Archive for February, 2010

Agatha, L.A. Times Book Prize nominees

Sunday, February 28th, 2010

The season for award nominations continues with the announcements for the Agatha and the L.A. Times Book Prize nominees.

Let me say right up front that each nominee is indeed a winner.

It takes an excellent book to receive a nomination, to rise above the literally thousands of mysteries published each year. 

 I know, because I am one of the judges of the L.A. Times Book Prize’s mystery/thriller category along with my colleagues Sarah Weinman and Dick Adler.

So here’s the Agatha nominees, followed by the L.A. Times nominees.

The 2010 Agatha Awards are for works published in 2009. The winners will be announced during Malice Domestic, April 30 to May 2 in Arlington, VA.

 Mystery Scene’s annual “Meet the New Authors” Breakfast will be held on Saturday, May 1st. All attendees of Malice Domestic are invited to attend and meet this year’s talented crop of new novelists. Mystery Scene Contributing Editor Cheryl Solimini will host.

AGATHA NOMINEESSwan for the Money, Donna Andrews, St. Martin’s Minotaur
Bookplate Special, Lorna Barrett, Berkley Prime Crimehttp://1.bp.blogspot.com/_mv60VL07p2s/S33STVTcI2I/AAAAAAAACLs/Yc64udRFh5o/s1600-h/teapot.jpg
Royal Flush, Rhys Bowen, Berkley Prime Crime
A Brutal Telling, Louise Penny, Minotaur Books
Air Time, Hank Phillippi Ryan, MIRA

Best Novel

Best First Novel
For Better For Murder, Lisa Bork, Midnight Ink
The Sweetness at the Bottom of the Pie, Alan Bradley, Delacorte Press
Posed for Murder, Meredith Cole, St. Martin’s Minotaur
The Cold Light of Mourning, Elizabeth Duncan, St. Martin’s Press
In the Shadow of Gotham, Stefanie Pintoff, Minotaur Books

Best Nonfiction
Duchess of Death, Richard Hack, Phoenix Books
Talking About Detective Fiction, P.D. James, Knopf
Blood on the Stage, 1925 – 1950, Amnon Kabatchnik, Scarecrow Press
Dame Agatha’s Shorts, Elena Santangelo, Bella Rosa Books
The Talented Miss Highsmith, Joan Schenkar, St. Martin’s Press

Best Short Story
“Femme Sole,” Dana Cameron, Boston Noir, Akashic Books
“Handbaskets, Drawers and Killer Cold,” Kaye George, Crooked
“The Worst Noel,” Barb Goffman, The Gift of Murder, Wolfmont Press
“On the House,” Hank Phillippi Ryan, Quarry, Level Best Books
“Death Will Trim Your Tree,” Elizabeth Zelvin, The Gift of Murder, Wolfmont Press

Best Children’s/Young Adult Novel
The Morgue and Me, John C. Ford, Viking Juvenile
The Hanging Hill, Chris Grabenstein, Random House
The Case of the Poisoned Pig, Lewis B. Montgomery, Kane Press
The Other Side of Blue, Valerie O. Patterson, Clarion Books
The Case of the Cryptic Crinoline, Nancy Springer, Philomel

And here are the nominees in the mystery/thriller category for the L.A. Times Book Prize. The site contains the nominees for the other categories, but, frankly, the mystery/thriller category is the most important, right?

The prizes will be awarded in an invitation-only ceremony in connection with the 15th annual LA Times Festival of Books, which takes place April 24-25. Last year, more than 130,000 people attended the festival, which is held at UCLA; many of the book prize finalists will participate in panels, discussions and book signings.

It was an honor to serve as a judge with Sarah and Dick.

L.A. Times Book Prize
Mystery/thriller category

Mystery/Thriller
“Bury Me Deep” by Megan Abbott
“The Hidden Man” by David Ellis
“Black Water Rising” by Attica Locke
“A Darker Domain” by Val McDermid
“The Ghosts of Belfast” by Stuart Neville

Virtually Dead by Peter May

Saturday, February 27th, 2010

May_VirtuallyDead

Virtually Dead
by Peter May
Poisoned Pen Press, January 2010, $14.95

When our lives become too complicated, overrun with confrontations, debts and emotional turmoil, the desire to escape can be overwhelming. In Peter May’s entertaining Virtually Dead, a virtual world becomes preferable to reality for crime scene photographer Michael Kapinsky.

Michael’s life is in chaos. The death of his wealthy wife has left him grief-stricken, depressed and in debt. While his wife, Mora, had inherited millions, her lavish lifestyle and a legal battle with the family of her first husband has left Michael an inheritance of overdue bills and a staggering mortgage. He begins to find solace in the virtual world called Second Life, which his therapist suggests as a kind of group therapy.

