You MUST See This

by Kate Stine

March 9th, 2010

The Endless Night: A Valentine to Film Noir is an absolutely brilliant fan video using a dizzying array of clips from classic film noir all set to Massive Attack’s “Angel.”

According to her bio on YouTube, “RubyTuesday717″ is 20 years old (!) and her dream job is to be photographer or film critic. We think she has a bright future.

Maybe DVD companies should hire her—this makes us want to buy every single movie featured. There’s a list of the films at the YouTube site in case you have the same urge.

(And Brian and I already own “Angel” by Massive Attack but I bet this sells some songs for them, too.)

2 Responses to “You MUST See This”

  1. chaco_kid says:

    Excellent… maybe she should look at editing instead of just critiquing.

  2. Clea Simon says:

    or at least go into music videos – didn’t SPike Jonze start in music videos?

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Randy Wayne White: An interview, with towels

by Oline H. Cogdill

March 7th, 2010

Randy Wayne White; photos by Bill Hirschman

I once visited a brothel.

Now that I’ve got your attention, let me explain.

My visit to this house of ill repute located on a quiet, residential street in Jackson, Miss., was because a colleague and I at the Clarion-Ledger were doing a series of articles on prostitution. The house was one of the most well-known secrets in town. I believe a police detective told us where to find it.

I remember us ringing the door-bell, stammering to the middle-aged woman who answered the door that we were doing a story on prostitution and she looking us and saying, “Well, that’s my thing, come on in.”

  So for a couple of hours, my colleague, Joe, and I sat in her spic-and-span living room decorated with pictures of her 12 children (“That one’s a teacher, that one’s a doctor, those 3 are still in college.”) as she told us about her work, showed us a photo album of the girls who worked for her and served us coffee and cookies.

  Later, for that same series, I was to meet a “working girl” at her apartment, an interview set up by her attorney. I waited outside for about an hour, but she never answered the door. Eventually – and I still don’t remember how this played out – I went in when the pest control man showed up, only to be confronted by her sleepy – and naked – pimp.

   That was also the day my parents were coming to visit and no one at the newspaper would tell them where I was. (I ended up interviewing the woman at her attorney’s office.)

  I had been working as a journalist for all of three months.

  I tell you this story because that was the only unusual thing that happened to me while I was conducting interviews for a story.

  That is until I interviewed Randy Wayne White, which is the lead story for this issue of Mystery Scene.

  And just what does my story more than 30 years ago have to do with Florida author Randy Wayne White?

   My interview with Randy will be one of those I will long remember, and with more fondness.

  Never before has a person I was to interview asked me to bring towels, a hat and some water to the interview.

   Randy, as my Mystery Scene story says, was going to swim across Tampa Bay with the Navy SEALS as a fund-raiser. I was to meet him at the end of the swim and, because he was unsure if his wife would be able to get this car over to the finish in time, I was to meet him with the towels to keep him warm after the swim.

   So, at 7:30 a.m. Jan. 2, 2010, on one of the coldest mornings Tampa has seen, my husband, Bill Hirschman, and I waited at the park where the SEALS were to land. We were the only ones there and began to wonder if we were in the wrong place. Around 9 a.m. a swoosh of cars drove up, many with SEAL decals, and we knew were in the right place. (The swim had gotten started late.)

  I was able to connect with his wife, the singer Wendy Webb who has a lovely voice, and we waited on the beach for the swimmers to stop all that foolishness and land. Because of the tide, they landed about a half-mile from where they were supposed to.

   It was an amazing sight and no could help but be moved by watching these hearty men and women come ashore, freezing, but happy and knowing they had just raised money for a SEAL who had been disabled fighting for our country.

   Bill took photographs of Randy when he came out of the water – one of those pictures accompanies my story. We lent him some towels and he sat in our car while his wife went to get their car. (We finally vacuumed the sand out a few days ago.)

   We also had brought some snacks in case he was hungry. (I also brought along a tape recorder and a notebook, but those were for me.)

