I’ve been thinking about television lately.
This was prompted when I recently finished a mystery that kept me going, that was filled with action and had good characters, both good and villains.
But what bothered me was that the lead character hasn’t really grown or changed or been affected by all the death that has surrounded this character through the years.
I enjoyed the novel. I would recommend it. But there was something lacking for me.
Which got me to thinking about TV and what draws us back to TV series year after year.
For me to stick with a program, year after year, the characters have to change, have to grow.
Take Buffy the Vampire Slayer — one of the best TV series ever.

Buffy changed each year as did her Scooby gang. The Buffy at the end of the series was not the same Buffy at the beginning. To use horror as a metaphor for teenage angst was brilliant.
Along the same lines, that’s why I am enjoying this season of Burn Notice (9 p.m. Thursdays on USA Network).
Burn Notice is down to its last two episodes for this season. Burn Notice is about Michael Westen (Jeffrey Donovan, left) a spy who was burned, or fired, during an assigment. He acts as a quasi private investigator while trying to find out why he was burned.
Here’s another look at Burn Notice at the other blog I write for the Sun Sentinel in Fort Lauderdale.
While the premise has remained the same for three seasons, and a couple of mini seasons, each season also has given us new perspective on the characters.
This season, Burn Notice has looked more at the “spy business.” More action doesn’t neglect the characters. Bit by bit, we’ve learned that Michael’s father was abusive and that his mother, played by the wonderful Sharon Gless, had to be stronger than strong.
But I really want to know what made Fiona and Sam the way they are.
Oh well, there’s always next season.
(Next up, I’ll discuss Law & Order and other TV series.)
FALL ISSUE #106 of Mystery Scene
Thursday, September 25th, 2008Hi everyone,

We talk to some fascinating new talents in this issue starting with Marcus Sakey, whose latest, Good People, is building on the strong showing of his debut, The Blade Itself.
Tana French’s In the Woods was a favorite of Mystery Scene readers and won the Edgar for Best First Novel of 2007. Now her second, The Likeness, has critics hailing a major new talent. Cheryl Solimini chats with this former actress who has taken a flair for the dramatic from the stage to the page.
Clyde Ford launches an intriguing new boating series set in the Pacific Northwest with an ex-Coast Guard officer as hero. Ford reports that he’s working with actor Morgan Freeman on a screenplay.
John J. Lamb’s popular mysteries combine two seemingly disparate worlds—the cozy milieu of teddy bear collecting and the gritty details of police procedure. Our reporter discovers striking similarities between Lamb’s work and life.
In the midst of this historic presidential election season, Art Taylor takes a look back at mystery fiction from the tumultuous Civil Rights era of the 1950s and ’60s.
Verna Suit explores fiction set in “Mysterious Maryland” with a special focus on Baltimore, where the Bouchercon World Mystery Convention will be taking place in October.
Our own Jon L. Breen, who won an Edgar Award for Novel Verdicts: A Guide to Courtroom Fiction, puts his expertise to work in a round-up of new legal thriller fiction. Following Jon’s glowing recommendation I’ve just read Justin Peacock’s debut, A Cure for Night. Don’t miss this book!
Best wishes,
Kate Stine
Editor-in-chief (more…)
Posted in Art Taylor, Burn Notice, C.S. Challinor, Chris Grabenstein, Civil Rights Era Fiction, Clyde Ford, Commentary, Donald Harstad, Donald Westlake, Herb Jeffries, John J. Lamb, Justin Peacock, Legal Thriller, Maryland Mysteries, Richard Stark, Robert B. Parker, Tana French | No Comments »