There, his avatar is moviestar handsome Chas Chesnokov, a fearless agent of the Twist of Fate Detective Agency. But the virtual and real

Peter May, photo by Domi Photographe

Peter May, photo by Domi Photographe

worlds collide when both the the avatars and their real life counterparts start being murdered. Chas and an exotic dancer avatar begin an investigation that centers on greed and control.

May (The Enzo Files) keeps a firm hand as Virtually Dead alternates between Michael’s real-life struggles and his avatar’s fantasy life. The plot moves briskly with surprise twists and a believable conclusion. May not only makes Michael a sympathetic, likable character, but also imbues Chas with a solid personality and a fearlessness that makes him a true hero. Online you can be whoever or whatever you want to be as May believably shows.

Reviewed by Oline H. Cogdill

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Eye of the Raven: A Mystery of Colonial America by Eliot Pattison

Thursday, February 25th, 2010

Pattison_EyeofRavenEye of the Raven: A Mystery of Colonial America
by Eliot Pattison
Counterpoint, December 2009, $26.00

In Eye of the Raven Eliot Pattison reprises the characters and French and Indian War from his previous Edgar-winning historical mystery Bone Rattler. This time Duncan McCallum and his Native American mentor and Shaman, Conawago are investigating a series of murders. It seems several land surveyors charged with preparing the way for a huge land grant held by a consortium of well-connected Virginians have been killed. The legality of the grants that encompass much of the land in the Ohio valley are suspect, having been obtained by questionable methods. There are others interested in the lands beyond Penn’s colony too, and, of course, the local Native American inhabitants are concerned and confused about the seizure of their ancestral hunting grounds.

All of this takes place amidst the North American phase of a European war raging around the world. The French and Indian War was particularly bloody as it involved the European powers employing Native American allies, many of them traditional enemies. Both Duncan and Conawago are the last survivors of their clans and find themselves caught in the middle of conflicts beyond their control and facing constant danger from all sides. Pattison’s novels are part history, part Native American primer, part complex whodunit, part James Fennimore Cooper. These novels are exciting as the central characters are swept up into colonial politics and a savage guerilla war.

Reviewed by Charles L. P. Silet

PattisonPhoto

Eliot Pattison, photo by Jerry Bauer

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Bellfield Hall by Anna Dean

Tuesday, February 23rd, 2010

Picture 1

Bellfield Hall
by Anna Dean
Minotaur Books, February 2010, $23.99

Capitalizing on the perennial popularity of Jane Austen-inspired books, Anna Dean has written a subtle mystery certain to appeal to the Austen in all of us. As one might suspect, marriage, misperception, and perfidy are major themes in Bellfield Hall, a historical with currency for present-day readers. Dean employs first-person narration, which creates for readers a sense of immediacy and a vested interest in the novel’s clever narrative threads.

Narrator Dido Kent, a woman well past the first blush of youth, travels to Bellfield Hall to assist her niece, Catherine, who is engaged to Richard Montague, heir apparent to the estate. For Dido the match seems suspicious since her niece is neither propertied nor titled. Even more suspicious, though, is Richard’s renunciation of the engagement after the silent appearance of a visitor and his hasty, inexplicable departure from the engagement party. Catherine remains convinced that Richard still loves her, even after the corpse of a young woman surfaces outside the mansion, leading some to attribute the murder to Richard. It remains for Dido to discover where Richard is hiding, why he fled, and who murdered the young woman—a tall order for anyone. As is universally true, Dido’s perceptions are necessarily limited, so despite her astute sleuthing, she doesn’t see the truth immediately. Fortunately, though, she doesn’t remain clueless for long. One hopes to see Dido soon in a welcome reprise to this masterful mystery. Austen fans, rejoice!

Reviewed by Lynne Maxwell

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William Dietrich — another former newspaper reporter

Sunday, February 21st, 2010

Most authors had previous careers before they turned to full-time writing.

It’s just natural – writers have to have something to write about and life experiences count. Rare is the author who blooms early and continues through a long career.

Dietrich32006_smI’m always interested to know that so many mystery writers come from newspaper backgrounds. Of course, the fact that I sent more than 30 years working for newspapers has a lot to do with it.

Michael Connelly, Laura Lippman, Elaine Viets, Jonathon King, Clea Simon, P.J. Parrish, Brad Parks, and many more all worked for newspapers during their career.