  Randy’s swim plays a prominent part in my profile of him. I hope the story gives you Mystery Scene readers a different view of this author whose latest book is Deep Shadow, his 17th novel about Doc Ford, a marine biologist and former government op who lives on Florida’s Sanibel Island.

   The swim certainly gave me a different view….and it beats my visit to the brothel by a mile.

2 Responses to “Randy Wayne White: An interview, with towels”

  1. Mark Terry says:

    For a couple years I wrote author profiles/interviews for The Oakland Press in Michigan. I continue to do so now for The Big Thrill, the International Thriller Writers’ online newsletter. So I’ve interviewed and profiled dozens of authors, many of them very familiar names like Sue Grafton, John Sandford, Eric Van Lustbader, Douglas Preston, Barry Eisler, etc. When asked about the most interesting or most unusual, I immediately say, “Randy Wayne White.” Why? Simply because Randy has an ex-fisherman’s guide ability to “shoot the breeze” with the interviewer, not come off too practiced like many bestsellers who’ve done thousands of interviews (or inarticulate ones like many newbies, alas). It was like sitting at the bar with an old friend. He knocked down the wall between author and interviewer and we had a great chat. Or at least I did. And that’s an unusual gift, I think.

  2. Clea Simon says:

    I had the pleasure to meet (and sit and drink) with Randy at Sleuthfest a few years ago, and I know how his personality shines through in his writing. Fun piece to read – sounds like quite the day!

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Last Snow by Eric Van Lustbader

by Jim Winter

March 6th, 2010

Last Snow
by Eric Van Lustbader
Forge Books, February 2010, $25.99

Troubleshooter Jack McClure returns in this follow up to last year’s First Daughter. In Last Snow, McClure is with the US President in Moscow on the eve of a historic treaty with Russia. But when an American senator is killed in Italy (when he was supposedly in the Ukraine), the President sends McClure to Kiev to investigate. McClure’s job is complicated by the presence of Annika Dementieva, a renegade Federal Security Service (FSB) agent and Alli Carson, the President’s daughter, whom he must keep safe.

Time and again, McClure’s three-dimensional approach to problem solving, which is also linked to his dyslexia, gets them out of trouble. At the same time, McClure uncovers a conspiracy to undermine Ukraine’s sovereignty and involving some in the President’s own inner circle.

Last Snow is one of several recent novels featuring the grandiose theme of a renewed Cold War with Russia. However, the presence of Alli Carson, the titular First Daughter of the previous novel, humanizes the story. Alli is still reeling from the kidnapping and torture she endured in the first installment. Her rather bizarre presence on McClure’s mission gives her an opportunity to face her fears and claim her own identity. That alone raises Last Snow above the current le Carré knockoffs.

Reviewed by Jim Winter

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Death by the Book by Lenny Bartulin

by Kevin Burton Smith

March 4th, 2010

Death by the Book
by Lenny Bartulin
Minotaur Books, January 2010, $24.99

Some guys have all the luck. Like Jack Susko, the bookselling protagonist and amateur sleuth in Australian writer Lenny Bartulin’s 2008 entertaining and nicely paced debut (recently published Stateside with a new title). I sell books for a living too, but I can assure you that no rich sexpots like Annabelle Kaspowricz ever seem to throw their voluptuous bodies (“on the curvy side of womanhood”) or any of their other spectacular assets at me the way they do with Jack. Then again, the complications that ensue when Annabelle’s wealthy, but singularly unpleasant, businessman father hires Jack, the proud proprietor of Susko’s Books, a struggling basement shop in Sydney, to track down every copy he can of an obscure poet’s books, might not be worth it. Even at $50 a pop.

