When we decided to organize a tribute to Ed Gorman, we were prepared for enthusiasm. We just weren't prepared for such overwhelming enthusiasm. As the tributes poured in, we began slicing articles, postponing columns, and finally adding an additional eight pages. The next issue of Mystery Scene probably won't be as jam-packed -- unless we announce "The Ed Gorman Tribute: Part II."

Seriously, reading through these essays has been alternately entertaining, touching and inspiring. Ed's been good to a lot of people over the years -- me included. Brian and I hope to continue Mystery Scene in the same spirit.

Of course, Ed isn't so much leaving Mystery Scene as he is migrating down the masthead. This issue introduces "Gormania!," his new column about the writing life. Be prepared for anything.

New Columnists, New Looks

Welcome to Lynn Slotkin, our new theater reviewer. Lynn, a frequent contributor to the CBC, will cover productions in Toronto, New York and London. Jon Breen is switching review topics from legal mysteries to reference and nonfiction with the revival of his "What About Murder?" column. And Adrian Muller returns with the "Transatlantic Eye" to keep us up to the minute on events in the U.K.

You'll no doubt notice a few other changes as time goes by. None of them, however, are likely to be as dramatic as our new look courtesy of art director Annika Larsson. Annika has beautified an impressive swath of the mystery press over the years including The Armchair Detective, The Third Degree and the Christie Chronicle.

Elsewhere in this issue, you'll read about a locked-room writer lost at sea, romantic suspense with a contemporary edge, and a chance to acquire your very own Edgar Allan Poe House Brick.

Brian and I will be at the Austin Bouchercon, manning a table in the Dealers Room. Be sure to drop by and say "howdy!"