So did William Dietrich , left, who writes the Ethan Gage series, the latest of which is The Barbary Pirates.
 Dietrich shared a Pulitzer for the Seattle Times for coverage of the Exxon Valdez oil spill and was one of the first reporters to the scene of that story. He also covered the eruption of Mount St. Helens, losing a photographer friend in that disaster. He left the Seattle Times in 2008.

  A Nieman Fellow at Harvard University and the recipient of journalism fellowships from the National Science Foundation, Woods Hole, and Scripps, Dietrich’s newspaper career took him around the world.

These included flying with the Blue Angels, skimming Dakota farms on a B-52, aircraft carriers, a Trident submarine, an Indian sweat lodge, Eskimo villages, mines a mile deep, the Kitt Peak astronomical observatory, a Russian missile-tracking ship (where he vomited in the admiral’s cabin), an icebreaker in Antarctica, oceanographic research vessels, Congress, and the Pentagon.

  And if all that weren’t enough, he now teaches environmental journalism and writing at his alma mater Western Washington University.

  Dietrich is now starting his tour for The Barbary Pirates, which include a stop at Sleuthfest.

  Just reading his bio – I am exhausted.  I’m supposed to introduce Dietrich at library event in a couple of weeks. I better rest up.

  And by the way, you former journalists, tell us when you left the business and began writing full time.

Shutter Island earns 3 ½ stars

Friday, February 19th, 2010

Dennis Lehane’s track record remains intact. His three books that have become movies have made a smooth transition to film – keeping the plot, the characters and, most importantly, the spirit of his novels.

Leonardo DiCaprio, left, Mark Ruffalo In Shutter Island. Paramount Pictures photo

Leonardo DiCaprio, left, Mark Ruffalo In Shutter Island. Paramount Pictures photo

Director Martin Scorsese not only does justice to Lehane’s “Shutter Island,” but he imbues the movie with a noir quality that elevates the film, giving it a 1950s feel but with a modern spin. It also is a psychological thriller with elements of gothic horror. “Shutter Island” is not a typical action movie; nor was the novel “Shutter Island” a typical mystery.

I give the film “Shutter Island” three and a half stars.

“Shutter Island” is Lehane’s most controversial novel. Unlike his other works, “Shutter Island” does not follow a linear story. A huge twist changes the plot in ways that challenge readers and change perceptions. Readers either loved it or hated it, one of those rare novels where there seemed to be no middle ground on readers’ view. Personally, I loved it and named it the top mystery of 2003.

In my 2003 best of the year column, I said “Shutter Island” was “an unconventional psychological suspense tale with elements of an espionage thriller, a noir novel and even a locked-room mystery. It shares strong roots with the best of psychological cinema such as “The Manchurian Candidate,” “The Wicker Man,” “Gaslight” and “The Game.”

“Shutter Island” tests the reader’s acumen as much as the story’s boundaries. A few scenes will seem out of place and even infuriatingly odd, but trust the author to bring the story full circle,” I said in my best list.

This is exactly what Scorsese does with the film “Shutter Island,” which is set  in 1954.

 As U.S. Marshal Teddy Daniels, Leonardo DiCaprio captures the character’s paranoia, his sense of justice and his innate belief that only he can make things better. Daniels has seen the worst of humanity and even participated in unforgivable acts. He is, as one character says, “a man of violence.” Daniels and his new partner Chuck (played as a compassionate comrade by Mark Ruffalo) have been sent to a high-security mental hospital located on a remote island near Boston to investigate the disappearance of a woman inmate who had killed her three children.  

Ben Kingsley, Mark Ruffalo and Leonardo DiCaprio in Shutter Island. Paramount Pictures photo

Ben Kingsley, Mark Ruffalo and Leonardo DiCaprio in Shutter Island. Paramount Pictures photo

The hospital is run by an uncooperative doctor (the excellent Ben Kingsley) who seems to thwart the investigation at every turn and is assisted by psychiatrist played by the equally excellent Max Von Sydow. The patient population is mainly rapists and murderers whose viciousness seeps through the very walls. And, oh yeah, a hurricane is bearing down on the island.

DiCaprio is the perfect actor to delve into the complex personality of Daniels. His character’s short temper, his stint in World War II and the tragedies in Daniels’ past affect every moment of his life and DiCaprio pulls us in with his strong performance. He wears the emotional trauma on his face like the unexplained scars on his chin and near his eye that are small but unmistakable. DiCaprio has never looked more rugged, or more ragged.

The cinematography is breathtaking. “Shutter Island” captures the grit and creepiness of the mental hospital. No horror film nor gothic movie have ever been as scary as when Daniels ventures to speak with the inmates.