Those complications include sleazy business rivals, a disgraced gynecologist, possibly corrupt or at least inept cops, a vengeful crime lord, hired muscle, plenty of dubious poetry and enough dirty family secrets, obsessions and greed to fill a soap opera. In fact, Annabelle’s family is so chronically dysfunctional that they make The Big Sleep’s Sternwoods look like television’s Waltons. And unfortunately, by the time Jack realizes what he’s involved in, it’s far too late to crawl out gracefully. Still, he draws upon just enough unexpected resources of strength and courage (not to mention a bit of wild luck) and a definite way with wisecracks (for example a thug is dismissed as having the “muscle-to-brain ratio of a brontosaurus”) to keep the reader flipping pages. A sly parody of ’30s-era hardboiled fiction or the contemporary real deal? Either way, this stuff is just way too good (and too fun) to be a one-off. Down these mean streets a used book dealer must go, anyone?

Reviewed by Kevin Burton Smith

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5 Responses to “Death by the Book by Lenny Bartulin”

  1. The Fishman says:

    The Fishman…

    This reminds me of another post, both were really good….

  2. echodelta says:

    echodelta…

    Probably one of the finest articles, in the world…

  3. fivealive says:

    fivealive…

    Love the post truly….

  4. email marketing reviews…

    Superb post, I like how you’ve structured it…

  5. automatic email responder…

    Great post, bookmarked…

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Lawrence Block — timeless

by Oline H. Cogdill

March 3rd, 2010

Back in the mid-1980s, I was just returning to mysteries after a few years of not reading the genre. I had always been a mystery fan, having discovered the pleasures of the genre thanks to my mother.

But there was about 8 years when the genre just wasn’t speaking to me.

  Then, of course, I found Sue Grafton, Sara Paretsky, Marcia Muller and my whole world reopened.

  During the mid-’80s, I sat near a guy named Dave. Nice guy but we had nothing in common except mysteries.

So one day Dave brought in this beat-up, slim book with the cover half torn. Wasn’t much to look at but it was what was inside that counted.

  The book was Lawrence Block’s The Sins of the Fathers, which was published in 1976. Yes, I still remember the title all these many, many years later. 

   Dave then brought me Time to Murder and Create (1977), Eight Million Ways to Die (1982) and, best of all, When the Sacred Ginmill Closes (1986). He then brought me a couple of novels in the Bernie Rhodenbarr series — Burglars Can’t Be Choosers (1977), The Burglar in the Closet (1978) and The Burglar Who Liked to Quote Kipling (1979).

  And I was hooked.

  Block’s novels opened a new window for me with mysteries. He produced the perfect storm of characters, dialogue and gritty setting.

   Here was Matthew Scudder, an alcoholic ex-cop working as an unlicensed private investigator.

  Here was Bernie Rhodenbarr, a burglar with a heart. The two series couldn’t have been more different.

  The Scudders were hard-boiled, a bit rough around the edges and gave me a new view of the private investigator genre. The Bernie’s were much lighter, with lots of humor and a bit of cynicism. Both had dialogue that was crisp and believable.

   I shouldn’t say was since Block is still writing these novels.

   I have followed Block’s novels through the years. Scudder and Bernie are still favorites as are the novels about the stamp-collecting hit man Keller.

 photo-lawrenceblock-2004-2  So I was thrilled when Block joined the Mystery Scene team with a new column that began in the Holiday Issue 2009, No. 112.

  Block is a devoted New Yorker who has spend the past 50 years in the middle of the New York publishing world with myriad editors, agents and mystery fiction’s top writers.

   In his Mystery Scene columns, he not only gives witty reminisces, but he also has some unique insight into the work and characters of many wonderful writers’ characters and their work.

  Block’s Mystery Scene columns are the first thing I turn to – after, of course, my own stories and reviews.

   Here it is nearly 25 years after Dave introduced me to Lawrence Block. His work is still the great connector.

5 Responses to “Lawrence Block — timeless”

  1. Anything with Block’s name makes for good reading, looking forward to his column. Thanks for the heads up, Oline!

  2. I, too, felt like a new window had opened when I discovered Block’s novels. The greatest thrill for me thus far in my fledgling writing career was having my first short published alongside one of Block’s in EQMM; it’s a thrill that will be difficult to top.

