Summer Issue #105
June 17th, 2008 by Kate StineHi everyone,![]()
If an average picture is worth a thousand words, then Ichiro Okada’s portraits of Lawrence Block in the Summer Issue of Mystery Scene add up to a magnum opus. We asked Ichiro to give us images that reflected both the man and the writer and, as you can see, the results are stunning. For more of Ichiro’s work, visit his website at <www.ichirookada.com>.
Larry himself likes to supplement the written word with pictures and other interesting items. Be sure to read about the “Philatelic Edition” of the latest Keller novel, Hit and Run, in our interview; an example of the specially-printed U.S. stamp is is shown here.
In Stanley Ellin’s classic short story “The Day of the Bullet,” a young boy’s future—and eventual death—is determined the day he sees his idolized father humiliated by a local mobster.
A similar—albeit more positive—turning point in the life of a young Florida boy came the day he turned on the TV and found Police Story, Joseph Wambaugh’s groundbreaking anthology series.
That day sent Jim Born into law enforcement, then into a career writing about cops, and eventually into this issue with a heartfelt tribute to his literary hero.
Other highlights of this issue include a chat with southern cozy writer Mary Saums; an appreciation of Thomas B. Dewey; and a look at what happens when lawyers go to the movies.
In the intriguing “Music, Murder & Mayhem,” Kevin Burton Smith considers “The Long Black Veil”— a song which has become something of an obsession of mine. Kevin calls it “timeless backwoods noir” and plumps for The Band’s 1968 cover as the best ever. Well, he’s right about the song but so wrong about the singer. After listening to dozens of versions—my iPod playlists are a strange brew—I’m here to tell you that nothing beats the Dave Matthews duet with Emmylou Harris. Unfortunately it hasn’t been released for sale and the only way to hear it is in a TV video clip from the 1999 All Star Tribute to Johnny Cash. Check it out on YouTube, it will give you shivers.
Best wishes,
Kate Stine
Editor-in-chief
P.S. What’s your favorite crime song? Let us know and we’ll create a Mystery Scene Playlist for the Fall Issue.
Birthdays, graduations, holidays — there are many occasions calling for gifts for the young mystery reader. Here are a few suggestions, currently on the shelves of your favorite bookstore:
Interest in Nancy Drew has been escalating, particularly after the recent movie and the various new formats for paperback books. Now a young lady can get The Nancy Drew Pocketbook Mysteries: the first two of the original Nancy Drew hardcovers in a handsome carrying-case, cardboard overlaid with leatherette binding and canvas handles. (Simon and Schuster, $19.95)
For the youngster who wants to put some of the stuff he or she is reading into practice, Christ Oxlade has put together a Detective Tool Kit (Running Press, $24,95, 2007). The shrink-wrapped box contains everything a young detective might need as he or she pursues the suspects: a magnifying glass, clue containers, fingerprint pad and paper, etc. The enclosed manual explains how all this equipment is used by working detectives.
Hi everyone,
The annual avalanche of fall books has arrived at our office and there are some real gems this year. Just out and already receiving great reviews is Walter Mosley’s latest, Blonde Ambition. No surprise there but as you read our interview, you may be taken aback by the number and dazzling variety of new projects Mosley has in the works. We won’t even comment on the rumor that this might be the last Easy Rawlins novel…
June 27th, 2008 at 3:51 pm
Favourite crime song? Does “Hail to the Chief” count?
Given the fact Emmylou has sung with EVERYONE, I’m surprised she didn’t sing it with the Band at The Last Waltz. She was there, they all knew the song… maybe there’s an outtake somewhere out there.
But until then, I’m still plumping for the Band’s 1968 version. “Plumping like a ballpark frank,” as a friend of mine likes to say (she’s very strange, and watches far too many TV commercials…).
June 28th, 2008 at 9:54 am
Kate, I just got Block’s new book, and I’ll be starting it as soon as I finish the new copy of Mystery Scene.