In ways, it probably was easier to bring to the screen Lehane’s “Mystic River,” directed by Clint Eastwood, and “Gone Baby Gone,” directed by Ben Affleck. Those two novels – which are two of my favorite Lehane works – have complex, multi-layered plots but they also more straightforward stories.

“Shutter Island” requires the viewers to invest in the story beyond passive viewing, to take a leap of faith that isn’t needed when watching the typical action films don’t. Still, the film could have used a 15-minute trim to make the story more compact.

The next Lehane novel to be adapted for the screen is his “The Given Day,” to be directed by Sam Raimi.

 Shutter Island stars Leonardo DiCaprio, with Mark Ruffalo, Ben Kingsley, Michelle Williams, Max von Sydow, Patricia Clarkson, Emily Mortimer. Rated R for disturbing violent content, language and some nudity. Running time: 138 minutes.

Dick Francis’ last ride

Wednesday, February 17th, 2010

In reading all the tributes and obits about author Dick Francis, this quote, published in one of the tributes, stood out to me:

“Not to read Dick Francis because you don’t like horses,” remarked one reviewer in Newsweek, “is like not reading Dostoyevsky because you don’t believe in God.”

Indeed!

dickfrancisFrancis, who died at age 89 on Feb. 14, 2010, did use horses, horse racing and the horsey set in many of his 42 novels. But horses were only the background. His real focus was on how ordinary people deal with each other, especially when overwhelmed by others’ betrayal, greed and power plays.

To say Francis just wrote about horses is to ignore that he was one of the first authors to successfully show that mysteries don’t always have to feature cops or private investigators. Francis showed the world that ordinary people can be pretty good sleuths on their own.

 If Francis had just written about horses, his books wouldn’t have been on best-sellers lists for more than 40 years with sales of more than 60 million worldwide.

 If Francis had just written about horses, would he have been the only three-time winner of the Mystery Writers of America’s Edgar Award for Best Novel? He won that for “Forfeit” in 1970, “Whip Hand” in 1981 and “Come to Grief” in 1996.

He also took the British Crime Writers Association Gold Dagger Award in 1979 and the Cartier Diamond Dagger for lifetime achievement in 1989.

In 1996, the Mystery Writers of American gave him the Grand Master Award, the organization’s highest award. He also was named a Commander of the British Empire (CBE) in 2000.

  Francis started out as a professional jockey and was named Champion National Hunt Jockey in 1953-54. He was jockey to Queen Elizabeth the Queen Mother from 1953-’57. But his career was cut short when he suffered a serious fall in 1957 so he became the racing correspondent for London’s Sunday Express.

   Anyone who met Francis could not help but like him. He was soft-spoken, generous and a real gentleman. He would often help new authors and seemed to relish contact with his fans.

   Francis left an incredible body of work that seldom disappointed. His final novel, “Crossfire,” is scheduled to be published later this year.

May he rest in peace.

  For more about Francis, here are two in-depth tributes – from London’s  The Telegraph and The New York Times.

Stephanie Plum needs ‘tude

Sunday, February 14th, 2010

Well, I certainly didn’t see this one coming, nor am I sure it is the right casting.

kheigel2Katherine Heigl, left, has been signed to play Stephanie Plum, the bumbling bounty hunter, in the film version of Janet Evanovich’s One for the Money. That’s according to the New York Daily News.
Katherine Heigl?

Really?

Does she have the New Jersey ‘tude to make this work? She’s a fine actress and has done some nice comedies such as 27 Dresses and Knocked Up, but she hasn’t shown a lot of depth, at least not to me.

 It’s been speculated for years who could be the best actress to play Stephanie and Evanovich has often had contests on her web site about this.

  For a while, Reese Witherspoon was a fan favorite and that makes sense to me. But according to the New York Daily News, Witherspoon withdrew because “the movie reportedly had languished on the development back burner when that casting did not pan out. ”

 Witherspoon is an Academy Award winning actress who has proven herself in myriad roles. The Stephanie Plum novels might be light hearted, but you need some acting chops to make her real, and Witherspoon would have made that happen.

  oneforBut this guessing game has been going on for so long that the actresses many of us thought would be the front runners are too old. Hey, growing older is just fine!

But you can’t have a 45-year-old woman or older playing a 30-year-old.

 They did that with Doris Day and there is just so much gauze and soft focus to go around.

  Had the film studios got moving on this years ago when they should have, here are some of the actresses I thought would make good Stephanies.

  Sandra Bullock – she can do just about anything. Great actress. Good to see her Oscar nomination.

   Lori Petty – back in her Tank Girl days she could do anything. Also, she was one of the first readers on the audio version and she nailed the character.