  3. JD Rhoades says:

    I had a similar experience, except that the block that drew me back into the mystery field was EIGHT MILLION WAYS TO DIE. Block’s book on writing, TELLING LIES FOR FUN AND PROFIT, is a must-read.

  4. JAB says:

    Block hooked me too.

  5. The Fishman says:

    The Fishman…

    This reminds me of another post, both were really good….

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WINTER ISSUE #113, 2010

by Kate Stine

March 2nd, 2010

2010 Winter Issue #113

Hi everyone!

Putting together this issue has been something of a trip down memory lane. One of the first detectives I came across in my early reading was Father Brown. Steven Steinbock makes an interesting case that the debut of G.K. Chesterton’s little Catholic priest in 1910 brought a moral and spiritual depth to the mystery genre that it had previously lacked and often still does. Chesterton’s other great strength was the quality of his prose. Even as a child, I was struck by the beauty of the scene in the garden between Father Brown and the fleeing thief in “The Falling Stars.” Read it yourself and see if you agree.

Seeing that the topic of Larry Block’s latest column was Ross Thomas, I immediately dropped everything to read it—with much delight. Then I had to re-read bits of Briarpatch, one of my all-time favorite novels, and remember a visit with Ross and his wife Rosalie in the early 1990s. Several of us from Mysterious Press travelled to their jewel box of a house in Malibu overlooking the Pacific. Over lunch, Ross recalled a meeting he had with some Beltway types who were repeatedly dropping then-president George H.W. Bush’s name into the conversation. Ross, who never confirmed or denied his rumored Company past, one-upped them with a laconic, “Oh, do you mean Prescott’s boy?”

When Oline Cogdill proposed an interview with Randy Wayne White, whose Doc Ford novels are set on the beautiful Sanibel Island off Florida’s Gulf Coast, Brian and I were delighted to relive a wonderful vacation and learn more about one of contemporary crime fiction’s most intriguing writers at the same time.

Even closer to our hearts is the topic of Twist Phelan’s article “Romancing the Con.” Twist talks to four couples who found true love at mystery fan conventions—including Mystery Scene’s current publishers at the 1996 Magna cum Murder Convention held in Muncie, Indiana.

G.M. Malliet has her own reasons to be grateful for mystery conventions. She studied the cozy novel at Malice Domestic for several years, started writing and ultimately won an Agatha Award for Best First Novel. Get the whole story in our interview.

Also in this issue, Rupert Holmes returns to center stage with his upcoming adaptation of Agatha Christie’s Witness for the Prosecution; Nate Pedersen continues his invaluable series on book collecting by explaining the terms used to describe book condition; and P.D. James becomes the latest in a distinguished group of crime writers to turn critic with her Talking About Detective Fiction.

If you’re going to Malice Domestic this spring be sure to come to Mystery Scene’s “Meet the New Authors” Breakfast. It’s a great chance to learn about terrific new writers and their work. We’ll save a chair and some Danish for you!

Kate Stine
Editor-in-chief

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Agatha, L.A. Times Book Prize nominees

by Oline H. Cogdill

February 28th, 2010

The season for award nominations continues with the announcements for the Agatha and the L.A. Times Book Prize nominees.

Let me say right up front that each nominee is indeed a winner.

It takes an excellent book to receive a nomination, to rise above the literally thousands of mysteries published each year. 

 I know, because I am one of the judges of the L.A. Times Book Prize’s mystery/thriller category along with my colleagues Sarah Weinman and Dick Adler.

So here’s the Agatha nominees, followed by the L.A. Times nominees.

The 2010 Agatha Awards are for works published in 2009. The winners will be announced during Malice Domestic, April 30 to May 2 in Arlington, VA.

 Mystery Scene’s annual “Meet the New Authors” Breakfast will be held on Saturday, May 1st. All attendees of Malice Domestic are invited to attend and meet this year’s talented crop of new novelists. Mystery Scene Contributing Editor Cheryl Solimini will host.