As for mystery songs, Reba’s version of The Night the Lights Went out in Georgia is a favorite. Now of course, I won’t be able to get it out of my head for a few days.
Plus I have always wanted to know why Eric Clapton didn’t shoot the deputy??
June 28th, 2008 at 8:00 pm
Kate,
My favorite crime song is probably the Jimi Hendrix version of Hey, Joe. A sort of folksy/cowboy balled wheren the title character does in his old lady ’cause he caught her messin’ around with another man. A classic tale of betrayal, jealousy, and murder.
A close runner up is Parchman Farm by Mose Allison, a similar tale to Hey, Joe, Bankrobber by the Clash and certainly one of the most infamous of crime songs, Cop Killer by Ice-T.
June 29th, 2008 at 1:12 pm
Appropriate songs for the Mystery Scene playlist:
- “I Shot the Sheriff” by Eric Clapton (writ. Bob Marley)
- “I Fought the Law and the Law Won” by the Clash (or the Bobby Fuller Four)
- “Murder by Numbers” by the Police
- “Smoking Gun” by Robert Cray
June 30th, 2008 at 3:50 pm
1. Kevin, there’s no accounting for taste.
2. Gary, I have to get “Hey, Joe,” I don’t think I’ve ever heard it.
3. Jeff, I’ve always wondered who DID shoot the deputy. The song seems to imply someone did…
4. I’ve come up with a few other nominations:
R Dean Taylor’s”Indiana Wants Me.” Cheeseball classic sung in the form of a fugitive’s mournful letter to his girlfriend. The chorus “Indiana wants me, Lord, I can’t go back there” figured prominently in my Hoosier youth.
“Miss Otis Regrets (She’s Unable To Lunch Today)” by Cole Porter. Miss Otis has been lynched so can’t make an appointment; regrets conveyed by her maid. A rare example of good manners in a crime song.
“Polly” by Nirvana.
Supposedly inspired by a real-life kidnap and rape of a teenage girl, this creepy song is from the criminal’s perspective. I bet most people never realize the subject (I didn’t for years) since Kurt Cobain mumbles so much.
“O Valencia!” by The Decemberists. A Romeo & Juliet from two different gangs fall in love with fatal results. Several other songs in The Crane Wife DVD dealt with crime: “The Landlord’s Daughter” (rapist threatening victim); “You’ll Not Feel the Drowning;” The Perfect Crime #2″ (sample lyric: Sing, muse, of the passion of the pistol.) I don’t get the appeal of this group, they sound like self-enchanted grad students to me — still for criminal subject matter they’re hard to beat.
July 1st, 2008 at 10:42 am
Whew! The photos of the Honorable Mr. Block are stunning…and more than a little sexy. (But you–and my husband–didn’t hear me say that.)
As for the playlist, well, a Jersey girl predictably has her pick from the Springsteen catalog, including nearly all of the Nebraska album (”Johnny 99 ,” “Highway Patrolman,” as well as the title track.) For obvious reasons, my favorite is “Meeting Across the River,” “Born to Run”’s B-side, about a petty criminal heading out for a big score–after hocking his girlfriend’s radio! It even spawned a 2005 book: “Meeting Across the River: Stories Inspired by the Haunting Bruce Springsteen Song.” (Wish I could say that it inspired my own “Across the River,” but the connection wasn’t conscious.)
And from my Baby Boomer youth, “Ode to Billie Joe”. Since 1967, I’ve been dying to know what “me” and Billie Joe MacAllister threw off the Tallahatchie Bridge before he jumped.
Or did he? Bobbie Gentry ain’t talkin’ and forget that Robby Benson movie.
July 1st, 2008 at 8:51 pm
I confess! “Indiana Wants Me” was a favorite. (Yeah I still like it). Now gotta hunt it down for the iPOd and quit the loop you started in my brain. ha!
July 5th, 2008 at 12:48 pm
Warren Zevon - Excitable Boy, I think there may have been a crime in that one.