated and put in touch with his inner self—only to be revealed as a total whack job. Ben Stiller’s Watson watches, aghast.

Agree? Disagree? You guys know where to find me….

Kevin Burton Smith is the founder and editor of The Thrilling Detective Web Site, an encyclopedic guide to the private eye in fiction. <www.thrillingdetective.com>