AGATHA NOMINEESSwan for the Money, Donna Andrews, St. Martin’s Minotaur
Bookplate Special, Lorna Barrett, Berkley Prime Crimehttp://1.bp.blogspot.com/_mv60VL07p2s/S33STVTcI2I/AAAAAAAACLs/Yc64udRFh5o/s1600-h/teapot.jpg
Royal Flush, Rhys Bowen, Berkley Prime Crime
A Brutal Telling, Louise Penny, Minotaur Books
Air Time, Hank Phillippi Ryan, MIRA

Best Novel

Best First Novel
For Better For Murder, Lisa Bork, Midnight Ink
The Sweetness at the Bottom of the Pie, Alan Bradley, Delacorte Press
Posed for Murder, Meredith Cole, St. Martin’s Minotaur
The Cold Light of Mourning, Elizabeth Duncan, St. Martin’s Press
In the Shadow of Gotham, Stefanie Pintoff, Minotaur Books

Best Nonfiction
Duchess of Death, Richard Hack, Phoenix Books
Talking About Detective Fiction, P.D. James, Knopf
Blood on the Stage, 1925 – 1950, Amnon Kabatchnik, Scarecrow Press
Dame Agatha’s Shorts, Elena Santangelo, Bella Rosa Books
The Talented Miss Highsmith, Joan Schenkar, St. Martin’s Press

Best Short Story
“Femme Sole,” Dana Cameron, Boston Noir, Akashic Books
“Handbaskets, Drawers and Killer Cold,” Kaye George, Crooked
“The Worst Noel,” Barb Goffman, The Gift of Murder, Wolfmont Press
“On the House,” Hank Phillippi Ryan, Quarry, Level Best Books
“Death Will Trim Your Tree,” Elizabeth Zelvin, The Gift of Murder, Wolfmont Press

Best Children’s/Young Adult Novel
The Morgue and Me, John C. Ford, Viking Juvenile
The Hanging Hill, Chris Grabenstein, Random House
The Case of the Poisoned Pig, Lewis B. Montgomery, Kane Press
The Other Side of Blue, Valerie O. Patterson, Clarion Books
The Case of the Cryptic Crinoline, Nancy Springer, Philomel

And here are the nominees in the mystery/thriller category for the L.A. Times Book Prize. The site contains the nominees for the other categories, but, frankly, the mystery/thriller category is the most important, right?

The prizes will be awarded in an invitation-only ceremony in connection with the 15th annual LA Times Festival of Books, which takes place April 24-25. Last year, more than 130,000 people attended the festival, which is held at UCLA; many of the book prize finalists will participate in panels, discussions and book signings.

It was an honor to serve as a judge with Sarah and Dick.

L.A. Times Book Prize
Mystery/thriller category

Mystery/Thriller
“Bury Me Deep” by Megan Abbott
“The Hidden Man” by David Ellis
“Black Water Rising” by Attica Locke
“A Darker Domain” by Val McDermid
“The Ghosts of Belfast” by Stuart Neville

One Response to “Agatha, L.A. Times Book Prize nominees”

  1. As one of the Agatha short story nominees, I have to say that that whole roster is a crop of winners too. For those who saw the thoughtful tribute during the Oscars to movie shorts, everything that was said could be said of short stories too. All this year’s nominated stories are available to read online, on the authors’ websites or, in one case, the e-zine where it first appeared. I don’t think anybody at this year’s Oscars actually said, “It’s an honor to be nominated,” but you’re right, Oline, it really is. :)

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Virtually Dead by Peter May

by Oline H. Cogdill

February 27th, 2010

May_VirtuallyDead

Virtually Dead
by Peter May
Poisoned Pen Press, January 2010, $14.95

When our lives become too complicated, overrun with confrontations, debts and emotional turmoil, the desire to escape can be overwhelming. In Peter May’s entertaining Virtually Dead, a virtual world becomes preferable to reality for crime scene photographer Michael Kapinsky.