  Debi Mazar – she’s wonderful as Shauna the foul-mouthed publicist on Entourage and she also showed she understood the Plum novels when she did the audio versions. Plus, she’s from Queens, and that’s almost in Jersey.

   Reese Witherspoon – still a better choice and the age is closer.

    A new actress none of us have heard of – make it a fresh start!

   If Heigl is going to be Stephanie, then I hope they pick the right Ranger and Morelli.

   For me, Ranger should be The Rock – Dwayne Johnson.

   For Morelli, pick an unknown hunk.

   But that still leaves a lot more characters to be cast.

    I like what Jean Verno recently posted on DorothyL:

 Lula: Sherry Shepard, Mo’Nique or Queen Latifa.

 Grandma: Debbie Reynolds; and for one of her suitors, Mel Brooks.

  Morelli: James Franco

  Joyce Barnhart: Deborah Mazer

Oh yeah! I could definitely see those actors in those roles.

If only the movie studios listened to us.

Do you have any ideas on who Stephanie Plum could be better cast?

“BLIPPING THEM OVER THE BEEZER”

Thursday, February 11th, 2010
Sign of Simon Templar aka "The Saint"

Simon Templar aka "The Saint"

“I’m mad enough to believe in romance. And I’m sick and tired of this age–tired of the miserable little mildewed things that people racked their brains about, and wrote books about, and called life.

“I wanted something more elementary and honest—battle, murder, sudden death, with plenty of good beer and damsels in distress, and a complete callousness about blipping the ungodly over the beezer. It mayn’t be life as we know it, but it ought to be.”

—Leslie Charteris,
speaking for himself and the Saint,
in a 1935 radio broadcast

All the nice people will be at Sleuthfest

Wednesday, February 10th, 2010

It never ceases to amaze me that so many mystery authors seem to be on a level playing field.  

Stephen J. Cannell

Stephen J. Cannell

 By that I mean that no matter their level of success, most authors are approachable both to fans, other writers and, yes, even a few critics. Meet one author and he or she is sure to introduce you to another, whose books you’ll also enjoy.

   Regardless of whether an author’s novels are always on the best-sellers lists or the writer is just starting out; the mystery genre seems to have some of the nicest people. Oh, sure, there are a few, rare exceptions. (And we all know who they are!)

   Of course, I don’t know what the authors say behind our backs, but their attitude usually seems genuine.

   It was brought home to me again during a recent interview with producer, screenwriter and author Stephen J. Cannell.

   Cannell has been responsible for many of TV’s most iconic series, including The Rockford Files, The A-Team, Baretta, The Commish, 21 Jump Street and Adam-12. His latest novel is The Pallbearers.

  I was only supposed to have a half-hour telephone interview with Cannell, due to his busy schedule. We ended up talking for nearly an hour and never once did I get a hint that he needed to go or was tired of the questions.

He was a pleasure to talk with and a fountain of information.

   I am sure that Cannell will bring the same nice-guy attitude when he is one of the guests of honors during this year’s Sleuthfest, the annual writers’ conference sponsored by the Florida chapter of the Mystery Writers of America. The fun and games begin Feb. 26-28 at the Deerfield Beach Hilton in Deerfield Beach, Florida. That’s a suburb of Fort Lauderdale, for those of you unfamiliar with South Florida.

   As in the past couple of years, Sleuthfest will feature two guests of honor: David Morrell on Friday and Stephen J. Cannell on Saturday. Morrell has written more than 25 thrillers and numerous nonfiction books, starting with his 1972 novel First Blood. Many know the film version – a little flick called Rambo with Sylvester Stallone.

   Sleuthfest is one of the best conferences and one of the few devoted to writers instead of fans. If you’re interested in writing, this is the conference to attend.

   In addition to Morrell and Cannell, Sleuthfest also brings in many published authors from across the country to discuss writing techniques and agents and editors to discuss publishing.

   Mystery authors scheduled to be at Sleuthfest include James W. Hall, Charles Todd, Peter Robinson, Paul Levine, William Dietrich, James Grippando, P.J. Parrish, Barry Eisler, Lisa Black, Elaine Viets, James O. Born, Neil Plakcy, Les Standiford, Christine Kling, Jonothon King, Jeremiah Healy. Samdra Balzo and Joanna Campbell.

And, yes, there are more but I just ran out of space!

  Sleuthfest registration, which includes some meals, is $235 for members; $255 for nonmembers. There are still openings, so come on down.

As an incentive, the weather is darned nice!

Contact Linda Hengerer at SleuthFestLinda@gmail.com or verowriter@gmail.com. The Web site is www.sleuthfest.com.