Michael’s life is in chaos. The death of his wealthy wife has left him grief-stricken, depressed and in debt. While his wife, Mora, had inherited millions, her lavish lifestyle and a legal battle with the family of her first husband has left Michael an inheritance of overdue bills and a staggering mortgage. He begins to find solace in the virtual world called Second Life, which his therapist suggests as a kind of group therapy.

There, his avatar is moviestar handsome Chas Chesnokov, a fearless agent of the Twist of Fate Detective Agency. But the virtual and real

Peter May, photo by Domi Photographe

Peter May, photo by Domi Photographe

worlds collide when both the the avatars and their real life counterparts start being murdered. Chas and an exotic dancer avatar begin an investigation that centers on greed and control.

May (The Enzo Files) keeps a firm hand as Virtually Dead alternates between Michael’s real-life struggles and his avatar’s fantasy life. The plot moves briskly with surprise twists and a believable conclusion. May not only makes Michael a sympathetic, likable character, but also imbues Chas with a solid personality and a fearlessness that makes him a true hero. Online you can be whoever or whatever you want to be as May believably shows.

Reviewed by Oline H. Cogdill

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Eye of the Raven: A Mystery of Colonial America by Eliot Pattison

by Charles L.P. Silet

February 25th, 2010

Pattison_EyeofRavenEye of the Raven: A Mystery of Colonial America
by Eliot Pattison
Counterpoint, December 2009, $26.00

In Eye of the Raven Eliot Pattison reprises the characters and French and Indian War from his previous Edgar-winning historical mystery Bone Rattler. This time Duncan McCallum and his Native American mentor and Shaman, Conawago are investigating a series of murders. It seems several land surveyors charged with preparing the way for a huge land grant held by a consortium of well-connected Virginians have been killed. The legality of the grants that encompass much of the land in the Ohio valley are suspect, having been obtained by questionable methods. There are others interested in the lands beyond Penn’s colony too, and, of course, the local Native American inhabitants are concerned and confused about the seizure of their ancestral hunting grounds.

All of this takes place amidst the North American phase of a European war raging around the world. The French and Indian War was particularly bloody as it involved the European powers employing Native American allies, many of them traditional enemies. Both Duncan and Conawago are the last survivors of their clans and find themselves caught in the middle of conflicts beyond their control and facing constant danger from all sides. Pattison’s novels are part history, part Native American primer, part complex whodunit, part James Fennimore Cooper. These novels are exciting as the central characters are swept up into colonial politics and a savage guerilla war.

Reviewed by Charles L. P. Silet

PattisonPhoto

Eliot Pattison, photo by Jerry Bauer

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Bellfield Hall by Anna Dean

by Lynne F. Maxwell

February 23rd, 2010

Picture 1

Bellfield Hall
by Anna Dean
Minotaur Books, February 2010, $23.99

Capitalizing on the perennial popularity of Jane Austen-inspired books, Anna Dean has written a subtle mystery certain to appeal to the Austen in all of us. As one might suspect, marriage, misperception, and perfidy are major themes in Bellfield Hall, a historical with currency for present-day readers. Dean employs first-person narration, which creates for readers a sense of immediacy and a vested interest in the novel’s clever narrative threads.

Narrator Dido Kent, a woman well past the first blush of youth, travels to Bellfield Hall to assist her niece, Catherine, who is engaged to Richard Montague, heir apparent to the estate. For Dido the match seems suspicious since her niece is neither propertied nor titled. Even more suspicious, though, is Richard’s renunciation of the engagement after the silent appearance of a visitor and his hasty, inexplicable departure from the engagement party. Catherine remains convinced that Richard still loves her, even after the corpse of a young woman surfaces outside the mansion, leading some to attribute the murder to Richard. It remains for Dido to discover where Richard is hiding, why he fled, and who murdered the young woman—a tall order for anyone. As is universally true, Dido’s perceptions are necessarily limited, so despite her astute sleuthing, she doesn’t see the truth immediately. Fortunately, though, she doesn’t remain clueless for long. One hopes to see Dido soon in a welcome reprise to this masterful mystery. Austen fans, rejoice!

Reviewed by Lynne Maxwell

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